Why can "Dream of Red Mansions" be a classic?These small details tell you that Cao Gong can be called a master of refining

The practice of writing is a university of poetry art. The most famous dictionary is the "monk knocking down door" and Wang Anshi's "spring breeze and the south bank of the green river", which is a good story. A precise and exquisite word often describes the scenes in a not many brushwork and richness, and is endless. Not only that, in the genre of non -poetry rhymes, ancient and modern language masters can also grasp the readers' attention through accurate words, and use a few characters to outline a vivid picture.

In terms of refining words, Cao Xueqin is a well -deserved master. The Dream of the Red Mansion is known as "the Red Mansion has no idle pen". Although it is a million masterpiece, it has always been cherished in the pen and ink. There is no extra word. The concentrated is essence, so the condensed and tricky pens are read from wonderful and interesting.

If you want to talk about the words of the Dream of the Red Lou, it is not finished for three days and three nights, especially the extremely accurate and beautiful verbs and adjectives, which greatly reflect the author's brushwork skills. This article will analyze the charm of Cao Gong's language charm from the dream of "joy" from the Dream of Red Mansions to analyze the charm of Cao Gong.

1. "Ichida is itchy"

Then Liu Xun heard the difficulties first, but only when he did not, his heart suddenly felt. Later, I heard him twenty -two, and the joy was itchy again, saying, "Well! I also know the difficulty, but the saying that the saying" thin and dead camel is bigger than the horse '. , Thicker than our waist! " - Sixth time

This description appeared when Liu Ye entered the Rongguo government. Wang Xifeng, as one of the spites of the book, was in the face of Liu Ye who came to play autumn wind, and brought the "push -pull" skills to the fullest. After listening to Mrs. Wang's instructions and decided to give Liu Ye twenty or two silver, Sister Feng's words were very skillful.

She first described how difficult it was: "I don't know the big difficulties, and it may not be believed to say it." It made Liu Ye almost think that his goal was about to fall. Turn, give these twenty or two silver to Liu Ye. In addition, she is also very sophisticated about the description of these silvers, calling it "the wife's money for my girls."

The purpose of Sister Feng said this, the first hopes that Liu Ye has an overjoyed emotional ups and downs. Give Liu Ye. In this case, this simple "giving twenty -two silvers" play a role in more than twenty or two silver. Liu Ye's joy and gratitude to Sister Feng at this time will be far away. Yu gives her twenty or two silver effects.

This Liu Ye heard the "whole body" mood of Sister Feng said to the twenty -two o'clock, which was based on such a pavement.

This word is more expressive even if it seems to be alone. As an old man who came to Jiafu to ask for life at home, Liu Ye heard that he could get a silver that was equivalent to his own expenses in the next year. Her surprise was expressed in such exaggerated adjectives. Not only did her look at the paper at this moment, but when the Jiafu seemed to be as insignificant of "cold hair", she could not help but feel sorry for Liu Xun's extreme joy and even almost lost emotional emotional comparison.

Looking at the deepening layer, in fact, from the perspective of the novel narrative, this precise description of "itchy" is not only writing Liu Ye, but also Wang Xifeng on the side. As one of the protagonists of this book, Sister Feng's third appearance is bright enough, but this close -up description is also very important for readers to recognize characters. Once for her, it was very ordinary to make Liu Ye's rejuvenation of itching, and it was also a very important proof of Wang Xifeng's eloquence and mental talent.

2. Hi -grabbing your ears, itching, and itching and uncomfortable

It is also described to be happy and itching, but these two words are used to describe the two colors.

... Sister Feng said: "It is not known. It is also known to see one love one." Jia Rui laughed: "Xunzi said wrong, I don't do this." Sister Feng laughed: "People like you can There are a few. I can't pick one in the ten. "Jia Rui listened, grabbed his ears and scratched his cheeks, and said," The sister -in -law is very boring every day. " Solve the boring. "—— 12th time

This paragraph was the reaction made by Jia Rui to the "seduce" of Sister Feng. When it comes to scratching the cheeks, the first thing people think of is the monkey. As a writer, Cao Xueqin's skill of scolding people without dirty words was shined at this time. Jia Rui's lust and facing the beauty of the beauty were described as a three -pointer in this word. At the same time, the movement that usually appears on the beasts to humans can not be more obvious.

Sister Feng's beauty made Jia Rui feel at first glance, and even degenerate to the ancestor monkey in the action, it was unyielding, but her husband had a good food in the bowl and looked at the pot. But cherish.

Ping'er pointed at his nose and smiled at his nose, "How do you thank me for this?" The joy of Jia Yan was scratching, running up and holding, "Heart, liver and intestine" shouted. ——The 21st

Seeing Ping'er's beauty who usually refuses himself thousands of miles away, at this moment, he looks so popular, and Jia Yi is particularly better than hungry and mouse. Children begging. In the later article, after Jia Yi held Ping'er and was run away by Ping'er, she needed to "bend" to scold her. Jia Yue's ugly state was repeatedly ridiculed by the author and was merciless. Facing the ugly state of Ping'er, the author was still inadequate, and when he faced Sister You, he asked Jia Yi to "itch" again.

Jia Yi pushed it, and only destroyed: "Take the wine, let's eat two glasses to sleep, I am very lacking today." Sister You came up with a smile, dressing with tea, asking for a long and short, and the heart of Jia Yixi was uncomfortable. For a while, Bao Er's Duan drunk, the two drank. ——The 65th round

At this moment, Jia Yi is much bolder than before, and is no longer limited to having a little sister -in -law at home. In the room of the next room, he has a private person with the servant's lady. It is already under Jia Rong. The sister secretly married, and lived in the immortal life in Huazhi Lane.

However, the situation was a little embarrassed when Jia Yi returned to Huazhi Lane this time. Jia Zhen, who had not been clean with the two sisters of the You family before, happened to have fun here. In the face of such a situation, Jia Yi did not mind the "left -forget eight". Instead, when he saw the thoughtfulness of You Er's thoughtfulness, it was actually an abnormal move. The author used this exaggerated vocabulary to describe Jia Yi, which is a ugly state that highly highlights Jia Yue and others who do not know the shame.

Jia Yan's twice was itchy, it was his portrait with Sister Feng. Sister Feng is as beautiful as flowers, and seduce Jia Rui who has never seen the world, but does not want to lose her husband's heart. This is not only the tragedy of Sister Feng, but also Jia Yi's tragedy and even Jiafu's tragedy.

As the ability of Jiafu's children and grandchildren, Jia Yi was a general in the dwarf, and was often ordered to do some important things for the elders, and from the point of view of the characters in the book, it was considered properly. However, Jia Yi, who is still reliable, is still so fascinated in private. The character of "considering the problem with the lower body" is generally the same as Jia Rui and Jia Zhen who are dying to death.

3.

(Jia Yucun) Send another book and Feng Su, and transferred him to ask the Zhen family to ask the second room for the second room. Feng Suxi's fart rolling and urinating, Baba was unable to go to Feng Cheng, so he made it in front of his daughter. He only used a sedan to take it in the night and sent Jiao Xing in. ——The 2nd round

If the two previous descriptions are only the words of the author's words that are amazing, the description here can be said to be a stomach (the author reads here as thunderous). Feng Su is a very mediocre and incompetent citizen. He is the same type of character as Jia Yun's uncle Bu Shiren.

As an old man in Zhenfu, Jiao Xing was a rare person who could accompany her in his later years for the Zhen family. However, when I heard that Jia Yucun wanted to discuss Jiao Xing as a second room, Feng Su's description was like a big golden ingot falling into his head on his head. He was completely demented. The wishes of the Lady Zhen family, and did not consider how Jia Yucun would treat Jiao Xing in the future, a "fart rolling urine", Cao Gong scolded and painful, no less than Lu Xun, who was famous for his sour pins.

It is worth noting that these words not only exaggerate the image, but also at the same time. It is also described as extremely happy, but these vocabulary may not be able to swap.

For example, Liu Xun's "all -body itching" wrote a "poor and sighing" words by the fat criticism. It can be seen that the author describes this image with the sympathy of the poor labor people. In addition, Liu Ye is at this moment when he is in a state of gesture and listening to Wang Xifeng's speech. Therefore, here, Cao Gong used an adjective that was basically neutral, although he was exaggerated, and was not a strong degree to describe her reaction. Imagine that if Liu Yexi scratched his ears and even fart, he was paradoxical, and he was paradoxical with the logic and emotions of the text.

In addition, when I saw the beauty of the beauty, Cao Gong's description of Jia Rui and the description of Jia Yi were different. Facing Sister Feng, Jia Rui is in a relatively weak position, and even regards the words "Buddhist language" as "Buddhist language". His emotion is joy to be promising, but he is also anxious to achieve it immediately. The urgency is to scratch the cheeks. The situation of Jia Yi is different. His two "itching" faced his own women. Although he was also anxious, he was obviously lighter than Jia Rui, because he had the power to be directly right. Retoning towards the beauty (in fact he did do this).

For Feng Su, the situation is different. There was no urgent component in his joy. He was stunned by pure surprises. At this time, his emotions were very simple and strong. In addition, the author may also hold a very negative attitude towards such a snobbish villain. His irony has already been screaming, so the words are naturally not merciless.

These words are in Cao Gong's millions of giant but the end of the quarter, but his expression is still buckled and ease.In contrast, the fist of "vinegar bowl" that can be seen everywhere, the "big king, bad things" that go back to the Westward Journey to the West, although it is also vivid and interesting description, after all, it is still lost in homogeneity and facialization.Not to mention the profound philosophical thinking and meticulous plot arrangement of the Dream of Red Lougian, only with these condensed words alone, it is enough to celebrate ancient Chinese novels and become the top four masterpieces.Author: Mud doll, this article is the original work of reading less.

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