The secret color is heavy -Fang Chengzheyue Kiln Celadon Work Exhibition opened on September 24 at the Lin'an Museum

The "Secret Seeda -Fang Chengzheyue Kiln Porcelain Works Exhibition" will be held at the Lin'an Museum on September 24th. The exhibition aims to use the Lin'an Museum to collect the Yueyao's boutique cultural relics, dig, interpret and spread, and let the cultural relics live.

It is understood that this exhibition adopts the form of comparison display of the new utensils of Yue Kiln in the collection of collections and creations. On the one hand, to the public shows the traditional material characteristics and manufacturing process of Yue Kiln Celadon The difference between other porcelain species. On the other hand, in order to promote traditional culture and promote Song Yun's spirit, the unique aesthetic quality of Yue Kiln integrates into the development of the new era.

Yue Kiln is the maternal kiln mouth of Chinese ceramics. It is the source of the world's porcelain -making technology. Yue kiln celadon unearthed from the five generations of Qian's royal tombs collected by the Lin'an Museum has a huge number, excellent quality, and accurate tombs and the background of the tomb owner. It can be said that it is an excellent example of studying Yueyao celadon culture. This exhibits extract the single -form language of Yue kiln utensils, and then do a single extension creation. While retaining traditional charm, it is also suitable for modern usage, allowing the audience to better touch the past and perceive history.

The reporter learned that the exhibition is divided into four units, each with each highlight:

One unit 泥 mud covered ash

The fetal soil of Yueyao is a one -dollar formula with porcelain stone as the raw material. Porcelain stone is generated by a long -term heating fluid and weathering effect of granite. It is mainly produced in the south. In ancient times, the production of porcelain was often taken on the spot. Zhejiang porcelain and stone resources were rich in resources. They were the material foundation of the development of the celadon kiln industry.

The glaze of Yue Kiln developed from the early primitive celadon gray glaze. The plant ash itself is a natural glaze, which is attached to the surface of the blank body. After high temperature, it can be directly burned into a bright glass texture with a glass texture. Therefore, the plant ash is a low -cost glaze drug raw material that is relatively low.

Second unit secret color Lin'an

Yue Kiln's secret -colored porcelain collected by the Lin'an Museum has a large number, well -preserved, exquisite quality, and accurate.

The Yue kiln celadon during the period of the Five Dynasties to the beginning of the Song Dynasty was still based on photocopies and occasionally brown -colored decoration. Silver edges, gold and silver buckles and other decorative techniques, gives utensils to higher quality and taste, are typical representatives of the aesthetics of the Tang and Song dynasties.

Three units of light no pattern

In the Tang Dynasty, the Yue kiln was dominated by vegetarian weapons. Some utensils were decorated with a small amount, but most of them were not decorated.

During this period, the Yue kiln won in shape and glaze color. The shape was simple, the glaze was clear and gentle, and the beauty was extremely elegant. Tang Xuyi

Poetry: "Qiaoyu Mingyue dyed spring water, thin and thin ice and green clouds." Very vividly described the aesthetic characteristics of Yueyao's secret color.

Four units jade bone ice muscle

The characteristics of ceramics in the Tang Dynasty imitating the characteristics of gold and silverware were common phenomena at the time. From the simple imitation in the early days, to the later combining the process and characteristics of the porcelain industry to adjust the characteristics of the process, so that the ceramic industry developed a new model.

The gluten is one of the most obvious features of porcelain imitation gold and silver wares, and it is also the most commonly used decorative method. At the beginning, as much as possible to imitate the tendon thread, it gradually absorbed and transformed this element, and finally became a ceramic. Conventional decorative techniques have greatly affected the production methods and decorative methods of porcelain later.

Five units decorated with lacquer gold

During the Tang and Five Dynasties, the mixing and matching techniques used by Yue kiln celadon and other materials were very common. Many historical materials such as "History of Song" and "Song of the Song Dynasty" include "golden edge secret porcelain" and "Yin Tujin Gold Deduction Yueyue Yueyue Yueyue Yueyue There are many records such as "device" and "gold and silver buckle".

There is also a "golden silver edge of porcelain porcelain bowl" in Famen Temple, which combines metal crafts, lacquerware crafts, and porcelain craftsmanship. "Wang Jianbao Zhu Liangxin" records: "The golden edge contains the light of the treasure bowl, and the secret color hugs the celadon."

Six units of lotus flowers

Affected by Buddhist culture since Wei and Jin, the decorative elements with lotus lotus leaves as the mother -in -law have a lot of use in various fields such as buildings, utensils, etc. The decorative decoration of the light -shaped lotus petal pattern Method.

The porcelain of the Tang and Song dynasties is no exception. Usually the outer wall of the utensils is mainly decorated with a uniform and multi -layer lotus petal pattern. The production methods also include fine lines, half -knife, flowers, reliefs, etc. The relief lotus petal pattern is the most widely used and exquisite use in each kiln mouth.

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