"The End of the Sea is the Grassland": Gather the national love with the family's little love

Reading prompt

Recently, "The End of the Sea is the Grassland" is released on the movie theater. The film uses the real event of "Three Thousands of orphans into Inner Mongolia" as the background. It uses delicate lenses to shape her mother who can care for her children and her stubbornly sensitive daughter. For the audience, a specialized grassland family that has no blood relationship, and everyone in the family has no border with Du Sihuan. Just as the historical facts of the "Three Thousand Orphans Entering Inner Mongolia", all ethnic groups blend in this grassland, and love can not look at the end like a grassland.

■ Cui Anqi

Recently, the new work "The End of the Sea is the Prairie" directed by Er Dongsheng was released on the cinema line. The film is based on the real event of "Three Thousands of orphans into Inner Mongolia". I heard, with the memories of others, he talked about Du Siyi's growth experience. The film uses a delicate shot, the memories and the different tones of the reality, and shaped the three -dimensional character image, showing the audience a atypical atypical grassland family, and everyone in the family who had no borders to Du Sihuan in the family.

The vast grassland and selfless mother

Sa Renna Eju is a grassland mother with great love. Du Siyi came to the grassland from Shanghai. He was unfamiliar with his life and talked about it. Sa Renna used love to warm her. When I met for the first time, Sa Renna took a special care of this "special" girl, and did not show a trace of irritability. Instead, she gave a lot of love and became one of the few people who were willing to get close in the mouth of everyone. She can always find Du Si's emotions quickly, seeing her intention to escape. When she was chased back, she cared for her as soon as possible. Welcome Du Siyi to join her family.

After Du Sihuan came to Sa Renna's house, Sa Renna was full of understanding of Du Sihuan. Not only did she teach Du Siyi to go to the toilet on the grassland, but she also built a exclusive toilet for Du Sizhen. Sa Renna expressed her delicate and simple way of love. When Du Sihuan ran away without eating milk tofu, she took the initiative to chase without a trace of blame. Although Sa Renna has the image of her mother under the influence of traditional culture, she took the initiative to choose to understand when all this conflict with her generation. When she found that her daughter would leave home to Shanghai, she told her son to let her go if she really wanted to return to Shanghai. She always thought about her daughter, treating Du Siyi as her pro -daughter, and even betting more attention than her son Nam Khan. Her efforts and love did not require any return. It can be said that this love of Sa Renna is as broad as a grassland.

In this grassland family, in addition to love and fetters, you can also see heavy responsibilities. Sa Renna took care of Du Siyi's daily food and wearing, and sent her to school when she was in school. She explained that her mother's responsibility to her children in the ethics of traditional Chinese family. She went to the nursery home to help, actively adopted the children, accepted the children into her family, and eaten carefully, which reflected the great love of the nation. Sa Renna's body not only exists as a mother, but also has the responsibility to the country and society. Fifty -six people are like a family. Inner Mongolia herdsmen like Sa Renna happily welcome the arrival of children in Shanghai, actively sign up for adoption, and accept the children into their own families, and raise them carefully. Just as the historical facts of the "Three Thousand Orphans Entering Inner Mongolia", all ethnic groups blend in this grassland, and love can not look at the end like a grassland. At the end of the film, the centenary Sa Renna Erji said to Du Sihuan's mother of "Far": "Although we have never met, we have raised the same daughter." I couldn't help crying the audience to cry for this love and responsibility.

Strange environment and stubborn daughter

The suffering of the world falls like snowflakes, maybe snowflakes have no weight. But in front of the orphan like Du Siyi, the little snowflakes are enough to make the children's hearts covered with a layer of frost. Under such sufferings, Du Siyi has developed a dumb and stubborn character. Fortunately, the appearance of the Sa Renna family, like a stove, let her heart melt quietly.

At first, Du Sihuan, who entered the audience's field of vision, always looked "unsuitable", stubborn, unconvinced, and even not very flattering. With the story of the story, the audience gradually discovered that the deceptive abandonment from the native family made her develop such a personality, lacking security, and was full of distrust of people around them. However, as a child, Du Sihuan still eager to get the love and care from others, so although he has no sense of belonging to the grassland, he always wants to escape, but when he is hugged by others and is willing to become his family, she will break away from opening away. Rush to Sa Renna, who usually takes care of herself, and shouted loudly: "I have chosen her." Fortunately, when he arrived at the Sa Renna's family, Du Sihuan met her family who loved her very much. Her willfulness and angles were tolerant. The tenderness brought by the Sa Renna family healed the suffering of the native family and childhood. She also learned Mongolian to identify with her parents' parents. But she always took a small towel left to her with her biological mother. This small towel embroidered her name "Du Sihuan", which was her knot. When she grows older and bigger, she wants to know why she was sent to the orphanage by her mother at the beginning. The mother said that "it will come to pick her up" is countless.

Therefore, the film ushered in an important turning point. Du Sihuan decided to be trapped in the quicksand when he returned to Shanghai. In order to save her, his brother Namu Khan was killed in this grassland. In order not to touch the scene, his father Idle and his mother Sa Renna decided to move. Du Sihuan followed behind the carriage. However, they got out of the car to catch the daughter and forgive her. The death of Numu Khan made Du Siyi truly change and decided to forget the past. He no longer wanted to go to Shanghai to find the truth, but to hidden the original name and continued to live on the grassland with his brother's name "Nam Khan". The daughter of Ider and Sa Renna. At this moment, Du Si found his own belonging and had a perception of the family. This love broke through the limitations of blood. In the end, when Du Sihan and Du Siyi (Na Khan) met, Du Sihan asked her: "Have you hated us?" The elderly Du Sihuan (Na Khan) looked indifferent: "I used to hate it. Later, I have my own family, and I also have my own family, and I also have my own family. It's released. "Over the passage of time, Du Sihuan accepted his identity change, found his identity and position in Inner Mongolia, and had a perception of the family. In her, there is also a shadow of national integration. She is not only a child in Shanghai, but also a child in Inner Mongolia. Emotional links and reconstruction families

Human emotional needs are closely related to family. As a personal shelter, home has brought unparalleled emotional satisfaction. "Home" is not only a concept of space, but also a safe, intimate and privacy emotional experience. Therefore, even if the family is deconstructed under the influence of various factors, people may still find "new families" and rebuild their lives. The deconstruction and reconstruction of Du Sihuan's family contains the director's true meaning of the family. Blood margin, as a bond in the physiological sense of family members, cannot be selected or changed. In most cases, it is the condition for family formation, but the blood is not the only constituent condition for people to become a family. The depths of the home are cherished, it takes more time and companionship. The emotional conditions that have to be mentioned in the family composition need to be cultivated and maintained. Even if there is no blood relationship, Sa Renna and Du Siyi can have a family relationship that transcended the relationship between blood due to choice and companionship and become a family.

The movie "The End of the Sea is the Grassland" surpassed the blood relationship between the traditional family, and built a intimate circle in an atypical state. As the film said, "This is really amazing." Indeed, meeting and forming a family are fate. Family members in this family are accompanying each other with love. The entire family looks extremely warm, which will make people around the people feel that "this is a family." Through observation, it can be found that with the progress of the story, the small emotions that those who can only get along with the entire movie can only be discovered. Such love contains a strong tolerance power, which gives the children from afar. Home, resolved the cold in Du Sihuan's heart, and made up for her incompleteness to the family. Du Sihuan's sad past was soothed here. Although it was helpless to deconstruct the native family containing blood and ethics, the new family was restructured here because of love. From unfamiliar to new families and life, children like Du Sihuan have not only experienced their identity, but also experienced emotional transformations. And all this is caused by family little love and national love.

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