Reading | Sowing tea in ancient paintings, self -consistent in heaven and earth
Author:Report Time:2022.09.25
(Source: Visual China)
Twenty -four solar terms are a model of the achievements of traditional Chinese culture. It is not only "science of astronomy", but also "humanistic learning", which reflects the unique value concept and life aesthetics of ancient Chinese. At the same time, this knowledge system is also full of endless poetry. For example, to understand it literally, "surprise" is to wake up the animals who do not eat or drink and hibernate all the winter, welcome the spring of spring, and the spring thunder behind the word "shock" sounds. The weather creates a lively and lively grand occasion of all things, making people excited.
This scientific understanding of natural rhythms was also projected into the cognition of individual life by the ancient ancestors. In addition to various literature, vulgar believers, etiquette, and festivals, ancient Chinese painters vividly reproduced the philosophy and aesthetics of "moving because of the time, taking the trend". Among them, Chinese literati paintings are even more. The painters mostly pin their own inspiration to the characters, landscapes, flowers, birds and insects in the pen, to create "artistic conception" and "mood". As Zheng Banqiao said, "Orchid is not fragrant, but my mouth." "Orchids are not flowers, but people in my eyes."
In Chinese paintings, the wind in the twenty -four solar terms is given bright vitality, which has the character and emotional direction of "human". Therefore, it shows "humanized nature" and "socialized nature". "Nature of activation". After the interpretation of Hu Yan's "Searching on the Paper: The Twenty -Four Poor Beauty in Chinese Painting", Chinese paintings related to the twenty -four solar terms, their unique cultural symbols, cultural metaphors, and aesthetic images are infinitely magnified, and they have human flavor. , Also have vitality and business.
If you read the review of Hu Yan in the book "Finding on the Paper", you will feel this feeling: Rather than the paintings of Gu Kaizhi, Wang Ximeng, and Wen Zhengming, it is better to say that it is a humanistic painting, and it is "the homework of the soul". Essence如果说古代画家们是借物抒情、借物言志,那么,《纸上寻幽》给我们树立了一个赏画的标准范式,即要聆听画外之音,捕捉画外之意——要穿过Paper ink to capture the meaning of life hidden in the painting, and the quiet and deep soul universe. In short, Hu Yan took us to watch the beautiful heaven, earth, and people in Chinese paintings, and read the majestic view of the universe, the concept of nature, and the outlook on life. Cross the historical storm, decrypt the personality symbols, metaphors, and spiritual characteristics of ancient painters into paintings, so as to understand the ancients, understand ancient paintings, and understand the twenty -four solar terms.
For example, in the "Four Meitu" that Hu Yan has made a blame, first feels that the life of the Meiyuan metaphor also has her own four -season reincarnation. In the character of clear high and light, and deeper, she saw the "tension" caused by the pain of the relationship between the relationship between self and the environment. "The power of silence". Hu Yan even carefully looked at Yang Wu blame as sensitive as herself, but she boldly judged: "The plum that Yang Wujiao wants to escape from the rice paper at all times."
There are heaven and earth in my heart, and there are beings in the pen. The authors of Chinese paintings represented by Yang without blame are the same, and so is Hu Yan. Everything in the world, including the twenty -four solar terms, has no feelings. It is because of the people who appreciate it, express it, and praise it. With all emotions, they have a lot of interest. Painting, in the highest level, is no longer painting, nor is it technical, but a living trend of the livelihood, which is the world's dying world. The true temperament of the painters is just like the twenty -four solar terms, sometimes like spring, and sometimes like cold snow.
"Finding on the Paper", "Xun" is the ancient people's induction and reproduction of the four o'clock. Of course, the "search" is also the recovery and reconstruction of the situation in today's people, the experience and transcendence of emotions. A deep spiritual experience, looking for a high -level spiritual "quiet" -the twenty -four solar terms is picturesque or painting? Hu Yan put his heart with the ancients. Do not! She seems to cross time and space, and she becomes the ancients. She is Jinnong, Song Huizong, Guo Xi, Bian Shoumin ... From "Find on the Paper", we read the self -healing, self -entertainment, self -entertainment, self -entertainment, self -entertainment, self -entertainment, self -entertainment, self -entertainment, self -entertainment, and self -entertainment of literati painters. Yu, self -pity, and even narcissistic. If you reward deeply, you can smile, or be self -consistent.
"Finding on Paper: The Beauty of Twenty -Four Emerald in Chinese Painting"
Hu Yan
China Finance and Economic Press Publishing
Author: Pan Fei
Edit: Kim Jiuchao
Editor in charge: Zhu Zilong
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