Ma Han Yue Chinese Painting: Mountains and Restaurant Pen Mo Xiong Qiqi

Ma Han Yue Chinese Painting: Mountains and Restaurant Pen Mo Xiong Qiqi

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The mountains are high and long, the sea of ​​Yunhai, lush forests, Wanfeng stacked ... approaching Mr. Ma Hanyue's landscape paintings, you can't help but linger in the deep and dense and ancient new painting situation under his pen and ink.

The writer, painter, and calligrapher are in one, and Ma Hanyue is versatile. "Mr. Hima's Chinese landscape painting, he can find that he has well inherited the tradition of painting and calligraphy in the Chinese painting world since the Song and Yuan Dynasties. Methods to form unique lines, composition and color painting language, full of the spirit of the times. "This is the evaluation of Wang Yan, a director of the Chinese Artists Association and a doctoral tutor of the Chinese Academy of Art.

Ma Hanyue has successively studied at the Central Academy of Fine Arts and the Chinese Academy of Painting, and studied under Mr. Shen Peng and Long Rui. His landscape painting creation and thinking were deeply influenced by Mr. Li Keran and Mr. Huang Binhong. Li Keran's thick, dense and dense, and light and ink changes. Huang Binhong's sparseness and clearness, vertical and vague, and endlessly affected his landscape painting creation.

Every time one work, it must be full of spirit, meaning time, such as "Lie Listening Dragon", "Qiushan Gao Yuan", "Mountain Light and Autumn" and other works, "into the painting with books", emphasizing the change of the pen, simple and reckless, through the point line, through point line The contrast between the dense and dense and the thickness of the ink color, the in -depth contrast between the blank and the ink color of the large area makes the picture abundant, and the yin and yang deficiency and reality are available.

Perhaps because of the mountains and the lakeside, Ma Hanyue loved nature from an early age, and has a kind of love to almost sacred mood for the magnificent motherland. It is adjacent to the mountain, accompanied by the water, welcoming the sunrise, and the idyllic life of the twilight, which not only gave birth to Ma Hanyue's "landscape complex", but also gave him a pair of good eyes and a heart that is good at capturing beauty. Become the earliest art enlightenment in his life. Dashan's Qisong is different from the sea of ​​clouds, the magnificent shores of Dashan, and the spirit of Dashan's exquisite spirit, which has always been the theme of repeated exploration and depiction in his pen.

Ma Hanyue often sought a gloom in the mountains and mountains, and traveled through the land of Shenzhou, and found and discovered and expressed the "inner beauty" of the blend of heart source. He keeps in mind the ancient training of "foreign teacher creation, Zhong gaining heart source", whether it is the beautiful yellow mountains of Yunhai Songtao, or the towering Taihang of the wall; whether it is the frozen northern scenery, or the peach luminous smoke and rain. He got his footprint. The paintings of the paintings are thick, the pen is strong, the steep is hard, and the momentum is imposing. Knowing the sex of the grass and wood, the aura of the mountains and rivers.

His sketch is not realistic. His freehand is not described. He is lucky and turns with his heart. He has a sense of physical sense and creating virtual beauty, so that the whole picture reveals the sullen spirit and fresh and elegant wind. His "Dongshan is the scenery", "Spring Mountain Freehand", "Yougu Mingquan", etc., all are such works.

In his opinion, the image of landscape is the result of the mood of natural materials, and it has the characteristics of "idealism". "Quan Luo Qingshan", "Xishan Die Cui", "Tang Renpin Poetry", etc., with the weighing combination of the dense and majestic mountains and forests, show the magnificent and broad momentum. The paintings drawn in the pen, win with ink, wipe along the trend, densely dense, stained layer by layer, seeing the writing layers, or changing the interceration. The picture full of composition seems to be dense, but it is gloomy. Among them, Yanlan floats, waterfall springs are straight down, and water fluctuations are fluctuated. Shen Yun.

Draw "Mountains in the chest", expressing "the qi in the heart". The scene in Ma Hanyue's paintings is not the reproduction of the mountains, nor the description of the rivers, but there are too much majestic, the glory of Huashan, the magic of Huangshan, the spirit of Emei, and the charming of Wuyi. The lush clouds of clouds, the deep Mao Lin Mingquan, the gust -in rural scenery, the elegant mountain scenery ... completely due to the painter's love for the mountains and rivers of the motherland and the beauty of nature.

The Taoist doctrine and Zen thoughts in traditional culture have provided Mr. Ma Hanyue with inspiration, spiritual sustenance, and artistic inspiration. "Mountain Forest Words", "Spring River Water Warm", "100,000 Peak Mountains" are extremely simple composition, extremely simple pen and ink. From this we can appreciate his inner world: clean, elegant, clear, calm, and smart. The paintings such as "The Breeze on the River", "Songsong Ningcui", and "I Seeing the Green Mountains Charm" and other paintings are peaceful, elegant and implicit, quiet and gentle, and full of Confucianism.

Ma Hanyue's landscape paintings are mostly the main body of the mountains. However, the unmanned mountains and mountains have become personalized, and the beauty of the beauty is integrated with the lofty spirit.

Ma Hanyue, Zhai, borrowed the mountain hall, was born in Shandong, and now lives in Beijing. National first -level artist, chairman of the Cultural Industry Committee of the Chinese Cultural Management Association, a visiting scholar of the Chinese Academy of Painting, Deputy Dean of the Shandong Provincial Academy of Chinese Painting, and an honorary academician of the Royal Academy of Art of Victoria in Canada. Member of the Chinese Writers Association, a member of the Chinese Artists Association, a member of the Chinese Calligraphers Association, a member of the Chinese Literary Critics Association, a member of the Chinese Poetry Society, a director of the Chinese Federation Society, Deputy Director of the Calligraphy and Calligraphy Art Committee, Honorary Professor of North China Institute of Science and Technology, Beijing Chinese Culture Promotion Consultant, deputy director of the Culture and Art Committee of the Chinese Care Law Society. He has successively served as editor -in -chief of the "Literature and Art" Chinese Painting and Calligraphy Expo, Director of the Art Center of the People's Daily Press, tutor of Peking University famous studio, dean of the Chinese Painting Research Institute of Renmin University of China, and a specially appointed professor. He has held individual exhibitions and joint exhibitions at important domestic places such as the Chinese Art Museum, the National Painting Academy of China, the Military Museum, the National Committee of the Chinese People's Political Consultative Conference, and the National Cultural Palace, and the United States, Italy, Argentina, Japan, South Korea, Ghana and other countries. The collections of museums, museums and large institutions have gone to more than ten countries in Europe, America, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia, Asia and Africa, as well as Hong Kong, Macao and Taiwan, and sketching for exhibitions and academic exchanges. He has won the Dragon Cultural Gold Award, the UNESCO Florence History Center International Cultural Exchange Special Contribution Award. Xinhua News Agency's "Research on World Issues" and the "Economic Participation" and other important internal ginseng special drafts were introduced.

Published a novel "Dole", "You Are My Baby", the artistic collection of "If I heard a record of Chinese contemporary artists interviews", prose collection "Listening", "Gift You Spring", Prose Poetry Collection "Forever Forever "Red Fruit Tree", "No Sinking Boat", Poetry Collection "Rose Collection", "Selection of Malaysia lyrical Poems" (Chinese and English), landscape painting collection "Selection of Teaching Templates of Chinese Higher Art College -Selection of Ma Hanyue Works" Asked about the appreciation of the Malaysia Yue Mountains Painting Painting "" The Division of the Master of the Division of the Chinese Painting Master's File File · Ma Han Yue Volume "and other literature, art, and calligraphy works.

As a typical representative of contemporary literati paintings, Ma Hanyue is an important person in the field of Chinese landscape painting creation with unique painting language, distinctive personality characteristics, pure college atmosphere, and strong era of art education. Zheng Bo Cai, both art and literature, enteal the truth according to the benevolence. Ji Shi, Culture and Culture, painting, and painting, painting Daqian world in the slightest. His landscape paintings are strong and poetic. It contains Yingzui Hua and self -family methods. He wrote today's meaning in the ancient people's pattern, painted the world with the feelings of life, and eased the artistic spirit with pen and ink.

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