Facing the reality, how dare this drama?

The narrative style of "Bottom Line" is easy, but the cases presented are unambiguous. The case of insulting mother murder, sudden death of the anchor, the case of sexual harassment, the case of being killed by my girlfriend and boyfriend ... Each one is very realistic, which is enough to cause discussion. After the broadcast, "too dare to shoot" became a high -frequency vocabulary on the barrage.

Produced | Blog World Great Entertainment Report Group

Author | Weiqiao

Edit | Ding Yu

What is the judge like?

In the imagination of the public, the judge may be high, wearing a robe, holding a hammer, and a hammer; but the real judge may be more grounded than the image in your mind.

In the TV series "bottom line", the style of the judge breaks the stereotype -they are not a serious serious expression, but a relaxed and full -fire -full firework -in fact, this is the most authentic judge image.

For example, Fang Yuan (Jin Dong), president of the court, was called "Fang Xier" by the clerk, and he would also "kick" his apprentice Zhou Yi'an (Cheng Yi) into the office. For another example, Chen Kang (Wang Jinsong), the president of the first court, and Fang Yuan when they met, "fighting their mouths", colleagues in the court laughed that they were "old girlfriends".

Fang Yuan "kick" his apprentice Zhou Yi'an into the office

However, under this relaxed narrative method, the case presented in the bottom line is unambiguous. The case of insulting mother murder, sudden death of the anchor, the case of sexual harassment, the case of being killed by girlfriends and boyfriends ... Each one is very realistic, which is enough to cause discussion among the whole society. After the "Bottom Line" was broadcast, "too dare to shoot" became a high -frequency vocabulary on the barrage.

With the development of the plot, the audience opened the online learning mode. On social media, many netizens said "ask if they don't understand", so professional vocabulary such as the mediation, the case, and the amount of the case is widely popularized, and the working relationship between judges, law assistance, and clerks has been clearly interpreted.

As my country's first panoramic display of the latest achievements of the judicial reform of the people's court, the plot of the "Bottom Line" is in line with the current society high, reflecting the realistic issues facing the public. Through typical characters and complicated cases, the play shows the entire process of trial in a large number of details. In the context of the new era, the three generations of courts have continued to develop on the road of judicial and people's mission.

Human state outside the case

In the past film and television works, the judge's subject matter lacks breaking the circle due to scarcity and professionalism. In many people's eyes, the process of judge trials will be relatively bland, and it is difficult to show the dramatic bridge like "last minute rescue".

The "Disgracement Murder Case" trial process

In fact, the real court story is not plain, but how to tell the story well to make the plot look good and real, it can also reflect the adherence and temperature of the people's judges, which is not easy.

To this end, the Supreme People's Court specifically organized the "Bottom Line" main creative team to go deep into courts at all levels. The main creative team first learned about the organizational structure of the domestic court through training; and through field surveys, more than 200 court workers of different positions were interviewed, more than 300 real cases were collected, and the prototypes and case material libraries were established.

In the meantime, the main creative team and the judges went to get off work together, listened to the trial, discussed the case, and followed up the court's handling process throughout the process.

In the process, director Liu Guotong was touched. He learned that the essence of the domestic judicial system is justice for the people, supporting the crisis and rescue, and protecting the weak.

The law is cold, and people with temperature are people. After contacting many real judges, the main creative team found that whether it is the highest law judge or the judges of the grassroots courts, they are all vivid and vivid.

In the play, the image of Fang Yuan, the president of the court, is exactly the real work of the grassroots court. He is called "Fang Xier", not intentionally ridiculous, but in the state of daily work. The grass -roots court's pre -mediation workload was great. Liu Guotong described: "The judges were bitter in the mediation, and they were very similar to enthusiastic neighbors and representatives of the neighborhood committee."

The case of the case is the first window of the court, which is responsible for the number of work related to the filing and litigation services such as the registration and review of the case registration and review, and the pre -litigation mediation. It can be seen from the play that when the anchor lives suddenly, it is small to buy things with the owner. Whether it is the fight for custody in the family or the economic contract disputes, it must start with the case of the case.

The case of the case was described as the door to the gate of the people.

Therefore, the audience also discovered the story in the "Bottom Line", which happened in the mediation room more than the trial of the court. "Turned or judged?" It is almost the choice that every parties in the play are facing. Fang Yuan's daily work is more about the parties, listening to demands, soothing emotions, and within the scope of law, find the optimal solution to disputes.

Therefore, through the lens language, the audience sees not serious laws, but on the human attitude behind the cases. When the plaintiff and the defendant each stated the journey of mind, it brought more complex legal and human relationship.

In the beginning of the "Sudden Death Case of the anchor", it did not do an extreme treatment for the creation of suspense conflicts. It was just after several evidence exchange and negotiation games, it carefully restored a regrettable tragedy. The reason for the death of the parties is that the company has the economic burden that the company has induced the anchor through institutional and rewards, as well as the economic burden of parents imposed to her daughter.

When the younger brother who seemed to do his best to be a "light male" dividend was excitedly disappeared for his sister's reputation, and his parents seemed to "use his daughter's death" when he cried and regretted it in court. After the "Sudden Death of the anchor", the female anchor's parents and brothers cried in court

For another example, in the "intermediary drinking and death", Zhang Peng had a good intention to do bad things. Out of sympathy, he asked Meng Wei to drink. Unexpectedly, the latter died. He lying in front of him was because of family difficulties and wanted to escape compensation, and Meng Weiyi, who seemed to be strongly requested to compensate, also agreed to reconcile with the tears and persistence of Meng Wei's mother. The case has changed from "judgment" to "mediation", leaving only the public's booing.

People with the expectations of "disconnection" enter the plot, but with the deepening of the case, finding that good and evil are not a simple dual opposition. Everyone has a difficult side, and this is the real life.

Fireworks outside the French robe

"Bottom" breaks the sense of mystery and alienation of the court. If the audience watched the drama with the previous stereotypes, they often find the predictive prediction of the emotions and the development of the plot, and it is precisely this kind of plot that breaks the stereotypes, which is a rare truth.

In the play, the main location of the story is the Xingcheng District People's Court of Rongzhou City, New South Province. As a grass -roots court, there are huge number of disputes and complex types facing every day, which is precisely the real portrayal of the work of the grassroots courts in reality. So much, the court staff in reality said after watching the "Bottom Line": "This is to move my work daily to the screen."

How to make the audience do not mess up during the watching process, it is also a question that the main creative team needs to consider. In response, directors Liu Guotong and screenwriter Fei Huijun and Li Xiaoliang adopted the "big case set" and multi -line parallel narrative in their creations.

They did not use the form of "unit drama", but they chose criminal cases to present them with civil cases.

At the same time, the parallel advancement of civil cases uses the principles of similar themes and complexity. For example, the two sexual harassment cases that have caused extensive discussion -the "female secretary -like male boss sexual harassment case" and Ye Xin (Cai Wenjing) hosted by Zhou Yiren and Ye Xin (Cai Wenjing) received the "female sales workplace sexual harassment case".

The interaction between the two cases is parallel, and it shows the difficulty of social prejudice and rights protection facing the problem of sexual harassment. It also allows more people to dare to use legal ways to safeguard their rights and interests.

In addition, the workers were drunk, and the milk tea shop joined the deceived cases. They all wrote the hardships and helplessness of ordinary people's survival, and also showed the sweetness and bitterness of the judge in their work. As they said: "Behind each dossier is a sad and happy clutch."

The huge amount of information comes up, and a variety of cases of cases attract the interests of the audience and triggers thinking. The judges are nervous and busy with their lives, and they also have the distance between the audience and the judiciary.

The court workers are the medium between the public and the judiciary, representing the solemnity of the law. Volkswagen's impression of them is often rational, calm, and even high. The "Bottom Line" came down from the solemn trial, not only talking about their efforts and struggles in their work, but also revealing the lively side of ordinary people in their lives.

In the subsequent cases, Fang Yuan always had any room for the closer to the parties and quickly found the way to meet the needs of both parties. The whole year's grass -roots work made him an experienced practice, exploring his own work criteria: find the middle point that both parties can accept the case, and deal with disputes at the least time and the lowest cost.

The actor Jin Dong changed his previous erect elite image and always bent his waist in the play. During the collection, Jin Dong made a lot of notes, and he also participated in a mediation of a divorce dispute in the court. His performance came from the observation of reality.

Therefore, Fang Yuan, who saw in the play, had to respond to Uncle Qi (Bi Yanjun) who always came to the response to him, and politely let the enthusiastic clothing store owner (Huang Xiaolei) leave, and he had to hold the divorce couple's child. Mediation.

Fang Yuan takes care of the divorce couple's children

At the same time, he had to face the sacrifice in life. Because he often worked overtime and did not take much time to take care of his child, his wife Li Xiaole (Zhao Ziqi) could not go to the law firm because of the judge's avoidance system.

Zhou Yiren represented the new power of the grassroots court. As a new judge who has just entered the amount, he has both the blood of young people, as well as the diole of the bottom of the bottom, and the swing and challenges in the process of insisting on the ideal process.

The actor Cheng Yi is no longer a beautiful man, but a simple shape. Whether it is an interesting interaction with Master Fang Yuan or the mutual encouragement between colleagues, it is very vivid. Director Liu Guotong remembers that in the experience life, Cheng Yi seized everything that could communicate with the judge. During the shooting process, he had been taking notes for the character. In the end, a vivid performance method shows the style of the younger generation of judges.

Zhou Yian's enthusiasm ceremony

And Zhou Yian's role also represents the difficulty of becoming a judge. The background of the "bottom line" was set up after 2014. Judicial reform has comprehensively improved the difficulty of becoming a judge, but the number of judges is not available every year. Even if there is a selection, it can become a formal judge. The solemn and solemn judge's oath in the play is a display of reality. Ye Xin, a young female cadre from the highest law to grassroots, is full of idealism, justice, and blood, and she is eager to maintain fairness with legal maintenance. In the play, because of the rigorous and wise, she is called "French Sister", but she also faces the confusion of reality when she encounters the theory.

In the case of sexual harassment in Li Fangxing (Wu Lu), Ye Xin's persistence and encouragement gave the parties the courage to protect their rights. The verdict also broke the stereotypes of such case handling methods and social impacts. Essence However, in the milk tea shop franchise case, Ye Xin ignored the core demands of the parties. She realized that the same persistence may be in exchange for the second harm to the parties.

There are also calm and cool criminal court judges Song Yuzhang (Wang Xiuzhu), the senior legal helping sister (Wang Yinan), the lively but professional clerk Shusha (Wang Shasha), etc. The character portrayal depicts a vivid and vivid, very fireworks group portrait.

For example, Fang Yuan and Chen Kang have different personalities on the surface, and their bones are similar. The two sometimes quarreled, and the leader was also their master Zhang Weimin (Zhang Zhijian) to dismantle each other in front of each other, sometimes helping each other and massaging each other intimately.

Chen Kang Massage for Fang Yuan

After the broadcast,#开 开 开 开 掰 掰 掰 掰 掰 开 开 开, under the vivid interpretation of the old drama bone, the grounding bridge, the humorous dialogue and the depression of the serious theme, also reflect the audience to the "bottom line to the bottom line "The enthusiasm of chasing the drama.

It turned out that the judges also squeezed the subway to get off work, played the mountains on weekends, and used sports to relieve the pressure; middle -aged people were worried about their families and children, and young people were urged by their parents. Outside the law, their lives are like every ordinary person.

New pattern of judicial theme

"Capital chase interests, parents are randomly distributed, but as long as they do not violate the law, we will have no right to interfere." In the sudden death of the anchor, Ye Xin was indignant to the company involved in the use of legal blind spots, sadness in the relatives of the parties, and Fang Yuan said in a word. Out of the level and boundaries of court workers.

During the discussion of the case of "Lei Xingyu's Murder Case", under the violent collection and insulting mother's evil behavior, the two judges could maintain a rational judgment, whether their behavior was in originality and had different differences, and the relationship could not be held. Essence Song Yuzhen, who is responsible for the first instance of the case, said: "Everyone has a personal position, but as a judge, he must abandon his personal position."

The court workers have the constraints and helplessness, but the judge does not blindly emphasize the decision of the law. On the contrary, the considerations and choices between feelings and the law are the channels for court workers to promote the progress of the rule of law.

The judgment of the sudden death case of anchor's death has overturned the previous cases, filled MCN companies' legal blind zones that use contracts to avoid responsibilities, and promoted the standard of the anchor industry; The rigid law of defense has also deteriorated violent harvesting.

The "Bottom Line" showed the audience in all aspects of facing controversial cases. How the judges and cocoons were pumped on the evidence and analyzed the rules of the law to eventually form a rigorous and fair judgment.

There may be only one piece of paper, but the logic behind this is far more than that. The "Bottom Line" is advancing through multi -angle and multi -position plot, allowing the audience to understand a deeper significance.

In the case of sexual harassment, the young woman Ye Xin believes that she cannot be swallowed because of the worries of the reputation. She should stand up to maintain herself with the law. Being a hero in the first place.

Some of them argued that they had a sharp point of view and emotional projection, which represents the ideological collision of women of different angles and different ages.

Ye Xin and Sister Wang argued the case

Li Fangning's threat, harassment, malicious speculation, and cyber violence during the dispute, reproduced the injustice and stereotypes facing women in society. It is precisely because of the progress of the times that the moral shackles that are added to women are being broken. In this difficult process, women need to speak bravely, and they need the most fair support for laws.

As the drama says at the press conference, the case can win the case, based on the "Civil Code", which is more specific and clear for sexual harassment.

The screenwriter Fei Huijun and Li Xiaoliang have analyzed the creative logic of "Flops": "The logic of literary creation and the court's work is the opposite: the court has a case before it can be judged, and the creation is to choose the path first -the first establishment of the purpose of establishing want What the theme is expressed, and then push the plot upside down. "

Therefore, the cases involved in the "Bottom Line" are to express the corresponding creation after expressing the theme. None of the cases occur, but should be regarded as a certain type of case. However, the internal logic of the court's work is consistent, such as people -oriented, cases, and righteousness and evil. Creation must also be considered from three dimensions: law, reason, and affection.

In fact, the "Bottom Line" also reflects a dimension -new, that is, the new problems and laws and changes brought about by the new social development in China in the past ten years. The results in the process of judicial reform are exactly in this specific case after another, in the rulings again and again, the bricks and tiles accumulate. For example, while stating the case in the play, the public opinion of public opinion is also fully presented, which is also a major feature of the development of the Internet in recent years.

From the live broadcast of the whole people to the court of the court to the swarming of the court's gate, in this era of information, the court faces a more complicated public opinion environment and stricter media supervision.

In the play, Song Yuzhang, a judge of wisdom, will also lose his intention because of the "insulting mother's murder case". Under the pressure of public opinion, how the court adheres to the fair judgment has also become one aspect of the "bottom line".

New labor relations, new interpersonal relationships are constantly emerging, new social difficulty is endless, and it has also promoted the innovation of the rule of law. The "bottom line" integrates the concept of the rule of law to the era of life. At the same time, it is very realistic, and at the same time, it also has its significance in judicial theme works.

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