Liang Xiaosheng talked about literary creation in Hubei

On September 24th, Liang Xiaosheng, a well -known writer and professor at Beijing Language University, shared his thinking about literary creation in the senior seminars of the Hubei writer of the Hubei Academy of Literature.

The relationship between the author and literature

For the relationship between the writer and literature that everyone cares about, Liang Xiaosheng summarizes with three keywords: First, the history of reading, that is, the type of literature in the first contact, how much the literature is, and how long the contact time may be. The literary concept of formation has an impact; the second is the concept of literature; the third is the experience or experience of creation.

Liang Xiaosheng said that Mr. Lu Xun had told young people about literature that it is best not to read the works of which writer you like, and the scope of reading is a bit wide. The meaning of this sentence may contain a literary theme, such as you write novels, or you like to read prose, like to read poetry, and read a report literature. Painting, these may form the concept of literature. During their time, it was impossible to read which writer's works were only read. No writer wrote one by one. If a person starts from the fourth and fifth grades of elementary school, it will almost all read when he graduated from junior high school. The translation works of that period were all masterpieces, and the enlightenment literature concentrated in the 18th and 19th centuries. This has caused them to read works from domestic, foreign, ancient, and modern times, forming a more diverse reading, and it is easier to promote themselves to form a literary concept.

Liang Xiaosheng said frankly that his creation was related to working in two film studios for more than 20 years. At that time, he exchanged with the predecessors of the film industry, mainly talking about movies. He said: "It seems that there is a difference between the film and literature. Its common is that the film seems to put the concept of 'literature that is human learning' higher, and emphasizes the figures more than literature."

He believes that the problem of many writing now is that the stories are preconceived, and the characters have become car and horse guns on the board. There are many movies. His story itself cannot be told in a few words, but the characters are inside, such as the classic work "Queen of Sweden". The language tells the story of the script, and there is no way to tell the level. All works are to shape a character, and all plots and details serve the characters.

Following the warm heart of the beings in the WTO

Regarding writing, Liang Xiaosheng always has a concept, that is, a warm heart that pays attention to the beings of the WTO. This is how Pusong, Hugo, and Tolstoy, and Turgnev and Dickens are the same, including "Red and Black" written by Steashida. They all have a relatively warm feeling that pays attention to the fate of others.

In Liang Xiaosheng's opinion, if the literature is only understood as a skill, and lacks the temperature of life, the fate of others, the fate of the public, and the temperature of life, no matter how long it is tossed in the circle of skills, It is not possible to write better works.

In the class, he shared a work "Mumu" by Turgenev. Gracim is a deaf and dumb serf, which is very awesome to the owner. The hostess brought him to Moscow, let him pick water in the house to pick water, clean the garden, watch the door during the day, and stay at night. He experienced the failure of love, and then he had no way to communicate with others, and raised a puppy called Mumu. One day the puppy yelled at the hostess. Under the order of the hostess, the serf was forced to drow the beloved pet dog "Mumu". The next day, the serf disappeared from here.

As a serf, he has lost any consciousness to protect his personal rights. Although it was the only thing he loved, as long as the host said that he had dealt with it, he personally handled it. After reading Toglev's "Mumu", Liang Xiaosheng's memories of Mumu were very impressed. He also wrote the plot of reading this novel.

"Literature influenced a person subtly, what does it affect me?" Liang Xiaosheng said, when you read a lot of warm and warm works, you are like a practitioner in the literary monastery. changed. A wandering kitten and puppy on the road cross the road. When there are many vehicles, you will have a kind of compassion, saying not to be pressed by the car. Because you read some books, this book has a long -term impact on your heart, and your heart becomes soft.

After that, in Liang Xiaosheng's work "There is Storm Snow Tonight", "The Year of the Round", "The World", and the upcoming "Father and Son", the image of the puppy appeared. Photos of your dog. He said that this may be related to personal reading, life feelings, and personal character. We have to judge whether this is good or not. If this is not good, we must overcome it; but after I judge, I feel that often bringing dogs into my work, it is precisely a considerable different literary effect.

"I want to overcome my profound performance"

"I want to overcome my profound performance." Liang Xiaosheng believed that it was not deliberately shown in a certain plot, and it did not imply that the readers to see which sentences were beautiful. Although we need to consider the rhetoric of literature when we create a long story, the two are definitely different from the two. Essence

After all, literary works are not the original life. Of course, it will have conflicts, and contradictions and conflicts are sometimes dramatic. But the problem of creation now is that it just emphasizes conflict, and all those related to life are all about, so more, especially in film and television, see more about the quality of life and conflict for conflict. , Highlight conflict works. In the creation of "The World", Liang Xiaosheng made a request for himself: People are opening the first 10 pages of the book, he is clear that I am reading a novel. When he reads page 20, he is still reading a novel. My requirement for myself is that at least when I read on page 50, he forgot that I was reading a novel. He just felt that I had entered a life. This life seemed to have a relationship with me. Familiar state.

Liang Xiaosheng had a dialogue with his friend Li Jingze, and talked about the topic of suffering. Liang Xiaosheng said that after seeing my work, others may think that I have experienced something and some things that can be called "suffering". I dare not, and I don't want to use the word "suffering", it is just experience.

"Wang Liulang" in Liao Zhai, Turgenev's essay poem "Threshold", Hugo's "Tragic World" ... Liang Xiaosheng was very shocked when he read the work of "Wang Liulang" when he was young. "Pu Songling's writer showed his selfless state to a high level. This moved me. After that, I thought, can I write a novel and move others. When there are more such works, right, right, right, right Will our real life have a good cultural promotion effect? ​​"

He believes that, as realism, it is not just about what is written in reality. In real life, it is not just Ah Q, Madman, and Xianglin. There are also so many other people who sacrifice everything about themselves for national feelings, and even torture torture, but they can face the calmness of death, just like Tan Yitong "I am self -contained Swordsman laughed at the day, leaving the liver and gallbladder. " Realism literature is actually the result of the experience of two literary creation.

Liang Xiaosheng respects the deeds of this type of person. The existence of these people also gives him a comprehensive thinking- "When I write most people, I can't be a hero. ?"

(Guangming Daily All -Media Reporter Zhang Rui Xiajing Correspondent Wu Huixian)

Source: Guangming Daily All Media Reporter Zhang Rui Xiajing Correspondent Wu Huixian

Editor -in -chief: Wang Yuanfang

Editor: Sun Yan Xing Yanyan

- END -