[High -end Reading] Yin Xian: Reading Ding Mang's Poetry Revelation

【Yunfan Viewpoint】

Freedom and new mainstream poetry -reading Ding Mang poetry notes

Author: Yin Xian

Mr. Ding Mang has always been very concerned about the current situation, development and future of Chinese poetry.

Ding Mang believes that the contemporary and old poems have their own strengths and disadvantages, and they have not met the height of the times, and should be reformed or improved. The two sides should get closer to each other, and even in line to build a new mainstream poetry in Chinese. The ideal requirements of the new mainstream poetry style are: "content: nationalization, the Chinese nation generally likes to see; form: popularization, which is conducive to the acceptance and utilization of Chinese society; art: diversified, fully liberated personality." See ") Before and after the emergence of the new mainstream poetry, the old and new poetry are used as usual.

In terms of the reform of the old body poetry, Ding Mang was not satisfied with the small revolution and advocated the reform of the revolution, so he created a free song. The free song "characteristic is to completely put aside the original poetry, and basically or all uses contemporary speaking, just to integrate some rhythmic factors of classical poetry and songs. Yes, Pingzhang, lining, etc.), the form is close to the song, so it is called free song. " (Chapter 4 of "Contemporary Poetry") The free song is "a new, full of epoch -making atmosphere, freedom, and a new poetic style that reflects a certain rhythmic beauty. "At present, it is an intermediate that is closer to the new and old poetry style. It is the fastest one in the old body poetry in the two -phase movement." ("Episodes of Ding Mang Poems")

For the free song, in the 1980s, Mr. Ding Mang began theoretical discussion and conducted creative experiments. By the mid -1990s, dozens of free songs were published. Although some people in the poetry industry are watching, or indifferent and indifferent, the other part of the people respond positively and warmly support. There are many famous masters. The poet leader Zang Kejia praised Ding Mang's "respecting tradition, being able to enter, can come into being, and is full of innovative spirit. This is commendable and valuable." ("New Voice on the Old Poetry") "Beijing Poetry Garden" praised the free song and studied. Mr. Yang Jinsing, a well -known poet critic, believes that this kind of freedom, "absorbing the suite of Yuanqu, the size of the song, the size of the small order, the artistic experience of praising the spikes, the nature of the language, and the elegance of the vulgarity. The restrictions of the inherent song cards, and the rhythm of the song (such as dividing the yin and yang, and going up), creating a new poem with ancient style, Yuefu, song, folk songs, and even half -grid new poems. "Some excellent lengths", "long or short, free and lively, more suitable for expressing contemporary life." It is believed that Ding Mang conducted a practical test in both aspects of beauty and thorn. The most written themes are written. "He uses comics to outline the ugliness of all kinds of ugliness, assassinate bureaucrats, expose the darkness, ridicule the city, satirize evil, sharp, and happy. , With a good heart. "Yang Jinsing also pointed out at the same time," The righteousness is a little bit of the wind. If you can accommodate less strict words, a little more humor hints that the effect may be more effective in the image mood. " ("New Sound of Copper Board Iron Spectrum")

Mr. Ding Mang has a lot of free song works. Here are only a few examples to see:

Chinese Song

Huadan highlights, wine and food, hot fish and fresh fish, fragrant spray fried stew and fried, flower shoots colorful Qiong Yao. What a wealthy scenery, the trend of the times, good socialism! Regardless of his mother: the people are not rich, the country is still poor; what to say: thirteen, twelve! Only the word "diligence", sew a curtain cover. Stick a little ocean, with a little seafood, and higher value. Count you good luck: Guan Gong encountered Cao Cao. Mo Chongyan, no impatience, anyway, the national treasury expenses, the whole people come to the banknote. Drunk rice full, is the principle, Yun San smoke disappeared. The west wind outside the hall, the beauty in the hall laughed. The laughter is gradually gone, how much is left in Shanzhen and the sea. The lights went downstairs, clean, and white. Just the west wind blowing the curtain, and the sigh of sighing quietly.

Huaxia Song

The face of the face is not clear. Xia came to apply, the wind touted, and it looked a little bit light. Camellia glass, red carpet, wrapped in golden, powerful, fragrant, and delicate money. The chandeliers are diligent, and the air conditioner Xu Tufang Xin; the equipment is imported, and the waiter's suit is tall. The face was frosty, looking down at the land of China; the shoulders were tall and welcomed the smile on the overseas. Unfortunately, although the door is set, the lights are always safe; the people are often discouraged, and few guests are as good as Chenxing. Mo Xinjiao, don't tighten, how can you not figure out this account? This is my back garden. Regardless of his country's ban, there is the right to show his power, and the first time is premium. As for the people, tofu is also very sympathetic. You do n’t see it. Wanli rivers and mountains sprung up like rain, Huaxia is like clouds, and three hundred miles of Afang Palace, but is just hills. What is sad is that someone will find Mars from the dead ash!

Plug in Song Port

On the banks of the Yangtze River, the dark and sinking lines, like water and mountains. The golden lights on Wushehling, flowing water like smoke. The peaks of the north are fragmented, including the flames of the bears. More steel dragon tails, giant whales are overwhelming. A long time returning, turning great power. Look, the eight million tonnage is through throughput, and the two thousand strong men do their fairy!

Moneto Yonghuai

The year of the monkey has passed, and the year of the chicken has not been stunned.

Er Fang Shun, sorrowful, thinking about thousands of years of childlike heart. The bald pen is dipped in the long river, and Yun Jian writes the sky.

The free song made by Ding Mang is incorporated into the element of the Yuanqu grid, which is obvious: ① rhyme. Rhyme feet Ping Ping Ping Tong, Pingzhi interacts, and is staggered. Although the words in the sentence do not talk about flatness, pay attention to the appropriate interaction of flat sound. Such as "Putting Songs and Parking Coal Port", 14 sentences and 9 rhymes, including 6 Pingyun (edge, cotton, smoke, sky, Qian, Xianxian), 5 仄 rhyme (line, flash, film, flame, watching). There is no all -round and full sentence. ② There are many forms of confrontation. For example, the beginning of seven sentences at the beginning of "Hua Ji", the first two two sentence pairs (combined pair), the three or three sentences (Ding Foot pair), "Flat Face of Huaxia" "Flat and ... Smile face", four sentences Two or two are facing the fan. There are also phrases in the sentence, such as "golden glitter, power, fragrant, and precious money." "Huaxia Song", three, four, five, six, seventh, nine, and even twelve words, "Flat Flaxy" 8 sentences in the future, replace it in "Mo Xinjiao ..." , Or seem right right. ③ Spoken language, vivid and lively, wonderful, three points into wood. For example, the "care of his mother", "the right to show the spirit", and "the primary period is premium" of the corruption officials, like the sound of the primary period ", as if he heard its heart. In the saying goes, "Guan Gong met Cao Cao"; also used classical, "three hundred miles of Afang Palace". Mr. Ding Mang advocates the use of contemporary speaking and life vocabulary as much as possible to prevent the ancient Olympic jerky and clichés. Therefore, it is distinctive, the language is abundant, the language is smooth, and the voice is natural (but there is a phenomenon of the mixed pronunciation of Gengyun). He advocated speaking, but he did not refuse to blend with certain Chinese words, such as "Yuan Yong Huai" "Bald Pen Dip in Changhe, Yun Jian Written Tianwai" and so on.

Mr. Wen Xiang (late) of the former president of the Shanxi Poetry Society is a positive propaganda organizer and creator of the free song, and has achieved remarkable achievements. He believes that freedom songs are not the only way to modernize poetry, but it is likely to be one of the bridges leading to future mainstream poetry style. Freedom song comes from songs, close words, and is a new type of rhyme poetry style that is completely separated from the rhythm of the song and the rhythm. There is a taste. The creators must "tell the mind and show their minds, show their true body", create a new body for the development of Chinese poetry, and sing for the people's public, and keep pace with the times. There are various forms of free songs, wide content, nearly vulgar, and elegant. Adhere to "freedom" and control "freedom", adhere to "scattered" and overcome "scattered culture". Wenxiang is categorized than lyrics, divided into three categories: small order, median, and long -tune. Pay attention to refining.

Mr. Wen Xiang's free song for example:

Yingchun and Cambodia Ding Mang

The year of the cow is good. Brother, talent is especially high, long -term leading; brothers, who are chasing the old and who passed on to each other.

Hoshan Creek

Summer, shallow and smooth. The puppet spit buds, and the tadpoles become frogs. Not near the noise, the tail of the fish tail, naturally elegant, the shore willow and crow, the ancient brain is fully painted. Ask Tianya, where is Jianghe's entrance?

Flood

If the flood situation was sent, a group of soldiers carried the sand bag and rushed into the dam. Under the night, across the potholes, the shoulder is heavy. Polying. Every mud baby, like a seat iron tower. Because of the first instructor, the hand -made speaker, shouting a word of stunning, giving the soldiers and litting the spark: "Sliding down, glorious; standing up, great!"

Mr. Wen Xiang has a free suit and won the first prize of the first prize of the second "Huaxia Poetry Award" in the country, namely "Zhang Lao San Chuang Banquet":

[Working grievances] Zhang Laosan worked for several years, did not look at the half -eyed theater, did not eat half -mouth amaranth, in order to be an old millet and firewood. The old lady owed debts. To buy money, one year's salary was not open.

[Leisure and worry] After sighing, worry more; leisurely, looking at it. Guoxiangzhai was dazed. However, the door of the packets was sewn, the large round table, in the middle, the red men and green women rowed, and the middle -aged man was favored.

[Happy Banquet] The bowl on the table is really strange: it is not like the paving when worshiping the ancestors, nor the confession when worshiping the Buddha. Only the crabs who only recognized the live brace spit, and the great fish was at the cheek at first. I am a vision: a piece of snow -white diapers, how can this be guess? I saw the two beautiful sisters twisted and crooked. A chicken crown was worn on her head, half of the cucumber's mouth was sang.

[Encounter Rakshas] Mengmeng that middle -aged man's fat head, crooked his mouth: He, he, him, he was the boss who had made money, black heart, rotten his lungs, and owed a year of working money. Cai! This "shouldn't" hit the "not", "helplessness" stared at the "rogue", and couldn't wait to come forward to give him a good ears!

[Sublimation] suddenly remembered, and turned out of the house. Alas, for the alive money, I had to bear it, swallowed her voice, and had to sell him for him!

Irisement is ironic, the poor shape is exhausted, and the aftertaste is endless. This set is obviously influenced by the Yuan Ren's San set "The Dragon's Unknown Hook Board", and the self -determined topic in the text is quite a song.

During the period of freedom, it seemed to have a boom in some areas across the country. Shanxi Wenxiang, Zhang Sixi, Guo Shulu, Guizhou Zhang Zhixia, and Mr. Wang Mianzheng, Guangdong have produced a free song. Professor and experts such as Xiao Zixi in Sichuan, Hua Tong Geng, Hubei, and Cai Houjian, Fujian also wrote essays or poems expressed their appreciation to the free song. But in the past ten years, the boom has gradually faded, and the free song has paused and silent. In addition to Mr. Ding Mang's high years of illness, and a person who led the soldiers, Mr. Wen Xiang's illness, has a certain impact on the development of free songs. There should be other reasons. How to deal with it is worth discussing. There is a process of growth of new things. Often, spiral rises and move forward, and will not be achieved overnight. Set up for a while, it can be a preparation and preview again. New things cannot be perfect, and everyone needs to support it. The author hopes that in order to promote the development of Chinese poetry, the poetry industry continues to pay attention to freedom, continue to create and study freedom songs, find the rules, solidify the strong work, pick up the relics, and keep it continuously optimized. It is not perfect and perfect. Mr. Ding Mang's disciples, in order to carry forward the Master's way, spread the fire, and believe that there will be more contributions in continuing writing, discussing, and promoting freedom of freedom.

Free song is easy to write and difficult to write. Easy, lies in spoken language, no restraint in a fixed format, Pingyun rhyme, more loose against each other, and informal length. Difficulty, also here: spoken language is not saliva, to be refined, with connotation, vulgar and elegant, not vulgar, vulgar, and smooth; free song "although there is no fixed style, but there is regular", it should be particular about chapters and words like poetry and songs, ideas, ideas, and ideas. The creation of the country and the harmonious charm must have a "song" taste. Qu, you must appreciate it elegant and vulgar, "No talented scholars can't do it, but they can't learn" (Qing Huang Zhou Xingyu). If there is no considerable language and life reserves, there is no certain literary literacy, and it is difficult to write a free song. Furthermore, some authors have a bit of psychology that have not been removed, or they think that the song is more vulgar and owed to elegance. Due to the environmental atmosphere of the times, it is advocated that the song is more conducive to thorns, and it is more concerned about the tunes that are more conducive to thorns. Therefore, some authors who can write later were written. Generally, the author knew that it was difficult to avoid danger. It was convenient to get involved. This is probably the main reason for the pause of free song today.

"Difficult to suffer, Yu Ru Yucheng." Success comes out of difficulties, and coming out of difficulties is the real success. Friends in our poetry world, in addition to writing our old style poems, strive to innovate content, structure, language, and style, while paying attention to the innovation of poetry and style, advanced to build the new mainstream poetry style of Chinese poetry, let my poetic country reappear again Brilliant, after another peak of Tang poetry, Song Ci, and Yuan Qu, it is great.

The author suggested that "Ding Mang Literature and Art Research" also published test products including free songs and various new bodies such as free songs and neo -ancient poems, free words, etc., which can be published. Exploration "makes it one of the platforms and positions of poetic innovation. And we also boldly hope that national poetry magazines and competition judges can pay attention to the establishment of new poetry style.

About the Author

Yin Xian, a real name Yin Xianxu, was originally from Sichuan, graduated from Southwest Political Science and Law School, and served as a high school Chinese Teacher for many years in Lanzhou Tieyi Middle School. senior lecturer. Former editor -in -chief of "Gansu Poetry", specially edited and reviewed by FIA's Huanghuang Culture Press, and one of the compilations of the Ministry of Literature of the Mid -Tang Dynasty in the "Chinese Ceremony". Advisor of the Gansu Couplet Society and Chongqing New Shige Dragon Research Institute. He is the author of "Poetry and Song Writing Guidance", "Ancient Poetry Creation", "Selected Works of Yin Xian", etc. Poetry theory is often published in "Chinese Poetry".

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