Liang Guode Prose | | Peach Blossom Still

Although peach blossoms are not as good as the peony of the national color, she is not as popular in the world, but she is actually no less than the peony. Peony is liked to like her rich temperament; and peach blossoms are favored by people, more because of her romantic borrowing.

If the peony is compared to the beautiful woman among the nobles, the peach blossoms are jasper among civilians. In contrast, peach blossoms are more close to the people, closer to ordinary people, and more easily accepted by the world. There are many colors of peach blossoms, such as white peaches, red peaches, five -color blue peaches, peaches, green flower peaches, etc., but red peach is always the right color, so the peach red willow green is the main color of spring. The Tao Li group represents the outstanding disciples of the teacher. Peach blossoms are the token of love to breed love in each other, so there is the saying of peach blossoms; and peach peanuts are music soil, teach people to be happy and forget, happiness and forgetfulness, so it is said to be a paradise. These are the main connotations of traditional culture given peach blossoms. The allusions about peach blossoms are based on these two connotations.

Regarding the earliest poetry culture of Taohua, it should start with the "Peach" of the Book of Songs: "Tao Zhi, burning its Chinese. , It is suitable for its family. Tao Zhi, its Ye Ye. "Tao Zhi, burning its Chinese." This is the beauty of the woman's beauty with the bright peach blossoms, and in the beautiful season of this peach blossom, the girl is going to marry, singing in the poem, and progressing layer by layer. With gorgeous peach blossoms, huge peaches, and lush peach leaves, Bi Xing's beautiful bride's happy marriage. Therefore, the Qing Dynasty Yao Jiheng's "The Classics of the Book of Songs" said: "Peach blossoms are the most bright, so it is metaphorical to women, and the ancestors of the beauty of the beauty." Because of the influence of the poem of the Book of Songs, the cultural connotation of peach blossoms and love Marriage is closely associated together, and it is widely spread to this day.

And this flower of love is the most brilliant, when the Tang Dynasty Cui Hu's "Title City Nanzhuang". According to Meng Yan's "Poems of the Institute" and the Song Dynasty "Taiping Guang Ji", Cui Hu is a Buling in the Tang Dynasty. He is handsome and handsome in his life, but it is difficult to get along with people. One year, he came to the capital of Changan to take the Jinshi exam. As a result, he fell into the list. When he was low, he went to the outside of the south gate of the capital to go to the south gate of the city. Occasionally, he went to a family. For a long time when I traveled, I felt my thirst and was unbearable, so I stepped forward to drink the water to drink water, and came out of a rich woman. The two looked at each other for a long time. After drinking the water, Cui Hu got up and left, and the girl sent it to the door. Cui Huzhong returned. In the Qingming Festival in the second year, Cui Huzhong swim after his hometown, but seeing that the scenery is still, just like the age, but the door is locked, and he can no longer be opened. Cui Hu is not lost. After a long time, the poem on the left was in the poem on the left: "In this door last year, the peach blossoms in the face of the human face. Come to Chengnan to visit the woman. As soon as I arrived outside the door, I heard crying in the house. He quickly knocked on the door and asked what happened. At this time, an old man came out and asked: "Are you Cui Hu?" Cui Hu replied: "It is exactly." The old man suddenly burst into tears and cried: " You killed my daughter! "Cui Hu was shocked, like five thunder bangs, and he was at a loss, wondering what happened. The old man said again: "My daughter has grown up, knowing the scholarship, and waiting for the characters. Since last year, I have often looked at it and lost something. A few days ago, I accompanied her to go out and go back to the door of the house. After that, I ca n’t afford to get sick when I enter the door. I died for a few days. I was old. I only had such a daughter. It is. But now she is unfortunately affectionate, isn't this that you killed her? "The stop was crying. Cui Hu heard the words and consequences, and immediately cracked his heart and was sorrowful, so he asked to go in the hanging sacrifice. After entering the house, when he saw the woman on the bed, Cui Hu cried. After crying for a while, the miracle happened. It turned out that the girl heard the cry of the people in the fainting, and slowly opened her eyes and lived. So his father was overjoyed and married his daughter to Cui Hu. This is a miserable story of love without hunger strike, and finally ended in a happy way, becoming an eternal story. And Cui Hu's poem with a story has also been spread, and it is widely used by future generations, which has become a model of love story of talented and beautiful love stories.

In the Eastern Jin Dynasty, there was a popular love story of Taoyatu, telling the sincere love between calligrapher Wang Xianzhi and his love peach leaves. Taoyatu is the ancient ferry on the south of the Nanjing City in Nanjing City. It is located near the flow of Qinhuai River and the ancient Qingxi waterway. From the east of Gongyuan Street in the south, and the west of Huaiqing Bridge on Jiankang Road in the north, it is also known as Nanpu Du. Legend has it that Wang Xianzhi has a love "peach leave". When she travels on both sides of Qinhuai on weekdays, Wang Xianzhi always rest assured, and will always welcome each other at the ferry, and works "Peach Leaves Song": "Peach leaves and peach leaves There is no need to cross the river; but if you have no suffering, I have welcomed Ru. "Since then, the crossing of the ferry is not famous. It is said that there are four songs of Wang Xianzhi's "Peach Leaves Song". In addition to the above, there are three more: "Peach leaves reflect the safflower, there is no wind from the greener. What is the rest of the spring flowers and the uniqueness of me"; The peach trees are connected to the peach roots. The pity of the two fun things, so that I can be diligent. " These poems are not a masterpiece, but Wang Xianzhi's love for love is jumping on paper, full of scribes and romantic atmospheres, and endless reveries and pursuit of future generations. Zeng Zeng has a poem of "Taoye Du", which arms it: "The skirt waist Fangcao refuses the long embankment, and Nanpu is grieving it every year. Taoye Gutu's Fangcao, long and skirts, every year, countless infatuated men and women in the ancient ferry and tears. The breeze passed, the water waves were rippling, and the distant mountains were with green, just like Wang Xianzhiying sent the scene of the transition of love peach leaves. The house of Wu Jingzi, the Qing Dynasty, was at the Peach Ferry. He also had a five -character poem "Taoye Ferry" chanting it: "Huayi Baibanqiao, the people were sent to the past. Buried, the fans are empty. During the Shunzhi period of the Qing Dynasty, the Xiaoling guard Jin Yunnan moved to the ferry. Due to the abnormally crowded ferry, some people lost their feet and drowned. Therefore, they donated a wooden bridge and titled "Lidin Bridge". Therefore, in the poems of Wu Jingzi, there is a scene of Hua Yan Baibanqiao. I thought that Wang Xianzhi welcomed the love of love here. It is intoxicating, but now everything has become a scripture, Wang Xianzhi's flute, and the Luo Fan of the Peach Leaf Beauty has flooded it in the ages, but the temperament of the famous celebrities is the same as the peach leaves on the side of the ancient ferry, but it is not long -lasting. changing.

Another cultural connotation of Tao is the soil -Xanadu. Because the world where people live, they are suffering and less happy and unwilling to be often troubled by life, sickness, and death. Just an empty. The reality is so bleak. Naturally, it is only to rely on dreams. Therefore, in ancient times, Huayi, utopia, and ideal country, all of which are entrusted by human beings' longing and pursuit of the ideal kingdom. The so -called paradise is also one of them. As for Taoyuan's allusion, Tao Yuanming's "Taohuayuan Ji" was generated. In Tao Gong's works, a fictional isolated ideal soil is fictional. It is about the era of Qin Dynasty's unrest. They lived in Taoyuan for generations. There were no kings, no levy, no mixed taxes. They made their contented sunrise, and the sunset was at the end of the air. It wasn't until the Jin Dynasty that a fisherman of the outside world was discovered by accident. Inadvertently, "Suddenly every peach blossom forest, hundreds of steps on the shore, there are no miscellaneous trees, the grass is delicious, and it is colorful." Explore. In Tao Lin, it was found that there was a hole that could only be accommodated to one person, and the hole was lighter, and the other end was transparent. So I went into the cave curiously and worn in the cave. After dozens of steps, the hole suddenly expanded, and it was suddenly cheerful. In front of the fisherman's eyes, there was a lot of land on earth, the land was flat, the house was in the house, and there were Liangtian Meichi Sangzhu and so on. Waiting for plants, the road is staggered, the sound is orderly, the sound of chickens and dogs smells each other, and many men and women and children cultivate themselves. The fisherman was warmly received by the people of Taoyuan. When he left, he secretly made a lot of marks all the way, and violated the promise of the people who asked him to conservatively secretly asking his adventure to the government. But when the government sent him to search again with him, he could no longer find the way to enter Taoyuan. Tao Gong's original intention is that the paradise is a happy soil that does not allow the vulgar world. It is eternal existence without being disturbed by the outside world. As for Taoyuan? In fact, only in your heart. As long as you leave a pure land in your heart, it is your Taoyuan.

Tao Gong's paradise has a profound influence on future generations. Later, many poets did art re -processing this subject. In the Tang Dynasty, the Taoyuan practice of Taoyuan, the three of Wang Wei, Han Yu, and Wang Anshi, was the best. The paradise built by Tao Yuanming, although beautiful and fascinating, everyone knows that it is just a surreal ideal country, and it does not exist in reality. If you retreat, the peach blossoms of the romantic talent Tang Bohu are really much: "Peach Blossom Flower in Taohuawu, Peach Blossom Fairy in Peach Blossoms; Peach Blossom Fairy Peach Tree, and picking peach blossoms for money. Wake only sit in front of flowers. , Drunk also come to sleep; half -wake -up and half -drunk day, the flowers fall into the year of the year. I hope I want to die in front of the car and horse; Fate. If wealth is better than poverty, one in the flat ground is in the sky; if the poverty is better than the car and horse, he will have to drive me. Others laughed at me crazy, I laughed at others and could not see; " Taohuawu is located outside Jindumen, Suzhou. In the Northern Song Dynasty, Zhang Xun's father and son built a villa here, and then gradually deserted and became a vegetable garden. Later, Tang Bohu built the room here, so he was named Peach Blossom. This poem was written in Hongzhi in the eighteenth year. At that time, the peach blossoms in the peach blossoms were in full bloom. Six years ago, he was implicated by the fraud cases of the science field because of the science examination. He had been solved by the Yuan Dynasty. All the merits he had in the same way were turned into a bubble, and his life fell into the lowest valley. In the six -year torment, life has gradually penetrated. The so -called well -known and richness is nothing more than a dream. All these flashy are not long. So he was unsatisfactory, and since then he lived in painting and calligraphy, flowers as friends, and wine as friends, and lived a leisurely life. In the poem, Tang Bohu compares himself as a peach blossom fairy, planting peach trees in peach blossoms, and peach blossoms can be used to change wine. For flowers, sit in the flowers when you wake up, sleep after being drunk, and live this kind of poetic winemaking room in the future until the old dead flowers, you will never want to fold the waist in front of the car and horses of the official. Bow to please life. As for those lifestyles that pursue power and horses, they are left to others, and they are willing to be poor and fought for a free and unrestrained pleasure life. In this turbid world of love and poverty, if wealth and poverty are compared with poverty, it is another other. But on the other hand, the rich and the rich are caring for Malaon all day, but they are not as leisurely as poor. It is unwilling to use the wealthy and rich to get the rich and rich in the car and horse Lauron. Tang Bohu depicts two distinctive life scenes in the poem: First, before the rich bow bowing, the richest man, chase the inflammation after the dust and horse foot of the dust and horse. Sit in front, sleep after drunk, poetry wine peach blossoms drunk for years, until the old dead flower wine is not desired and detached. It is true that in the eyes of others, this alternative attitude of life may be laughed at as a lunatic; but Tang Bohu laughed at the true meaning of life in the world. , Now have been raked as a cultivated land? I am happy to return to the fame, indifferent, and unwilling to surrender to the world of life. This poem outlines the images of the hermits of Youyou Linquan, romantic, loved life, and happy like a fairy. The ancients had poems: "The iron armor crossed the night, and the courtiers were to leak the five more cold. The monks of the mountain temple did not get up, and the fame and fortune were not as good as leisure." The will in this poem is consistent with the mood expressed by Tang Bohu's poems.

The poems of Peach Blossoms in Gulai Yong are sweaty, and the masterpieces are endless. The most interesting of these is the two peach blossom poems written by Liu Yuxi to swim in Xuandu. In the middle of the Tang Dynasty, the eunuchs of the North Korean and Central DPRK were separated from the town of the outside world. After Tang Shunzong's throne, Wang Yan and Wang Shuwen united a group of like -minded scholars to launch a political reform movement -Yongzhen innovation. At that time, Liu Yuxi, who was only 33 years old, was the core figure of the reform. Together with Wang Yan, Wang Shuwen, and Liu Zongyuan, they were called "two kings Liu Liu" by historians. Yongzhen's innovation is based on sanctioning eunuchs and suppressing vanity town, with a view to restoring the central imperial power, and the purpose of restoring the prosperity of the Tang Dynasty. However, due to lack of experience, he was eager to achieve success. It lasted for more than a hundred days, and was colluded with the forces of the foreign vassal by ease, launching a coup to declare failure. And Wang Yan, Wang Shuwen, Liu Yuxi, Liu Zongyuan, and other eight others have been degraded as Sima of the remote state government. Among them, Liu Yuxi was degraded into a history of Lianzhou, and soon degraded to Langzhou Sima. It was ten years in this pretty desolate place in Langzhou. In Yuanhe Ten years, Liu Yuxi finally worked hard and was recalled back to the Beijing Division. The ordinary people in the world have suffered such a long -term blow, and they should have become good at welcoming the world. Seeing that the peach blossoms in the Taoist view and the endless stream of flowers, he improvised the rules of "Yuanhe Ten Years from Langzhou to Beijing Opera to Watch the Gentlemen of the Flowers": "Zi Mo Hongchen comes, No one looks at the flowers back. Xuandu Guanli Tao Qianshu is full of Liu Lang. " The red dust on the official road rolled and came to the face. Everyone said that it was just a flower viewing. Essence This poem seems to be writing flowers and wins, and the emotional Xuandu watched the changes in the past ten years. But it was Liu Yuxi's irony. Xuan Du Guan's implies the court, and the peach blossoms are the new and China in the past decade. The meaning of its poems is to say that these seemingly new ideals, but they are promoted by the possession of inflammation after being squeezed and degraded. Such a spicy and contempt ironic, when the Quan Qiwei saw it, it was naturally uncomfortable. Prime Minister Wu Yuanheng was the backbone of Yongzhen's innovative opposition ten years ago. It was degraded again, and this time it was even worse, and it was degraded to a more remote and difficult Poster State. On the way, because of the Zhou Zongyuan, Pei Du and others, he was renamed the history of Lianzhou. Later, it was moved to Lazhou and Hezhou as a thorn history. These places were remote mountainous areas. Liu Yuxi's lifetime of good years was all consumed in the air. Until the second year of the treasure calendar, at the age of 55, he finally opened his twice and was recalled again. At this time, he was 23 years before he was degraded for the first time. But the derogatory career of these twenty spring and autumn did not make him depressed, but he became more frustrated. On the way back to Beijing, Yu Yangzhou met with Bai Juyi, leaving the popular famous article "Seeing Gifts on the first meeting of Yangzhou in Yangzhou": "Bashan Chu Shui is desolate, and it is indeed for 23 years." It is Liu Yuxi's real portrayal of half of his life. But in the competing with the wealth, Liu Yuxi always laughed at the end because he consumed Wu Yuanheng alive. In the second year of returning to Beijing, he deliberately traveled to Xuandu again. For fourteen years before and after, he was still "not thinking about repentance". Then the poetry of the year wrote "Tour Xuandu", and he was specifically specifically. A very detailed preface for the poem: "When Yu Zhenyuan was in the 21st year of the Tun Tian, ​​there was no flower. In words, there are Taoist priests who are planning to be full of fairy peaches, such as Hongxia, then there is a previous part, with the ambition. The spinning is another four years, and it is the main guest to visit the Xuandu Guan. Trees, but rabbits and oats are shaken in the spring wind. Due to the twenty -eight words, swimming in the back, Shimahe March of the second year. " Shiyun: "Half of the hundred acres of court is moss, peach blossoms are clean. Where does the peach priest return? Liu Lang came again before." In the preface of this poem, the poet speaks the two poems and peach blossoms in Taoist views. When the poet is an official in Beijing, there is no peach blossom in Taoist view. The peach blossom, Wei Ru Hongxia, wrote the first view of peach blossom poems. Immediately after a degradation, I was degraded for more than ten years. Today, my surname Liu returned to the old place again, but I saw that the peach trees that had been full of viewed had long been gone, and the peach priest was like a yellow crane that day. The entire view of the inside is all over, and only rabbits and oats are swaying in the spring breeze. When Liu Yuxi returned to Beijing for the second time to re -travel to Xuandu, he once suppressed his political opponent Wu Yuanheng for a long time. Maybe it was the mentality of seeking defeat. He couldn't help but laugh at the sky. I Liu Yuxi returned again. Where are you Wu Yuanheng now? Woolen cloth? Where did you go to the full -view peach trees that have been cultivated by yourself? Liu Yuxi did not conceal her inner pride and joy, and once again ruthlessly ridiculed and teased those nobles who stifled the innovatives of Yongzhen. With such a sharp irony, it is no wonder that even Bai Juyi called him: "Its front, less dare to be a person", is indeed fast after reading.

These two mysteries watched the peach poems, showing the indomitable personality to the fullest. The only thing it is worth the pity is that the peach trees that were given love and music to the earth were synonymous in Liu Lang's writing. This is probably another interpretation of the word peach blossoms, but what is the relationship between this, literature, music, language, and even everything in the world. Everything must be realistic. Besides, no matter how many years, someone will always maintain their original intentions and bones, and peach blossoms will still laugh at the spring breeze. Isn't this the case? 【About the Author】

Liang Guode, Ph.D. in Business Administration, Famous Family in Lingnan Hongquan, President of the Guangdong Martial Arts Association, Honorary President of the Guangdong Chess Association, Chairman of the National Studies Research Center of the Guangdong Academy of Social Sciences, guest professor of the Guangzhou Institute of Physical Education, studying the history of the scriptures after work, Poetry and writing are beside them, and the works are endless. The works are scattered in "People's Daily", "China Daily", "Poetry", "Poetry Baijia", "Chinese Poems", "Global Daily", "Southern Urban Weekly", "Poetry Monthly", "Contemporary Poetry" "Lingnan Poetry", "Poetry Positive", "Gao Liang Poetry", "Xinhua Online", "Guangzhou Daily", "Maoming Daily" and so on. The editor -in -chief of "Guo Germany Education" has the author of "Guo Germany", "A Brief History of Guangdong Martial Arts", "Chinese Southern Stick Combat Textbooks", "Top Ten shapes in the western Guangdong", "Lion and Horse Double Boxing" "Poetry Collection", "Fanfan Collection", "Sword Qi Tower Essays", "Ancestor West", "A Drop of the Altar", "Yan Ran", "Liezi First Exploration", "Speaking of the Garden", "Shi Hai Renzhu", "Lu Lan Favorite" and so on Essence

【Editor】 Zhang Wenli

【Preliminary Trial】 Tang Jinrong

[Main editor] Lian Shitian

【General Editor】 Xi Dihai

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