"Peacock" innovation Yang Liping is still

Kant aesthetics proposed "free coordination activities of recognition ability", and the artistic expression of dance just explained this sentence.

Starting from a "Spirit" in 1986, the peacock dance career in the past forty years has established the position of Yang Liping's "Princess Peacock". Yang Liping, who has passed the flower armor, did not have the idea of ​​retiring. This year, she boldly innovated the dance "Peacock" again, and recently opened a 2022 tour. As the opening work of the Shenzhen Poly Theater's "15th Anniversary · Pickup Dance Dance Dance" series, the dance drama "Peacock" will be staged in the Shenzhen Poly Theater for five consecutive games from September 25-29 (Sunday to Thursday).

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The dance drama "Peacock" is a dance work launched by Yang Liping in 2012. Once it was launched, the viewer was like a cloud. "Peacock" is a classic stage image shaped by the famous dance artist Yang Liping. Yang Liping's peacock dance is not only a creature that simulates natural state, but also the creative combination of Oriental aesthetics. Her peacock dance brings the audience a experience that can trace back to the origin of life, and is a dance of human and nature.

Dance is a unique artistic language because it basically depends on physical movements. There are many dance movements in folk. Yang Liping chose a peacock as an imitation element, which was mostly because of the "peacock" as a spirit bird and was respected by the Dai people as the god of the East. The peace and wisdom represented by Peacock also have many symbolic significance in Chinese culture.

In 1986, in the gentle music, a girl wearing a long white skirt led the audience into a beautiful world with the extremely soft waist, flexible fingers, and light steps. The peacock dance that could only jump in the Dai nationality only added more soft and emotional changes under Yang Liping's arrangement. From this dance, "Peacock" has become Yang Liping's stage life. By the 2012 version of "Peacock", she made a bold decision to enable the form of a big dance drama to reshape the peacock. It is not only an image, but also a life, a world.

The dance drama "Peacock" divides the four seasons of spring, summer, autumn, and winter, showing a fantasy peacock world, portraying a metaphorical national style.

The "peacocks" do not only be a pictographic expression of a simple organism, but also a bridge connecting people and nature. Looking back at the dance drama at the time, it can be said that it rooted in the Dai culture, which was the perfect interpretation of "Yunnan Impression".

In fact, in the process of interpreting the process of life with the four seasons, Yang Liping's "Peacock" conveyed the philosophy of life is more worthy of deeply. The "born to death" proposed by Heidegger is not a negative mentality, but to say that in the process of "dying", it is better to truly feel the sense of living. As our old saying says: "The death of the death of death" is actually the same thing. In Yang Liping's "Peacock", we can also find the same concept. The nature tragedy comedy of nature, jealousy, jealousy, jealousy, hate, hate, killing, killing death, death and Nirvana regeneration, and the circulation of life and death also reminds us to awaken in spirit, cherish every life in life Each second, glows with the positive awareness and internal vitality of life. By increasing the quality and length of each minute and every second, the validity and density of life is improved. Only in this way can the significance and value of life show infinite possibilities in a limited time.

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It is the ultimate pursuit of most dancers to shape the classics and establish a benchmark, but in Yang Liping, it is not unable to stand, change innovation, and collect both. Essence

At the age of 13, Yang Liping, who had no professional dance experience, entered the Xishuangbanna Song and Dance Troupe and became a professional dancer. In 1980, she was accepted by the Central National Song and Dance Troupe with excellent performance, and since then she opened the road of genius dancers. Yang Liping's dance is always very "wild", which stems from her childhood to enjoy the most of the growth of cattle by the river and observe the growth of all things. Therefore, after entering the Central National Song and Dance Troupe, she used her keen observation to create a training system for herself, which allowed her to better play.

On the Spring Festival Gala in 1993, she and partner Lu Ya dedicated a dance "Two Trees". The first place in the most popular show of the audience. But these achievements did not make Yang Liping proud. After returning to her hometown, she went deep into the folk style, and finally moved the large -scale original ecological song and dance "Impression of Yunnan", which coexisted with ancient and contemporary collisions in 2003 to the stage.

After the success of "Yunnan Impression", for more than ten years, she brought a number of dance dramas such as "Ambush on Ten Faces", "Spring Festival" and "Peacock Winter" to the stage. The audience who have watched her works recognized that "Yang Liping's dance drama is not only dance art, but also national art". "Dance as a base dance drama will also combine traditional elements such as opera, martial arts, acrobatics to make people feel beautiful and romantic China. Style.

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For those who are enthusiastic about life, life will give the same feedback. Now it seems that this sentence in Yang Liping is not really true. Because of her meticulous observation of life and the ultimate love for dance, she made her inject the responsibility and mission of the dancer in the dance drama "Peacock".

It is reported that the 2022 version of "Peacock" will be upgraded again gorgeously.In addition to the classic dances such as "The Spirit of the Skin", "Love of the Bird", and "Watching", Yang Liping will also interpret "The Death of the Peacock" and "The Dance of the Dimination" in the last chapter.The new creations and revised and upgraded clips- "Seven Peacock Dance", "The Sea Crow", "Peacock and Crows" and other dance sections, just listening to the name make the audience full of expectations.On the other hand, the new version of "Peacock" is even more deeply dug in Yunnan's local stories.The barrier, truly realize the art of dance without borders.With the new version of "Peacock" as the window, I believe that more people will see that Chinese national dance is constantly developing and innovating.

Jingbao reporter Zhang Yuchun

Picture of Shenzhen Poly Theater

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