Laoshe's father and son two or three paintings | Shi Ning

In early 2015, the Chinese Art Museum received a group of old houses and his wife Hu Yanqing's privately hidden paintings and calligraphy works. There are several paintings like Huang Shen, one of the eight monsters in Yangzhou.

Both "Plum Blossoms" and "Landscape" can be regarded as superior works, and the most distinctive ones are the "Lone Cliff Clear Map" (pictured below). In the painting, the two ancients stood on a lone cliff and talked about the earth, and Huang Shen himself poems on the left. Huang Shen's two friends Yi Qi and Changsheng have followed his original charm in each of the poems. One is "Liuguang West Injecting Shuidongchi, making a child into a child. Rare plum blossoms and good friends, meeting each other's poems." The other is "I want to drive people like Ma Chi. , Sitting for Han Mei Poetry. "The interest is similar, and the style is clear.

In 1958, this painting was introduced into the hands of Lao She, and he couldn't help but also follow the poem according to the original rhyme: "The leap forward is like Tianma Chi, the wind is a good woman and a man. . "The word" farm "in the last sentence is written in the introduction of the previous explanations of various places, and it is uncertain. The farm characters of Lao She should be a farm, which is the virtual character of farm, and it is easy to confuse the characters. How to write poems in work clothes? It seems that the explanation is unreasonable. Only workers and peasants are more reasonable. It is often difficult to have a new poem with poetry. Compared with the former poems, the old poetry is different, and the taste is slightly inferior. It was a new folk song campaign that "villages with Li Bai and everyone can write poetry" nationwide. Although the poem of the inscription is far from the painting situation, Lao She himself seems to be among them. The title of the title is two hundred years apart, and it is not easy for future generations to inherit the tradition of predecessors. Echoing on the same painting paper, although its poems are more than the disadvantages of the content, it is always an elegant thing. Coincidentally, Lao She also inscribed a inscription in the blank space of a round small landscape album of Jiang Yan in the late Tibetan Qing Dynasty. In Beijing. "The left side question:" Jiang Yan's paintings are not unprecedented, and it is lively. When the cherry is red in 1958, it is giving up. "(The picture below) These sentences are simple and precise, and it is quite ancient. The realm of the Tibetan painting in the 1950s of Lao She has improved significantly. From a simple collection to the increasing review with the painter, it has made paintings a little more moving color.

Many of Lao She's Yahao brought out the legacy of the old flags of Beijing, raising flowers, watching dramas, and hiding paintings. Among them, there were so many rhymes. In terms of Tibetan paintings alone, in addition to frequently lingering in Liulichang Rongbaozhai after re -living in Beijing, Lao She most often goes to the Peace Painting Store, which is most often going to count.

In 1951, his disciple Xu Linlu followed the proposal of his brother Li Kuhan. He opened a painting shop in the West Guanyin Temple Hutong, Dongdan. Qi Baishi personally wrote a plaque "Peace Painting Store". This is the first cultural relic store of Qi Baishi painting in New China. In addition to selling paintings, the painting shop also became a occasion of celebrities and arts in the academic circles at that time. Guo Moruo, Xu Beihong, Zhang Boju, Li Kuhan, Qi Gong, Huang Miaozi, Yu Feng, Huang Yongyu, Zhang Junqiu, and Hong Shen are all kinds of frequent visits there.

Lao She's Dan Shi Courtyard is very close to the Heping Painting Store. When you enter the door, you always look at painting and drinking tea and chatting, just like there are no taboos in your own home. One day, the guests on the second floor of the painting shop were gathered to watch a fan of Qi Baishi's new painting, while evaluating and passing. At this time, I saw a hand stretched out of the fan and grabbed the fan, and the male Zhongyin of the old sheet threw out a phrase "This fan is my puppet!" Lao She used to have this leakage kung fu, and the similar to the half -road murder also belongs to the common "mature without ritual" between the old Beijingers. Many of his paintings and calligraphy are successfully searching for hunting by changing this machine.

Lao She's colleagues in the painting and calligraphy world are as familiar as their family members, and naturally they are very "ritual". At the beginning of the founding of New China, many old painters in Beijing generally had difficulties in life. With the establishment of new ideology, the original creative thoughts of traditional Chinese painters gradually lost room for survival in the new society. People are rushing to watch the revolutionary art exhibition, and traditional Chinese paintings have no market. Zhongshan Park sells Qi Baishi's paintings. The middle hall with a few feet is a few feet. This group of people has made a living for many years. There are no units and salary. Traditional paintings cannot be sold now, reflecting the works of the new era. In this case, Lao She uses various methods to help them solve practical difficulties. For example, he often encapsulates money in the three quarters and two life enlightenment to see the door to condolences, and often buys their paintings. I heard that the Tiananmen Gate Tower is going to be renovated. The decorative lanterns on the gate of the door must be re -decorated. Later, Lao She worked hard to capture this errand, and solved the urgency of a large number of old painters. Soon, Lao She initiated by the Beijing Cultural Federation and established the Beijing Chinese Painting Research Association and the Beijing Chinese Painting Club, which fundamentally solved the embarrassment of the old painters.

The north wall of the north house of Dan Shiyuan, No. 19 of Hutong is the place where Lao She is concentrated in displaying Tibetan paintings. One wall can accommodate three or four scrolls at the same time. The area is not large but the win is often new. On the western wall of the western bedroom and study room, Lao She specifically found someone to build a closet, which is not only used as a bookcase, but also the painting and calligraphy works that have been collected for years. The painting on the west wall of the living room of the old house is very diligent. The porcelain tank with a shaft with a shaft is a painting fork at the roots of the wall. Sometimes it is specially waiting for friends to change it when they are guests. By the way. The fragrance of tea in the whole courtyard plus Linlang painting and calligraphy is full of rooms. Once Feng Zhi saw a flower and bird of Qi Baishi at Lao She's house, he was about to ask Lao She to ask the old man to paint. Add. Unexpectedly, a few months later, Lao She came to Peking University for a special place to send paintings to Feng Zhijia. Feng Zhi expanded the scroll, which is a gourd beetle painted by Qi Baishi. When Lao She did not forget to introduce the old man in Baishi, he was on the edge of the case. When the old man was painting the 93 -year -old Baishi, Lao She praised the old man a few words of Feng Zhi's line. Add a red worm. This finishing touch is not easy, making the value of this painting doubled. Feng Zhi was overjoyed, and the old house was mounted.

The drama Wu Zuguang also lived in Xuanyin Temple Hutong, Dongdan, and hid a large number of Qi Baishi paintings because of the relationship between Xin Fengxia. At the end of the 1950s, Wu Zuguang was forced to go to the North Wilderness in the "anti -right". The family members were becoming increasingly difficult. Xin Fengxia had no choice but to sell a group of Qi Baishi paintings he had collected for many years. A few years later, Wu Zuguang returned to Beijing to meet Lao She on the street, and he was invited to the house by him. Lao She took out a painting and gave it to Wu Zuguang. It turned out that it was a magnolia flower painted by Qi Baishi who was sold. Lao She had no intention of seeing this painting in the painting store. When he saw the name of Wu Zuguang on the signature of the painting shaft, he bought it and returned to the original owner one day. Wu Zuguang wanted to ask the price, Lao She waved his hand and apologized to him. He couldn't buy this batch of lost paintings back to return it. He had to have a lot of leakage. This widely recited redemption of redeemed and the chivalrous style of the flag man on Lao She's body best.

Lao She's Tibetan paintings have a lot of smells, and their paintings often use their difficulty of peeling affection, friendship and cultural feelings. The style of the paintings of the arts often stands on simply collecting. Only after the spiritual level is opened can they have more sincere and profound cultural exchanges. This is the difference between Lao She Zang painting with the ordinary people's hidden painting and Lao She standing.

The joint operation of the Tibetan paintings of Lao She's family and his wife Hu Yanqing has become a big view. How to inherit and use the value of these massive cultural wealth has become a major issue in front of Lao She's children. It was the Tibetan famous mountains or Ze by the world. He said: "Give your best work to a good friend, it is the fine traditional practice of great artists, and the consideration of no commercial interests. It is a bond for the pure and noble friendship of the literati. Direct expression is the highest symbol and final solidification of friendship. "Finally, after agreed, the hidden paintings in the home circulate in four directions:

The first is to donate the vast majority of calligraphy and painting to the country. The first batch of donations to the Chinese Writers Association was preserved in the Modern Literature Museum of China; the second batch was donated to the China Art Museum. The second is to publicly auction a small part of them. The income is donated to Laohe Literature and Art Foundation, China Lao She Research Association and five Lao She Memorial Hall to promote Lao She's research. The third is to hold an exhibition of Lao She Hu Yanqing Tibetan Painting Exhibition at the China Art Museum, and make an overall exhibition as a whole. The fourth is to publish five volumes of "Lao She Hu Qian Qinghai -Tibet Painting Collection", so that these calligraphy and calligraphy can permanently for people to read and appreciate.

Some people have summarized all kinds of disasters of books. After water, fire, and theft, a bookmaker added that many collectors believed that many bookkeepers would have a good collection of treasures. Ordinary people have no chance to see it. On the other hand, the kindness of Shu Yi and the three sisters can do it.

"Fantasy Town" Shu Yizhi

I wonder if because of her parents' relationship, Shu Yi picked up the brush in the age of Hua Jia to get drunk. He did not worship and did not go through professional training. Previously, I had no chance to see the exhibitions held by Shu Yi before. The last time I looked at his paintings was a commemorative art exhibition specially organized by the Chinese Museum of Modern Literature for his first anniversary. There are many old friends from the opening ceremony. In the evaluation of the painting products, many praise Shu Yi praised Shu Yi as a righteousness. He is enthusiastic and kind, and people are proud of knowing him because he is friends. Whoever has difficulties will help him, and in his own words, "I am willing to be a serious manner."

The exhibition exhibited a total of 46 representative paintings of Shu Yi. Although the people died, they were painted like their hearts. Behind the show halls, they could still feel the chivalry and fame of the old flags of Beijing.

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Author: Shi Ning

Edit: Xie Juan

Editor in charge: Shu Ming

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