Non -heritage | A cultural heritage of an ancient book printing "craftsman"

The name "Zigu Xuan" sounds like an antique shop selling calligraphy and painting, but it is a factory engaged in ancient books in Taiyuan, Shanxi.

Among the "Zigu Xuan" cooperation objects, there are no shortage of "big names" such as the National Ancient Books Protection and National Museum. In recent years, "Zigu Xuan" has been printed through ancient books to achieve the inheritance of the Chinesewen pulse for thousands of years. Among the printed printed products, there are ancient books such as "Frost and Red Collection", "Fu Shan Men and Women", and "绛 帖".

"This is due to the municipal -level non -heritage projects we have -traditional carving model printing techniques including ink and ink -keeping printing technology, traditional hemp paper manufacturing technology and classical decoration." The chairman Guo Anmin said that the use of these technologies fundamentally solved and filled the use of modern machine printing technology to replicate and reprint Chinese ancient books and calligraphy and calligraphy. The characteristics of refreshing for a long time are suitable for the antique reprints of classical books, calligraphy works, chronology, churches, and various libraries, museums, museums, and good books.

As the inventor of this technology, Guo Anmin has been committed to the research, promotion and use of ink printing technology for more than 40 years.

In 1954, Guo Anmin was born in an ordinary rural family in Yuanping City. He has been smart since he was a child and has a good grade in school. In the spare time, I always like to engage in some small inventions and small production. In 1991, he operated a small printing plant in Taiyuan.

In the long -term work, he learned that the existence of modern ink prints could not be preserved, pollution, and easy distortions. The domestic and foreign printing industry has not been resolved. Under the guidance of Liu Ming, then deputy director of the Shanxi Printing Research Institute, Guo Anmin focused on the study of ink printing. In order to clarify the ingredients of the traditional watermark ink, Guo Anmin visited the well -known domestic and well -known ink experts. With the support and help of old experts such as Liu Huiquan, papermaking experts Ge Zunwei, and Huang Lisheng, he exceeded the technical difficulties.

In June 2003, Guo Anmin's environmental protection water -based ink finally had a technical breakthrough, realizing the combination of traditional watermark technology with modern machinery printing, and officially obtained the national patent in October 2004. The patent certificate pointed out that the technical solution adopted by the present invention is based on my country's traditional ink (ink, Chinese painting pigment) as the base material, which is prepared into water -based ink suitable for concave printing. The concave printing process technology is used on the bearing print, which is fast and high in quality. The problem of time, consumption, and fineness of sculpture, the difference in printing costs, and the poorness is not easy to combine with modern technology. This technology has the characteristics of non -pollution, never fading, and durable preservation. Use water instead of chemical solvents without polluting the environment.

The products printed out of ink and ink -printed technology are clear and new. The handwriting is printed on the rice paper, but the saving life is not as good as traditional hemp paper. As a result, Guo Anmin once again devoted his energy to the research and production of hemp paper.

Hemp paper is a thousand -year -old life paper. The hemp fiber is the earliest natural plant fiber used in papermaking. It has the characteristics of good hygroscopic absorption and fast water loss. In all traditional handicrafts, hemp paper is the best anti -aging, strong insect resistance, and is suitable for long -term preservation. The printing paper for the classics of handed down is of great significance for ancient books and contemporary classic inheritance protection. However, in the traditional handmade production of hemp paper, one is that one is to produce a large smell in the production of fermentation and cannot meet environmental protection requirements. The second is that the rough paper produced cannot meet the printing requirements.

In 2006, Guo Anmin established a hemp paper research institute. After more than ten years of continuous exploration and practice, it successfully developed pure biological hemp fiber environmentally friendly pulp with the world's leading technologies, and finally continued this endangered traditional craft innovation innovation. Essence

Guo Anmin said that the raw materials of today's hemp paper are new hemps. While inheriting the traditional "flowing method" hemp paper production skills, combined with the latest technological achievements to make pulp, the non -cellulose in plant raw materials is cleared and washed in a gentle state. Clean, avoid degradation and mildew, the pH value of the pulp is between 7, 5 to 9, and 5. It has achieved paper life for more than thousands of years, becoming the best classic printing paper.

In 2021, Guo Anmin will be selected as the seventh batch of intangible cultural heritage representative projects in Taiyuan City, including ink and ink -keeping printing technology, traditional hemp paper manufacturing technology, and classical decoration.

Ink and ink -keeping printing technology and traditional hemp paper manufacturing process. Today, the ancient book printing "craftsman" has taken his two technical products into the library, museum and the public, and has been loved by many experts, scholars and artists.

"Adhering to the printing of ancient books is not just for the economic benefits of the corporate economy, but that more readers can gain life from these ancient books, and through the printing of ancient books to achieve the protection, restoration and inheritance of the Chinesewen pulse for thousands of years." Guo Anmin said Essence

(The picture is provided by the respondent)

Responsible editor: Gou Xiaoqing

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