China Watermark Woodcut Youth Plan 丨 2022 exhibition "Sanda Boundary" was launched

On September 24, 2022, the "Sanda Boundary -China Watermark Woodcut Youth Plan · 2022 Exhibition" opened at the Asian Art Center. The exhibition exhibited Deng Haimiao, Ding Hui, Fu Xinghan, Hou Weiguo, Han Ning X Mu Edition, Qu Zhaocun, Tao Yaqing, Wang Haidi, Wang Yan, and Wang Xiao.

The Chinese watermark woodcut youth plan is a youth art plan issued by Chen Qi, a professor at the Central Academy of Fine Arts and the famous watermark wood carved print artist Chen Qi. He pays attention to the creative ecosystem of the contemporary nature of watermark wood carving art and watermark youth artists. Annual exhibition, as the exhibition project of the China Watermark Woodcut Youth Plan, will select excellent youth watermark woodcut houses through the annual manner, and follow the exhibition forums, publishing, dialogue, promotion and other academic activities. Discussion of sex and youth creation ecology.

After the first "fourth generation" (college-inheritance) as the discussion in 2021, the 2022 exhibition used the "diffuse boundary" (visual reproduction-physical experience) as a new academic direction. In the huge language department of global history and even personal history, it is promoted to re-discuss the re-discussion of watermark woodcuts that are "marks" that are unique to the East.

The exhibition was the curator, Duan Shaofeng, director of the Sichuan Art Museum Exhibition Planning Department, and Duan Shaofeng, a doctoral student of the Central Academy of Fine Arts.

exhibition site

Opening speech

Professor Guangjun, a professor at the Central Academy of Fine Arts

Qiu Zhijie, Deputy Dean of the Central Academy of Fine Arts and Dean of the School of Experimental Arts

"China Watermark Woodcut Youth Plan" and Chen Qi, dean of the Central Academy of Fine Arts, Chen Qi

Qin Jianping, Minister of Propaganda Department of the Party Committee of the Central Academy of Fine Arts

Ge Yujun, Secretary of the Party Branch directly under the Graduate School of the Central Academy of Fine Arts

Opening ceremony site

The opening ceremony on -site guest photo

This exhibition lasts until October 9, 2022. During the period, the "Body and Border -China Watermark Woodcut Youth Plan · 2022 Forum" and "Fourth Generation: Image and Media -China Watermark Woodcut Youth Plan · 2021 of 2021 Related academic activities such as the new book conference.

What is the "China Watermark Woodcut Youth Program"?

The "China Watermark Woodcut Youth Plan" was set up and funded by Chen Qi, a professor at the Central Academy of Fine Arts and a well -known watermark wood carved print artist. The project is planned to be implemented in the ten years of 2021 to 2030.

China is the invention of printmaking. At present, the earliest prints in the world are the title page illustrations of the "Diamond Sutra" published by the 9th Century Library of Da Ying Library. Since the Song Dynasty, China has been economic prosperous. Official engraving, temple engraving, folk privately engraved, carved printed books have gradually expanded from the religious field to all areas of social life, such as Confucian classics, museums, archeology, maps, technology Books, opera singing books, novels, calligraphy spectrums, paper books, wood version of the year, and various practical prints. During the Wanli period of the Ming Dynasty, the sculpture and printing of this book was very prosperous, and almost reached the situation of "each book was accompanied by pictures, and each picture was exquisite". The outstanding representatives of traditional Chinese watermark prints are the 17th century "Shizhuzhai Painting Book" and "Shizhuzhai's Books", as well as a large number of ancient book illustrations and folk wood version paintings with different regional aesthetic characteristics. These watermark woodcuts with Chinese painting patterns and aesthetic concepts, with paper water -based pigments as the media, carved engraving as the main printed technology, gradually form a huge visual image production and large regional style production and distinctive regional style. The communication system has had a profound impact on East Asia's wooden prints and the 18th century Japanese Ukiyo -e -wood prints.

The title page illustration of the "King Kong Prajna Paraba" in the Tang Dynasty in the Tang Dynasty

Ming Chongzhen Hu Zhengyan's first seal "Shizhuzhai Calligraphy and Calligraphy Book" Mohua

Ming Chongzhen Hu Zhengyan's first seal "Shizhuzhai Calligraphy and Calligraphy Book"

In the 33rd year of Ming Wanli, the "Five Birds Syrian Lun" in the "Cheng's Moyuan"

Ming Chen Hongzhang's "Sighting Jane" Zhang Shenzhizhi's northern western compartment illustration

The five -color set of the mustard garden during the Kangxi period of the Qing Dynasty

In the world printmaking spectrum, the language style of Western printmaking based on copper, stone version, and oil -printing woodcuts is formed. The two major sections: Oriental print language style represented by Chinese wooden watermarks. From a certain perspective, watermark woodcut carvings are by no means simply technology, but the externalization of Chinese art spirit. Watermark woodcuts have played an important role in showing the artistic image of Chinese prints in the international printmaking industry and spreading the cultural values ​​of China. Over the years, I have been committed to the promotion and dissemination of watermark woodcuts, and I have regarded it as the most important job in my own teaching and creation. I know this is a long and hard work. Watermark woodcut creation and talent training require a lot of time investment and the process is slow, and it is difficult to quickly achieve substantial results.

Beginning with "Rui Xue"

Since 2019, Chen Qi plans to create a watermark woodcut work with the theme of "Ruixue" at the end of the year. Drop of watermark woodcut art creation and theoretical research, thereby promoting the development of Chinese watermark version of art.

"Huazhi Man Sky" Chen Qi 50 × 58cm watermark woodcut 2019 2019

"Early Spring" Chen Qi 42 × 60cm watermark woodcut 20202021 Exhibition

On June 26, 2021, the "Fourth Generation: Image and Media -China Watermark Woodcut Youth Plan · 2021 Exhibition" was launched at the Asian Art Center. The exhibition exhibited the forty watermark woodcut works of Cheng Guoliang, Gu Yiming, Huang Yang, Lian Zhuoqi, Liang Yejian, Shi Lei, Wang Yan, You Yu, Yu Wufeng, and Zhang Xiaofeng. It is also a practitioner who inherited the teaching of water printing and woodcut engravings.

Diffuse boundaries

Exhibition section

Jiya

Jane, vegetarian, empty, spirit

The watermark woodcut carvings of the image dissemination carrier are closely linked to the Chinese classical painting and the aesthetic logic behind them from the date of birth. The narrative and empty inspiration in Wang Xiao's works, the lyrical and relaxation of Deng Haimiao's works, and the abstraction and simplicity of Tao Yaqing's works are all visual experience that is unique to classical Oriental.

Wang Xiaoshui's narrative poem-drifting 丨 43x40cm watermark wood printing print Waterprint Woodcut 2022

Deng Hai Miao Yun 丨 Tu Xin: 80x68cm; Drawings: 98x87cm Watermark Wood -Carved Print Waterprint Woodcut 2017

Tao Yaqing waves 丨 30x30cmx4 watermark woodcut print Waterprint woodcut 2020

In particular, Qu Zuchun, who is carved with oil printing wood, has a sense of time and abstract life that transcends the material characteristics of the material itself in his work, and the spiritual direction of the faint Song and Yuan landscape.

Qu Zuo Pure Time Stacking Series Five 丨 Picture Heart: 92X90cm; Drawings: 107.7x104cm Oil Print Wood Carving MIMEOGRAPHIC WOODCUT 2019

If

Water, ink, seal, marks

As the four printing methods of convex, concave, flat, and leakage of imaging principles, the convex version represented by wood is closely linked to the process of the Far East civilization since ancient times. The direct nature of the knife and wood collision, the simplicity of water and ink stains, and the logic of the ideological history behind it contains the philosophical method of the Chinese spirit and zero rectification and the complexity.

Wang Haidi Mi, thank you Zhongshu, one 丨 31x116.5cm watermark wooden engraving Waterprint Woodcut 2018

Wang Haidi's works have the reproduction and resurrection of traditional visual experience. Fu Xinghan's works have comprehensive presentation of the texture of different media materials, Ding Hui's works in the works of "taking the trend" and "only empty" picture temperament have become contemporary youth In the watermark woodcut creation, the "seal" is used as a typical case.

Ding Hui Face Two 丨 Picture Heart: 60X90cm; Drawings: 76x104.5cm Watermark Wood -Carved Print Waterprint Woodcut 2006

Fu Xinghan has no delusional sea 丨 Tuxin: 53x76cm; drawings: 76x104cm paper comprehensive material Mixed Media on Paper 2021

Unbounded

Fine, advanced, brave, fierce

Entering the visual art of the era of mechanical replication, the survival of traditional printing is becoming more and more challenging. As a hand -printed watermark woodcut art, while realizing the independence of the body and the contemporary creative method, the practitioner will also face the change of physical experience brought about by global cultural flow, as well as the memory (expression) of memory (expression) The two -way reshaping problem with cognition (communication).

Hou Weiguo Socrates and Plato NO.1 丨 Picture: 84x138cm; Drawings: 105x200cm watermark wooden engraving, laser carving Waterprint Woodcut, Laser Engraving 2020 2020 2020

From the "original version" to "Yuan Edition", regardless of the copper version, watermark or digital carving, Hou Weiguo chose to fly on the ground between various media, but his creative logic has always been extended around the core proposition of "plural and traces". Wang Yan's creation seems to have never been restricted by painting. Whether it is silk mesh, watermark suppression or hand -drawn illustration, his personal style will always completely dissolve the material and technical characteristics, leaving only strong physical memory to the audience. Relying on the "Muling House", which Han Ning, he is dedicated to the contemporary transformation of traditional lifestyles, he is committed to contemporary transformation of traditional lifestyles. His works are integrated into contemporary life while retaining the traditional form of paper paper. Wake up the cultural memory of the Chinese people.

Han Ning X Mu version of the twelve hippie-tiger 丨 map heart: 24.5x17.5cm; drawings: 36x26cm paper ink, watermark woodcar print Waterprint woodcut, INK 2015 2015

Wang Yan Changbai Ten Scenery Garden 丨 Picture Heart: 25x37cm; Drawings: 27.5x39.5cm Watermark Wooding Woodcut 2021

Disposal borders -China Watermark Woodcut Youth Plan · 2022 Exhibition

Academic consultants: Su Xinping, Cao Yiqiang, Qi Fengge

Academic Committee: Fang Limin, Sheng Yan, Liu Libin, Wei Xiangqi

Producer: Chen Qi, Li Yilin

Curator: Feng Shi, Duan Shaofeng

Academic Secretary: Wang Lin

Exhibition overall planning: Li Wenxiang, Xu Haoyang, Ran Yunqi Exhibition Design: Dong Liang

Support: Chinese Artists Association Education Development Foundation and Central Art Development Foundation

artist:

Deng Haimiao, Ding Hui, Fu Xinghan, Hou Weiguo, Han Ning X Mu Edition, Qu Zhaocun, Tao Yaqing, Wang Haidi, Wang Yan, Wang Xiao (arranged in the order of pinyin of the surname)

Exhibition period: 2022.9.24-10.9

Location: Asian Art Center (Beijing)

Dashanzi 798 Art District, No. 2 Jiuxianqiao Road, Chaoyang District, Beijing (Monday Shimba)

Graphic Data 丨 Asian Art Center

Set up 丨 CAFA · Young Media Studio Liao Yu

Editor -in -law 丨 Wu Qiong

Edit 丨 He Yifan

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