Ingenuity is alone, and clever!Close to Zisha famous Yuan Guoqiang

Yixing Zisha pot enjoys a well -known. Because of the perfect combination of artistic and practicality, the purple sand pot looks so precious, which is unreasonable and endless, and it also makes many collectors collect treasures. After the unremitting efforts of generations of purple sand artists, the purple sand culture is booming. Today, in the purple sand circle, it is even more talented and bright. Yuan Guoqiang, a national senior arts and craftsman, is undoubtedly an outstanding representative.

Zisha famous Yuan Guoqiang is creating "Hisa"

Brief introduction of Yuan Guoqiang:

Celera China Celebrity Celebration of Jiangsu Province

National Senior Arts and Craftsman

Member of China Photographers Association

Tao Du Yixing made a pot celebrity

Tao Du Yixing Outstanding Young Pottery Artist

Wuxi Light Industry School

The winner of the first "Jingzhou Cup" pot high professional title group

Yuan Guoqiang, born in Yixing's "Zisha Family" in 1970. At the end of the 1980s, he followed the famous purple sand artists He Daohong and Zhang Qingchen to learn the production techniques of all handmade purple sand pots, and thoroughly studied the design and creation of the purple sand pot. Yuan Guo's forced pot for more than 30 years, diligent and dedicated, is a rare purple sand potter with a rare production technology in the circle.

"Jin Bo" pot

"Linghua Qinquan" pot

Yuan Guoqiang's pot is stable and generous, delicate and fine, full of strength, and deep charm, especially with gluten and optical device. His tendonic equipment is fine, delicate and elegant, and the optical device is round and thick, and the charm is deep. Behind each pot is a deep thinking and unique ingenuity.

"Broken Wind" pot

His "Riding the Wind" pot is rich in folk interest and aesthetic trends. The tendons are clear, the arc momentum should take care of each other, the rhythm is full of dynamic, the whole device is heavy without losing interest, and it is just justified. Sofne aesthetic effect.

The pot of the pot body is blossoming, giving people the breath of ride on the wind and the east of the river, which is attractive, and it gives the great desire to show the great wishes and sublimate its emotions and connotations. The small waves on the pot of the pot echo the texture of the pot body, and the lines give the dynamic, which reflects the magnificent momentum of Tao Tao's flowing water.

"Jade Belt" pot

"Sometimes the wind and waves will be hung directly to the sea." As long as you have ideals and ambitions, I believe that one day it will reach the other side of success. This pot is a masterpiece created by Yuan Guoqiang's inspiration for the flowing water in life, showing the attitude of facing the courage to life and the great ambition, spreading positive energy from the meaning of the pot itself. Its high and far -rear tone is integrated with this pot, and the pot is the courage to take the wind and waves. It is tolerance and generosity. It is an unrestrained courage.

Yuan Guoqiang He Daohong (left), a master and a master of ceramic art, is communicating

Yuan Guoqiang said that when he was in contact with the purple sand pot, he was also an ordinary craftsman. Later, the master told him that only by ingenuity and clever work can he become a generation of purple sand masters. To this end, he has been trying to pursue this state. If you want to make breakthroughs, you must realize it, and now Yuan Guoqiang, who has passed the years, likes photography, loves flowers, and has a unique insight for life. He often said that art is not high, and art comes from life. He loves life to gain art inspiration. It is precisely because of this concept that he encourages him to practice with countless days and nights. After a few years, he finally stands out. His works are extremely pursuing the strength and charm of boldness, atmosphere, and vigor on the basis of winning the master.

"Deyu" pot

Lao Tzu said: "The virtue is not virtue," which refers to the very noble quality of the gentleman's doing, but it is not manifested, which is the so -called Yin De. The meaning of the "Deyu" pot produced by Yuan Guoqiang is here. It is known as the gentleman in the pot and is metaphorized by people.

"Deyu" is dignified and stable, coordinated in proportion, and rigorous structure. The pot of the pot is comfortable, the pot body is straight and slightly drum, the shoulder line of the pot is rounded, and the excessive is naturally the extremely superb realm of the purple sand straight pot body. Such as jade, water wave Ling Ling, good virtue. The shape highlights the calmness and complements the coordination with the pot body.

Although the flowers are full and full, the hand -held feel is rich and comfortable, but there is still a thick and detailed fall here, so as to achieve the visually comfortable effect. The bottom of the pot, such as Yubi Tiancheng, has an excellent shape, the detailed pot mouth is very moist, and the handling is clean and neat. Han Guanghua is simple, and the wind is elegant to usual, showing the gentleman's wind. The gentleman should cultivate his body and Wen Runru, and Yuan Guoqiang exerted this cultural connotation to the fullest.

"Moonlight Linghua" pot

Yuan Guoqiang also boldly innovated in the proportion structure of the pot. In terms of physical strength, he pursued proportions in the form of pursuit of new ideas, which is appropriate, and it is appropriate to pursue the proportion. He is good at mobilizing his wonderful enlightenment, his own ideas, and his own spirit, and gives the purple sand pot deep and dignified. This is the essence and goal of his creation, so his work is unique in the purple sand world. In the first "Jingzhou Cup" pot contest, his first work "Moonlight Linghua" stood out among all works, and won the gold award of the senior professional title group in one fell swoop.

"Moonlight Linghua" cover

The formation of the "Moonlight Linghua" pot, the formation of purple sand traditional tendons, is particular, round and thick, uniform and full of artistic effects, the requirements of the angle and noodles are uniform, tight, round, and positive. The surface is flat and powerful, the line type "hard" and "glutinous" are both, the corner lines are not revealed, and the foot line turns clear.

"Linghua open an ancient mirror, lotus leaves are light boat." The shape of the rhumarius pot was first derived from the diamond -shaped copper mirror. Linghua mirrors are extremely common in ancient life scenes. The diamond petals are full, natural, or six or eight petals. The melting of purple sand also makes the purple sand pot have a unique charm in addition to the common square -type system. "Moonlight Linghua" partial

The diamond flower pot is used as a rhombus, and the body is integrated, and the upper and lower are symmetrical. The ridges are bumpy, with edges and profiles, weighing the proportion, beautiful and cute. The pot twist and the diamond petals blend, the mouth is edge -based, naturally, the curved body is easy to hold the body, just like a round moon, the lid surface can be replaced, very tight, and exquisite skills. This modeling method particularly focuses on the combination of internal body, line, face, face, and overall image, grasp the typical characteristics of things, grasp the nature and interrelatedness of things, and combine the points, lines, faces, and styling. Standardized and free, but the law is very flexible, and the overall simplicity, complete and harmonious beauty.

"Qinghe" pot

"Hexin" pot

"Panlong" pot

Teacher Yuan Guoqiang is also a member of the Chinese Photographers Association, and his photography works have also won many domestic and foreign photography awards. He believes that art is connected. The composition in photography and light and shadow can greatly help purple sand creation. It can first be plane in the beauty of nature, and then use its own heart and skills to express through the three -dimensional purple sand.

"Monk Hat" pot

The "Monk Hat Pot" is one of the pots of porcelain -shaped in ancient China, named after the mouth of the pot like a monk hat. Yuan Guoqiang's "Monk Hat pot", with five lotus lotus along the mouth of the pot, the lid is positive hexagonal, and the edges are now in the petals. The cover button is a Buddha ball -like, like the top of a monk hat. The neck of the pot is not long, and it is close to the petals. It is like a cap. This shape is like a monk hat. The bottom of the pot pot is a positive hexagon, and the shape of the pot and handle of the pot is also very strange. The overall is rigid and upright, and the charm is free, so it is called for the world.

"Monk Hat" has been Buddhist holy things in the past. The whole type of "Monk Hat" gives a calm and thick feeling, which essentially inherits the cultural meaning of Buddhism holy.

"Monk Hat" pot local

Since the industry, Yuan Guoqiang has been working unremittingly for the inheritance of Zisha. He has started work in the 1990s in the 1990s, and has trained a large number of outstanding new generation of successors for the Zisha. In 2012, he was awarded by the Yixing Ceramics Industry Association to "Cultivation of Cultivation of Gibli Make a Major Contribution" award. He actively responded to the government's call, not only enthusiastic public welfare donations, but also freely accepted many students who were poor and disabled with disabilities and taught purple sand skills. The Yixing Charity Association was awarded the title of "helping the public welfare". Because there are many such teachers such as moral arts, Zisha art will become more and more prosperous.

"Heyu" pot

"Wanyu" pot

"Holy" pot

"Xiangyun" pot

Yuan Guoqiang's "Xiangyun" works in one go, round and full, and created on the basis of the traditional half -moon pot. color. Name Xiangyun means freedom, vigorous upward, grace and meaning. Especially at the mouth of the pot, like the search of Yan Er, it smoothly shows the beauty of fine lines.

The bottom groove is delicate, pure in color, and smooth mud is as warm as jade, and its color is stable, showing the more obvious dark brown. Under such a design, the pot body is more thick and natural, bringing you a more vivid visual experience, and it is naturally integrated with the ancient law of my country's thousands of years of culture, showing the simple and gorgeous artistic characteristics.

"Xiangyun" pot local

The characteristics of rough mouths, adhering to the style of Mr. He Daohong in the early years, and joined his own opinions on the pot, deeply influenced by practical experience and aesthetic theory, created a unique personal style, designing this pot steady, generous, and delicate. Although the lines are simple but not large, vigorous and powerful.

"Grass" pot

"Su Mei" pot

"Water Conservancy" pot

From the perspective of the current humanistic perspective, Yuan Guoqiang also created more Chinese charm and more humanistic purple sand pot works in combination with the novel artistic characteristics of contemporary contemporary artistic characteristics. The "craftsmanship" of the purple sand pot skills and the older generation of artists is the precious wealth that Teacher Yuan will never use it.

In 2010, Yuan Guoqiang founded the Yuantang Zisha Studio to create purple sand art creation with the purpose of "Chengyi to health with device, and Bingde's life".

"Jing Lan" pot

The inspiration of this pot creation comes from life. The feeling of flowing the pot is like a kind of life of life. It is in order and is intoxicating. The lines of the pot wall are integrated with the entire streamlined design, setting off the charm of the entire pot product. The liquid patterns on the pot button are added to the icing on the pot. Highlight the characteristics of thick, simple and rounded. The most distinctive is the lid of the pot. Two ball -shaped decorations fall in it. It seems like the splashes of water.

As a purple sand tendon, he broke the original symmetrical lines, combined with pot skills and life culture, and created a classic work with random ribs. This work has the courage to break through the tradition, face new attempts, and give the pot with different charm with the merits of years.

Yuan Guoqiang passed a fresh and elegant mentality through his work. No matter how difficult it is, he still has to face reality and return to his heart. Do not follow the waves and lose your own hard work. At the same time, in a impetuous society, people can put their eyes in the long run. Only by feeling the flowing water under their feet can we see the future long river and to get the place where they want to go. "Jing Lan" pot lid department

Taking the body as the backbone and the rhyme as the soul, the beauty of the line art is revealed. The whole weapon shows long rhyme, the main shape is spread from the inside out, and the beautiful style is spread, pursuing freedom without losing the norms, deepening the artistic conception in formal innovation, and demonstrating the spirit of traditional Chinese culture.

Yuan Guoqiang's Zisha's works have been collected by major domestic museums many times. The innovative products have been selected to participate in exhibitions in different areas at home and abroad, and have won the love of Zisha enthusiasts. (Text/Zhu Weigang)

(Note: The pictures in the article are all provided by Mr. Yuan Guoqiang.

About the author: Zhu Weigang, a person from Changshu, Jiangsu, a dual master of education and business administration, deputy dean of the Chinese Elderly Calligraphy and Calligraphy Institute, a national first -class artist, a national registered art appraiser, a non -genetic inheritor in Jinshi, a collector in Jiangsu Province The vice chairman of the association, the editorial department of the "Jiangsu Collection", a member of the Chinese Cultural Relics Repairing Committee, and a part -time professor of Jiangsu University.

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