Let the traditional culture go out to the sea: the new youth of the national style, please be in place!

In 2022, the National Style Ceremony is about to open in the East Salt Lake City of Jiangsu during the "Eleventh" National Day. Hundreds of national wind youths will gather in Xiaoyaoxian Town to return to Wei and Jin for thousands of years to experience the life of the ancients -immersed in the life of the ancients - There are lively marketing teahouses, and the literati grand event depicted in poems can also meet famous masters such as "Tao Yuanming" and "Kang Kang". Trace the source to reproduce Dongfang Qimeng.

"Wish to do everything, hope that the national style prevails!" Recently, a short film of the theme of "New Youth of the National Wind" brought together the national style creators such as Zhu Tiexiong, Lang Jiazi, Chu Qi, and April. The youthful national style feast sounded the assembly number. In the eyes of this group of new young people, the national style is a cool and burning dream, an indomitable love, a whole -hearted career, a belief in the passage of salary, and the future of the four seas.

In their social account, interpretation of the national style changes, there are Luo socks in the sun, there are seventy -two changes like the monkey king at the end of the streets, and the dough of hand holding the noodles portrays all things in the world in the world. His lifelike ...

Dream

"There are always one or two winds in the world, filling me with a dream of 100,000 thousands of dreams. In order for young people Ling Yunzhi, once the first class of the world." This is a sentence often shared by Zhu Tiexiong after the 90s. For him, "I want to do too much to do too much It is difficult to classify, chaos. "

Zhu Tiexiong wants to open up a "more pure dream space" and focus on "the blood and romance of the national wind transformation", and set up a studio with friends who also love traditional culture. On August 24, 2021, Zhu Tiexiong "Return" with a video of "Great Saint Return" was "returned" with the account opened. The content of the video is very short, only tens of seconds, but it fully interpreted an scenario drama about "Qi Tian Dasheng Guarding the Dream of Children"; the video of the video is also very short, only one sentence: "Those seemingly ridiculous very ridiculous very ridiculous The dream is the light that we use our efforts to guard. "

Four hours after the video was released, Zhu Tiexiong turned on the phone again. The video clicks have exceeded 5 million, the number of likes is more than 400,000, the number of fans has continued to rise, and the mood is like "flying to the apex like a roller coaster." That night, they celebrated the "starting point of dreams" in the barbecue restaurant for a whole night.

For Chu Qi, who also entreprenels the ancient style, the beginning of the dream is more like an adventure of a desperate, single -gun horse.

As a retired soldier, Chu Qi originally had a very stable job. "At first, it was a small hobby in the circle of friends.

This prompted Chu Qi to start to re -examine his heart. "Even if he retired, he still wanted to protect his family." He resigned and played a historical image to restore ancient knights and other historical images. Combined, "it can be regarded as another form of reporting to the country. I hope to let more people understand and fall in love with traditional culture through my efforts."

Unlike Zhu Tiexiong and Chu Qi, as a national intangible cultural heritage Beijing "Faceman Lang" third -generation inheritor, Lang Jiazi created Olympic Fuwa face plastic at the age of 15. At the age of 16, he became a quasi -member member of the Beijing Folk Artists Association. Essence

"Grandpa created 'Face Ren Lang', and my father has been working hard to inherit the 'Faceman Lang'. I grew up watching my father's works since I was a child, and I naturally want to insist on making face." For Lang Jiazi It is said that promoting the national style is the warmth habit of home, and it is also a choice that follows the heart.

Dream

"One minute on the stage, ten years of merit on the stage." In the short film of "New Youth of the National Wind", the heirs of the tin drama after 00 said: "Every standing walks, including the eyes of tens of millions of times. "

The process of chasing dreams is often not easy. In order to restore the image of martial arts in his heart, Chu Qi used two months to lose weight for 30 pounds. In his videos, you can often see the ancient generals wearing helmets and horses to whip and go to the horizon to fight the world, but "the horse has a lost hoof", and occasionally "injury". In the past, I didn't care much. "

There are also some pains that are "difficult to ignore". When filming on the Plateau in western Sichuan this year, Chu Qi "hit the horse on the horse with a heavy chest on the horse, and the pain of heartbreak came instantly", but in order not to delay the shooting progress, He still "tolerated" for two days. During this time, "riding horses and rolling mountains, jumping up and down crossing the stream ..." and so on ending. During the "by the way" the emergency department of nucleic acid "by the way, Chu Qi knew that his rib fractures.

Even so, Chu Qi wrapped in a "beam band" for treatment half a month, while riding again to practice new equestrian skills.

"The old man talks about the teenager madness, left the yellow, the right Qingcang, the brocade marten, the Qianqi roll of Hirako." Chu Qi has always wanted to restore Su Shi in the scene described in "Jiangchengzi · Mizhou Hunting", in him The imagination should be "holding a yellow horse with a left hand and holding an old goshawk in the right hand." To this end, he deliberately ran to Ahezlekz Autonomous Prefecture, Xinjiang to visit the Korgiz County to learn the technique of hawk. When he supported the goshawk to ride on the plateau, he felt that "it was finally complete at this moment."

For Zhu Tiexiong, "the highest time of light" occurred in the play "the last second of the national wind transformation".

"This second of the national wind transformation is the soul of our video, all the pavement is for the last second movement." Zhu Tiexiong needs to sleep for hundreds of hours for the last second for the stunning of "this second". Special effects.

What made Zhu Tiexiong is pleased that the most discussed in the video review area is "the moment of the last change". Some people say "like the whole power", some people feel "stunning", and some people "burst into tears instantly" ... Among them, a netizen's comment was particularly eye -catching and was pushed to the highlight position: "The inheritance is very light, there are only two words. The inheritance is very heavy, weighing to thousands of years of history." Go to the sea.

In Lang Jiazi's view, the word "inheritance" itself includes the meaning of spreading and inheritance. "What is important is to let this craft return to everyone's vision again."

He said it and did it. During the Beijing Winter Olympics in 2022, he pinched his face to the Great Hall of the People and showed the charm of traditional Chinese art to the heads of state. And he produced a pair of "ice pier" short videos for Prince Albert II of Monaco, even more sensational and well -known. Lang Jiazi still remembered the scene of the scene at the time: "At that time, he received an unfinished" ice pier "face plastic, and posted the small eyes of the ice pier, and then made a hearty laugh. He also asked me to help me help me help. He pinch one more, because his family has a pair of twins. "

In addition to the Winter Olympic mascot "Bingdun Dun", Lang Jiazi also shows the works that best reflect the traditional Chinese culture and customs to the heads of state, including traditional Peking opera characters and some old Beijing people's livelihood scenes, especially during the Spring Festival. People are in the Spring Festival. The alleys are called small and sweet rock sugar gourds, children and adults playing empty bamboo, and the "Fulu Shou" that carries the best wishes for the Chinese people.

For Lang Jiazi, this is a highly encouraged accident. "I am honored to stand on the world stage to show the charm of traditional art."

"Make traditional culture out of the sea" is also the goal of "new youth" such as Zhu Tiexiong and Chu Qi. They all hope that the national style can "stunning the world" and "sweep the world."

Chu Qi believes that "the national style is not only Hanfu, but also many content. In the future, I also plan to dig some traditional skills that are little knowledgeable and niche to contribute to the promotion of national self -confidence." From 30 seconds to 2 minutes, Zhu Tie Tie, Zhu Tie Xiong is also constantly lengting the duration of the video. The polishing of the "before -installed" scenario has also become more and more improving and pursuing more real emotional resonance.

Today, Chu Qi's account single platform praises have reached 150 million. Zhu Tiexiong's account single platform fan volume has exceeded 12 million. Many foreigners are also their "fans". To this end, "foreigners watch Zhu Tiexiong Chu Qi Qi The relevant topic entries of the change of "change" have always been high, and the content of the video of foreigners can also "easily harvest" the likes of tens of thousands of videos.

Usually, this group of new young people of the national style will also pay attention and interact with each other to proudly like the "Chinese -style romantic" of the circle. Among them, there may be international students who wear Chinese clothes on the other side of the ocean. In daily life, ordinary people who are unpretentious but "be sure of skills".

"The national wind is actually hidden in the heart of everyone." For this group of new young people in the post -90s national style, their experiences are different, but one thing is similar. They all believe that there will be more in the future New young people of Guofeng will appear, and more people will tell Chinese stories in more ways. "

(Dai Yueting)

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