Wanma Cai Dan X Double Snow Tao X Dai Ying: Literature and film adaptation, how to expand more actual expression

Author:Literary vision Time:2022.09.22

What is the adaptation of literary works to be successful? Is there a literary work that cannot be adapted? What do labels such as "Northeast Renaissance" and "Tibetan Tibetan waves" bring to realist themes? In the recent online event of "Literature and Film and Television" launched by CITIC Publishing Group, writers Shuang Xuetao, director Wanma Caiman and online drama producer Dai Ying provided cutting -edge observations for the current phenomenon of literature, film and television adaptation phenomenon today Essence

In recent years, the quality production direction of domestic TV dramas has brought continuous innovation vitality to the industry. Among them, the film and television adaptation of literary works has assumed an important role. In the recently released film list released by iQiyi, you can see the drama "Life · Lu Yao" adapted from Lu Yao's novel "Life", Liu Cixin's novel "Ballical Lightning", Di'an novel " The episode "Longcheng" adapted from the Dragon City Trilogy, the drama "Moses on the Plain" adapted from the novel of the same name of Shuangxuetao, and the episode "Barbarous Growth" adapted from the Agen novel "No Pasting". It is expected by the outside world.

For literary film and television adaptation, readers and audiences often have mutual contradictory expectations. On the one hand, it is expected that film and television adaptation can keep the core of the original work, and on the other hand, they are looking forward to surpassing the image language level. What is the adaptation of literary works to be successful? Is there a literary work that cannot be adapted? What do labels such as "Northeast Renaissance" and "Tibetan Tibetan waves" bring to realist themes? In the recent online event of "Literature and Film and Television" launched by CITIC Publishing Group, writers Shuang Xuetao, director Wanma Caiman and online drama producer Dai Ying provided cutting -edge observations for the current phenomenon of literature, film and television adaptation phenomenon today Essence

Shuang Xuetao, Wanma Caidan, Dai Ying (Host: Hiroshima, Yu Yaqin)

From the beginning of the "Moon Travel" in the early days of the film's birth, starting from Verne science and fiction novels, literature and film and television have launched an unable to separate cooperative relationships. In the collision between movies and other art genres, literature is always the most precedent for literature. The species, in the eyes of Shuangxue Tao, who is keen on watching movies, the adaptation of literature's film and television is a cooperative work. Good adaptation can be sent out by text, producing multiple film and television versions. "I think of the movie" Genius Rui "Puli", it created a very important type of film, the original book was adapted from many movie versions, and maintained depth in dramatic aspects. "Cross -border Literature and Film Wanma Cai Dan's" Balloon "," Balloon "," Balloon "in recent years," Balloon "," Movies such as killing a sheep "" Tallow "and other movies are adapted from his own short -term novels. In his opinion, shorter stories are a genre more suitable for adaptation of a movie. High requirements have been put forward with angles. He also believes that there are no literary works that cannot be adapted. Even if the classic works such as "Centennial Lonely" have been adapted in the industry in the past years, "if the content of the movie is required to present all the content of this novel, it is naturally unrealistic Yes, but you can still find the direction of filmization. "

If the adaptation form and effect are observed from the perspective of film history, it can be said that there is no literary work that cannot be adapted. Shuangxue Tao believes that in terms of works, the adaptation of the "Harry Potter" series is a production of industrialized IP products. Methods, and the director like Li An is good at finding the direction of adaptation from an ordinary text, such as the movie "Crouching Tiger, Hidden Dragon", which is adapted from the novel of the same name from Wang Dulu. "In the original novel, the protagonist's hypocrisy, depression, and longing for freedom, he believes that it can touch the fundamental core of the Eastern and Western audiences." And the more extreme is the director Wang Jiawei, which can adapt a movie that almost recognizes the original figure from the text. Edition comes. Shuang Xuetao's novel "Assassination Novelist" and "Moses on the Plain" have been adapted by film and television. In the process of comparing novels and movies, he believes that director Lu Yang is a director who is good at maintaining the original core of the original core and then enhanced the image language. He is not worried about whether he will be adapted by the film and television in advance when he writing. "I personally think that the first work must form itself to form it, so I must first complete the appearance of the novel itself. This Fun fun cannot be damaged. "

In recent years, the prosperity of the TV series of realism themes in recent years has not only the wind direction of creation, but also by different types of creations. Shuang Xuetao mentioned that this year's popular TV series "The World" has reserved the greatest extent based on the novel of the same name Liang Xiaosheng's novel of the same name, soothe the memory and inner heart of a generation, including his elders. As the chief producer of the "Mist Theater", Dai Ying believes that suspense as an ancient narrative strategy is also participating in real expression. The reader foundation has a certain IP adaptation extensibility. On the other hand, I also hope to try to create a drama brand in the form of boutique dramas, so it determines the compact length of the 12 episodes of the industry. Web dramas such as "corner" and "Silent Truth", these dramas still show very realistic social themes and universal humanity with suspense skills, just like the novel of Alice Monroe, the writer she appreciated very much, "Her novel allows daily life All the undercurrents in life are surging, and so is good online dramas. "

Also in the eyes of Wanma Caidan, adhering to similar views like Latin American writers such as Marx, that is, magic realism is local realism in some cultural environments. Many viewers have the red balloon in his movie "Balloon" Multi -significant memory is quite deep. In his opinion, behind this is the natural psychology of fertility in Tibetan culture. He said that he would not have wonders the storyline of the story in order to deliberately create magic effects. In his film, the ubiquitous Tibetan mythology and legends make the movie full of magical colors. In the new book "The Story is only half", he tells his views on suspense and magic, thinking that in the end, the core of their core Function is to help viewers in other cultural contexts feel universal concepts and emotions. "The more humanity, the more worldly," Wanma is so explained. The use of dialects is a common form of expressing local culture. Wanma Cai Dan specially pays attention to the situation that he will avoid some cultural context when creating. , But when Tibetan culture expresss similar meanings, it respects yellow or gold, as well as the masterpiece like "Journey to the West", which has rich entertainment characteristics in Han culture. Mastest traits. This kind of subtle differences will pay special attention to transformation when he is doing novels and film creation. Due to the promotion of literature and film and television, labels such as "Northeast Renaissance" and "Tibetan Volume" appeared in front of the public in recent years. Both Xue Tao and Wanma Cai Dan believed that labels represent a driving force, but When they create, they will not preset this work to endorse the local culture. They are more concerned about whether the works can pass on the power of moving people, connect their hometown with the world, and expand the boundaries of real subjects.