Shang Evergrande: For the stage of the opera, I am a "restless" person

See Shang Changrong again. At the age of 83, his eyes were bright, his voice was bright, his voice was like Hong Zhong, a word of words, and raising his feet, striding a meteor and a good fortune, which made people think of Mr. Dongpo's famous sentences. , Right Qingcang. Jin Howo Mink Qiu, Qianqi rolls Hiranga. " No one is infected by this youthful spirit.

Shang Changrong Photo Photo/Bright Picture

"In the past ten years, I have watched your plays and I have heard you talked to the students. I have seen you on the stage of the opera. I have also seen you on the movie studio, Peking Opera comic painting, big screen and webcast. You are really a love 'tossing' People. "The reporter lamented. Shang Changrong smiled, and readily took the word "tossing": "I am a person who is a little 'restless'. Tosses have about a few layers of meaning, restlessness, restlessness to nourish the presence, and restlessness."

But no, he worked and lived in 3 cities: birth and growth in Beijing, soaked in a small soaked in the "play jar". At the age of 5, he worshiped at the age of 10. Moved to Xi'an and spent the ups and downs of youth, and ate bitter and sour. He became a famous leader and became famous. Outsiders seemed to be well -known, but he was worried about the development of Peking Opera. ; At the age of 47, the script of "Cao Cao and Yang Xiu" took the train to "break" Shanghai at night and broke out of a "New Cao Cao"; 51 years old, who could have supported the age of the year, moved south, settled in Shanghai, officially settled in Shanghai, officially settled in Shanghai, officially settled in Shanghai, officially settled in Shanghai, officially settled in Shanghai, officially settled in Shanghai, officially settled in Shanghai, officially settled in Shanghai, and officially settled in Shanghai. Joined the Shanghai Peking Theater and started "second entrepreneurship" in life.

He said with a smile, "It was Cao Dajian introduced me to come to Shanghai." That year, he set a "military order" for himself: "I will get the retirement age in nine years. Before retirement, to realize one 'eight drama' programs: three key points of" Cao Cao and Yang Xiu " -style style" The drama, five essence traditional dramas. "

It's easy to talk about! The new historical drama "Cao Cao and Yang Xiu", which was released in 1988, participated in the new national draft in the country and was killed in one cannon. In order to make Cao Cao's image "stand", Shang Changrong reads Cao Cao's poems all over the hearts of "Viewing the Sea", "Turtle Shoushou" and "Artemisia" and other famous articles. Do not restrain the order of the order "and other articles. He wants to explore the innovation of performance on the basis of insight into the heart. He said that if you want to perform a good show, you must have the spirit of hard work and the aspirations and pursuit of "taking it down".

The acting is acting, and the actor must act. To shape the characters, Shang Changrong also has a trick, that is, life -observing life, deep life, chewing life, and feeling life. Then, it is inward, and it is shaped. Just a smile, Shang Changrong even pondered a set of "laughing techniques". In the traditional drama, Cao Cao mostly laughed and laughed. In "Cao Cao and Yang Xiu", he designed a sneer, laughing, laughing, laughing, laughing, laughing, satisfying laughter, comfortable smile, a hearty smile, majestic, majestic The laughter, from laughing to cry, let Cao Cao "live" on the stage.

Shang Changrong's face is different. He will blend the copper hammer face with singing -based copper hammers and acting -based shelf, which can sing and perform. He said that there must be "three good" in the play: good -looking, good, and moving. After "Cao Cao and Yang Xiu", Shen Qian was ten years. In 1999, Shang Changrong and Shanghai Peking Theater joined hands to launch "Zhenguan Grand", followed by the "Integrity of the Lieutenant Officials in Jackie Chan". Each one is classic, the audience is refreshing, and the industry is promising. He brought the students again, so that the "trilogy" had a youth version. Shang Everbright joked himself and taught the students to the students.

Nearly seventy years, Shang Changrong boarded the big screen and was so busy. An old friend is worried, will 3D movies be lost? "Peking opera should not be conservative. Its birth is the result of new and changing. Why don't we try it and try it?"

In 2008, he cooperated with Director Zheng Dasheng to shoot "Integrity Yu Jackie Chan". A few years later, he joined hands with Director Teng Junjie to shoot the 3D panorama version of "Farewell My Concubine", "Cao Cao and Yang Xiu", "Zhenguan Great" -i Ten Years, Four Ministrys Peking opera movies. The old man has a strong heart: let Chinese opera classics fly to the world with the wings of the movie.

Speaking of the 1960s, I watched the three -dimensional movie in Beijing Daguan Building for the first time. As soon as I rushed, I stretched out the screen, rushed straight to the head, and shocked the audience. I thought about it at the time and wanted to make the opera to set up a body movie. "

I only knew that the opera actor performed on the stage on the stage, and it was completely two -cooked. "Movies are very high for the instant requirements. If you do n’t have ideals, you will leave regrets. In order to avoid less regrets, you can only resent it repeatedly." When filming the movie "Intellectuality in Jackie Chan", a shot was shot. A total of 13 articles.

The reporter has seen Shang Changrong at the film creation of "Zhenguan Great". When filming a highlight, Shang Changrong accidentally fell, and everyone couldn't help but "oh", pinching sweat for him. But seeing him rolled up softly and said "okay", he continued to play. Considering that Shang Changrong's age is high, the director Teng Junjie prepared a stand -in for him. As a result, the stand -in actor became the most idle person at the scene. Even the position, Shang Changrong insisted on his own trial. "After entering the studio, don't be afraid of annoyance and tiredness." For art, he has his persistence, and he has always been fine and meticulous. The obsession with Peking Opera movies may be related to his first "power" experience in his youth. In 1961, his father Shang Xiaoyun was invited to shoot "Shang Xiaoyun Stage Art", and Shang Changrong naturally participated in deeply. The film was released across the country in 1962. Shang Xiaoyun's Shangpai drama "Lost Zock" and "Zhao Jun" were retained in the form of a movie. Unfortunately, this film that condenses the essence of Shangpai art has not been rebuilt on the big screen since then.

Compared with his father, Shang Changrong is lucky. In his words, "catch up with a good era." In January 2015, Shang Changrong and Mei Pai Tsing Yi Shi Yonghong starred in the Beijing opera film "Farewell My Concubine" won the world's 3D movie the highest award -Kim Lumiel Award. This is the first Chinese film to win this award. When the premiere of the Dolby Theater in Los Angeles, the enthusiasm of the audience at the scene made Shang Changrong more excited and proud: "We deeply feel that when the combination of elegant opera art and the most advanced film technology has produced a kind of unexpectedly The artistic effect. "

Shang Changrong said that at the beginning, he was worried that the narrative techniques of opera and movies would "fight" and tangled between virtual and reality. Practice has found that as long as you respect the laws of art, use film technology boldly, and make full use of opera techniques, you can better portray the inner world of the characters and show the abstract freehand beauty of Chinese opera.

"New" is undoubtedly a high -frequency word in the life of Shang Changrong. As everyone knows, behind a "new" word is the deep research of traditional research, hard work, and extensive involvement. It is self -discarding and climbing. Shang Changrong said, "Being an ordinary person, performing unusual plays", for so many years, pursuing the same, the original intention does not change.

This summer, he went to the Shanghai Peking Theater almost every day, and was busy giving a class to the students who were busy with the students of "Shang Changrong Peking Opera Performance Art Talents Training Study Class". When it comes to sharing with young people, Shang Changrong said, "Learn for death." The so -called death is to learn seriously. Dead learning is the premise and guarantee of living. On the basis of a comprehensive inheritance of tradition, we can play well, sing the drama, and gradually form their own style.

"In the final analysis, is this not the same as Shouzheng's innovation?" It was a smile, and it was still full of energy.

(Original title: Shang Changrong: Do ordinary people, perform unusual plays)