The authenticity of the scholar in the Song Dynasty appeared in the Provincial Museum

□ Chutian Metropolis Daily Journalists Xia Yu Chen Lingyan Correspondent Nie Zhiyuan Zeng Bowen Photography: Chutian Metropolis Daily Ji Mu Journalist Xiao Yan

The rare national treasures appeared, and the audience was close to the showcase, staring quietly. There was the affectionate chanting of the volunteers in the ear, "the rivers and mountains are picturesque, how many heroes in a while", the violin rang quietly in the exhibition hall, Yu Yin around the beam.

On September 27th, hosted by the Chinese Calligraphers Association, Hubei Provincial Culture and Tourism Department, Hubei Provincial Literature and Art Circle Federation, the China Federation of Calligraphy and Art Center, Hubei Provincial Museum, and Hubei Calligraphers Association "Shangyi Thousands - —The Calligraphy Theme Exhibition of the Song Dynasty was grandly opened at the Hubei Provincial Museum.

Photo by Xiao Yan, a reporter from Chu Tian Metropolis Daily

Su Shi, Ouyang Xiu, Mi Yan ... Each name is a peak in the history of Chinese culture. The Song Dynasty calligraphy represented by them created a new style of art and created a peak of art in the history of Chinese calligraphy.

Now, their true traces come from the Palace Museum, Shanghai Museum, Jilin Provincial Museum, and Liaoning Provincial Museum to wait for a conscience.

Top -level treasures are rare at all times

The series of "Shangyi Qianzai -Song Dynasty Calligraphy Theme Exhibition" includes three major sections: "Special Exhibition of the Song Dynasty", "Contemporary Copy and Creation Exhibition" and "Song Dynasty Book Seminar".

The first part is the "Special Exhibition of the Song Dynasty". According to Fang Qin of the Hubei Provincial Museum, many exhibits are "rare". Borrowing "first -class Class A" Mi Yan's father and son's cultural relics from the Palace Museum -Mi Yan's "Aging Post", "Breaking the Top Tips" and Mi Youren's "Stop Holding Blessings"; from Jilin Province The Museum borrowed Su Shi's "Dongting Spring Emperor Zhongshan Songyu Fu"; from the Liaoning Provincial Museum, Ouyang Xiu's "Ouyang's Spectrum Preface and the Night Pavilion Poetry Volume"; Posts and so on. There is also Huang Tingjian ’s“ Board of Wine Ugly Women ’s Posts” (Top Film) and other handed down posts, as well as 35 pieces such as Zhang Daqian ’s“ Dongpo Tour Chiibu ”, Fu Baoshi’ s “Dongpo Tour Chiibu”, Su Shi ’s“ Sanzhou Rock Title ”pioneer, on the one hand The basic context of the Song Dynasty Shangyi Calligraphy was exhibited, and on the other hand, it introduced the life experience and important calligraphy nodes of Shangyi representative book writers.

Many exhibits are rare to see

Shangyi Qianzai -Song Dynasty Calligraphy Theme Exhibition

The second part is the "Contemporary Copy and Creation Exhibition", exhibiting the works of the Song Dynasty calligraphy and creation of the famous calligraphy of the contemporary calligraphy. The third part is the "Song Dynasty Book Seminar". The historical influence of Shangyi's style of style "" The concept of calligraphy of stills in the Song Dynasty, and the study of connotation "and other themes conducted a special discussion. There are many new perspectives and new perspectives to provide theoretical support for the development of calligraphy and sustainable development. These two parts have given a richer practical significance for the "Shangyi Thousands of Lian -Song Dynasty Calligraphy Theme Exhibition".

At the opening ceremony, Sun Xiaoyun, chairman of the Chinese Calligraphers Association, delivered a speech: This calligraphy exhibition sorted out the development of traditional calligraphy, continued the style of humanities in the Song Dynasty, and stimulated the book writers to open up the ancients, call them for the people, write for the times, and write for the times. Essence

This exhibition can be described as a top treasure art event, which is not common in the country.

Zhang Shuoshuo, who was specially appointed in Nanjing, was a doctor of calligraphy of Southeast University. He explained professional knowledge for the surrounding audiences at the scene and suddenly started a small calligraphy classroom. He told Jimu Journalists that entering the exhibition hall made him shine, "breaking through his imagination." "The exhibition hall is like a discourse space, breaking the boundaries of time and space. The rare treasures are no longer static. The audience talks with the ancients here."

Calligraphy is closely connected to Hubei

The Jingchu earth has been an important area for the development of Chinese calligraphy since ancient times. Many calligraphers have had important calligraphy activities in Hubei. Mi Yan, Cai Xiang, Su Shi, and Huang Tingjian have three people in Hubei. Essence Tracing back to the history of Chinese calligraphy, the "Jingchu brand" left by these scholars all points to the important significance of "Shangyi Thousands -Song Dynasty Calligraphy Theme Exhibition" in Hubei.

"Hubei is a fertile soil with rich calligraphy resources. As an important source of the style of the old intention of the Song Dynasty and Hubei, which is the source of the dissemination area, from Ouyang Xiu, the new literary and artistic literary and artistic style of the Song Dynasty, to Su Shi who created" Huangzhou Cold Food Poetry ", to the" brush word 'Xiangyang Mihuan', and Huang Tingjian, who created "Songfeng Pavilion Poetry", not only left a clear and complete context from theory to practice, but also from theory to practice, but also the representative book writer of Shangyi The representative works are also very concentrated. These factors have pushed the calligraphy of Hubei in Song Dynasty to the peak. "Meng Qingxing, chairman of the Hubei Calligraphers Association, introduced. , Also laid the Chinese romantic literary gene. During the Six Dynasties, the Saint Wang Xizhi of the Book also worked in Ezhou (now Wuchang, Hubei) for many years.书 'New Books in the Tang Dynasty. The calligraphy of the Song Dynasty is known for' Shangyi '. Among them, Jingchu land is an important source of the trend of calligraphy and creative practice and the area of ​​communication. Zhidong's office and activities have a significant impact on this area. Especially Zhang Yuzhao, who is known as the "Monument of Monument" and Yang Shoujing, the precedent of Japanese modern calligraphy, has an important impact on modern calligraphy. "

Don't miss these top treasures

Three pieces of cultural relics of Mi Yan

Mi Yan's "Aging Post", "Broken Top Tips" and Mi Youren's "Stop Holding Blessings". Mi Yanzu was born in a military officer, and in his early years, he was also criticized by the Eun shade. Therefore, Mi Yan attached great importance to the cultivation of his son -in -law, and he had high hopes for the eldest son Youren.

Huang Tingjian once wrote poems and praised Mi Youren: "Tiger's strong brushwork will definitely inherit the father's bowl in the future."

A total of 119 characters in "Stopping the Blessings", the main content is a reply from Mi Youren to Zong Ye. Essence Mi Youren should have no official position at that time, so he paid tribute to Xu Yan in his words. The letter also mentioned: "You have not yet assigned others to contact you in order to order the mourning." This record provides us with valuable information for us to understand the folk mourning customs of the Song Dynasty.

The classics of Su Shi during the trough

"Dongting Spring Fu" and another masterpiece of Su Dongpo "Zhongshan Songyu Fu" is combined on one volume, and the Jilin Provincial Museum is now hidden. The book "Dongting Spring Emperor" was in Xiangyi (Henan, Henan Province), who was degraded on the south of Lingling Lingnan. At this time, Su Shi just entered the trough again from the peak of his life in the early years of Yuanyou.

"Dongting Spring Fu · Zhongshan Songxuan Fu Co -in Volume" was collected by Zheng Da, Hubei Xiangyang during the Ming Dynasty. In the late Qing Dynasty, he brought this volume when he was out of the palace and hidden in the Puppet Manchuria Palace of Changchun. In 1945, the Manchu country was overwhelmed. The whereabouts of this national treasure were unknown and caused damage. The Jilin Provincial Museum visited for more than 30 years, and then found this volume to make this precious national treasure return to the embrace of the country.

Su Shi "Dongting Spring Emperor Fu · Zhongshan Songyu Fu"

Ouyang Xiu's pen

A generation of Wenhao, the pioneer of the stills of the Song Dynasty, and the teacher of Su Dongpo. Before 986, he was degraded to the Gorge, served as Yiling County Land (now Yichang, Hubei), and then went to Guanghua to serve as county magistrate (now Laohekou City, Xiangyang, Hubei).

Ouyang Xiu's "Ouyang's Spectrum Preface and Night -Heman Book East Poems" is a rare calligraphy quality of Ouyang Xiu. The big calligrapher Su Dongpo commented on his book and showed his book.

Ouyang Xiu "Ouyang's spectrum sequence and night stay in the middle of the poetry of the East Pavilion Poems"

Huang Tingjian's "Bojiu Ugly Women's Post"

When Huang Tingjian was in the position of supervisor of Guozi Guozi in Beidu Grand Mansion (now Handan, Hebei). Content poetry two are written by self. Takamoto is hidden in the Xiangyang Library in Hubei Province, and it was originally a hidden hidden in the Holk Rope. According to the research of scholar Huang Jun, this is the earliest one in the context of the traces of the valley handed down.

Wu Yan "Broken Jin Tie"

Wu Yan is a representative bookwriter inherited the style of Mi Yan's book style in the Song Dynasty. It can be said to be "second". He exhausted the calligraphy of Mi Yan from his life and achieved the extent.

The content of "Broken Jin Tie" is the five different text recorded by Wu Yan. Compared with the danger of Mi Yan's calligraphy, it has a pretty and handsome atmosphere.

Wu Yan "Broken Jin Tie"

Experts and scholars discuss calligraphy everyone

Yan Huang descendants must be in awe of Chinese characters

On the morning of September 27, the keynote speech of the Song Dynasty Book Seminar was held at the Hubei Provincial Museum Research Center. Four guests in the fields of calligraphy and literature conducted wonderful speeches around the Song Dynasty books and literary worlds. Through his thinking and interpretation, the Song Dynasty classic classic scholars and classic works seemed to be far away from us.

The academic seminar was chaired by Meng Qingxing, the chairman of the Hubei Calligraphers Association. He said that the main purpose of the seminar was "ancient and modern dialogue".

Li Gangtian (Deputy President of Xiling Yinshe, Professor of Calligraphy College of Zhengzhou University, Doctor Student Tutor):

"Jin Shangyun, Tang Shangfa, Song Shangyi, Yuan, and Ming Shang" is a paragraph of the Qing Dynasty calligrapher Liang Yan in "The Book Post". Since then, people have set the Song Dynasty calligraphy in "Shangyi". But what is the specific content of "Shangyi"? But the benevolent sees the benevolence, and the wise sees wisdom.

The Song people still said that the center was talking about the personality performance of the Song Shi scholars. Differences and uniqueness. The Song people's calligraphy showed "people's present" and have the personality of people. Today, we discuss the spirit of Shang Yi's style monk's intention. We should not only focus on the techniques and forms of the most unrestrained law and the new establishment. "people oriented".

Cong Wenjun (Professor and doctoral supervisor of the Institute of Ancient Books of Jilin University):

Jin Tang's calligraphy has achieved high achievements. For the Song people, no matter whether it is chic or strict, there is no room for creating. And many of Ouyang Xiu's opinions helping the transformation of calligraphy in the Song Dynasty, and he failed to explore theoretical exploration for the transformation. This task fell on Su Shi and Huang Tingjian. Su Shi advocates reading more books to enhance personality with academic care, and let people return to their original intentions and true nature. It has important theoretical value. Huang Tingjian's "East Po -Book Far View Building Fu" responded. From reading more to further clarifying the "qi of learning articles", they pursue learning, inspiration, and broad pride, are naturally artistic quality from the inside and outside, which can be based on their learning articles.

Xu Liming (Professor and Doctoral instructor of Nanjing Academy of Arts):

The formation of Shang Yi's style is closely related to the social culture of the Song Dynasty. The calligrapher of the calligrapher advocates personality during this period. From the perspective of the inside and outside sides, the personal temperament and aspirations of the internal and external scholars are beautiful and open. The integration of inside and outside has their characteristics of outstanding personality and strong style. A literati and strong work with strong styles together present a colorful artistic effect. From a formal beauty point of view, compared with Jin and Tang dynasties, it can be seen that the exaggeration of calligraphy in the Song Dynasty. Taking Miji as an example, his calligraphy has changed a lot, brushwork is rich, and often has an exaggerated form. Therefore, his common accidents in his calligraphy are also the reason why his work is extremely difficult to copy.

Mi Yan "Broken Tips and Palace"

Cheng Yuzai (Professor and Doctoral instructor of Peking University):

I always think that Chinese characters are the greatest heritage of my Chinese nation! I once wrote such a joint language: Chinese characters are the treasures of Huaxia, and calligraphy is the essence of Chinese studies. Every Yan and Huang descendants must have respect for Chinese characters and must be awe. Whenever you mention a brush, please stop a little, think about it, and feel the sense of awe of Chinese characters in your heart, so that you will not be ugly, vulgar as elegance, and weird as innovation. After reading Li Bai and Du Fu's poems, the poet Bai Juyi of the middle Tang Dynasty worshiped very much and wrote a poem entitled "After Reading the Collection of Li Du Poems", and praised Li Bai and Du Fu. " The conclusion enthusiastically praised and appealed: "Heavenly will must be met, and the world must be good." Bai Juyi said, Li Bai and Du Fu, you really understand the will of God -the willingness of God to hope that there is a good poem in the world -so You have written so many good poems. I just follow the meaning of Bai Juyi. I have to ask the monarchs to the calligraphy friends who are here and not here.

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