Sun Shaozhen 丨 Xie Mian led five classmates to make the rise of the rise

Text/Sun Shaozhen

1. "History of Red Literature"

In 1958, our 1955 students used the summer vacation for a month, and in the past few months after school, we compiled into a "red Chinese literature history". The praise reports in the newspaper, the tone is very large, and the Chinese Department of Peking University 1955. As a generation of newcomers trained by the party, it is taking back the academic hall held by the bourgeois experts. Even The Soviet newspapers also responded. Although it was not too strong, it took the attitude of discussing things. I remember the news on the Newspaper (a very important newspaper in the Soviet Union), which made this achievement that a group of "young scholars" Peking University completed in just a few months. At that time, my feeling was that the polite praise of the Soviet Union was not in place. Our lofty name was not "scholars", but the "ordinary workers" trained by the party. It has been accustomed to the positive. The "China Youth Daily" was impressed by the photos of the collective discussion of the classmates in the class. The deepest impression is that Chen Yi's letter from the department to the class leader Fei Zhengang. The envelope is not the same. It is covered with a large envelope from the Ministry of Foreign Affairs of the State Council outside. There is also Chen Yi's private rice paper envelope, which is bottomed with watermark plum blossoms. Chen Yimao's calligraphy, mostly the center -to -front center, is quite handsome and handsome, without a little marshal. According to Hong Zicheng later, Chen Yi's letter was written on March 4, 1960. Gened to say:

The history of literature you wrote has received three sets of three sets before and after. I took time to read a few sections, and I felt very good. Thank you for the beauty of sending the book. At present, you are busy with work. It is impossible to read it.

In addition, there seems to be a letter from Kang Sheng. Kang Sheng is a calligrapher, but does his letter write in a brush and what the enlightenment looks like, but he is not impressed at all. Later, Hong Zicheng checked the information and determined that Kang Sheng's letter was written on November 27, 1959.

Students can write books, and can write most of books like "History of Chinese Literature", which is unimaginable two years ago. Can students write books, can they participate in writing teaching outlines and textbooks, and many people suspect last year. We think we should not have what we have never had in history; we should not do what predecessors dare to do. In particular, some right -leaving opportunities are always afraid and oppose new things and new forces. In front of the new things, they have been commented on their heads, making it difficult, and splashing cold water. When you first published the "History of Chinese Literature" you wrote last year, he had such a discussion saying that you can't do it, and that's not good. However, under the support and encouragement of the party, you are not scared by such right -handed and evil spirits. Today, you have rewritten this 1.2 million words. The book is in front of people, and the facts break people's doubts, and the right -leaving opportunist does not break the various hatreds of you.

In a joy, a new combat task is ushered in, moving forward by winning, and then writing "the history of red contemporary literature". Although it is quite controversial, I remember that at a report, Lin Mohan's opinion was a bit of the scenery: contemporary literature was only eight or nine years old, and what literary history was written. However, in the upsurge of breaking the superstition and daring to dare to do it, it is the authority such as Lin Mohan and also discounts. By the end of the semester, the writing of "History of Contemporary Chinese Literature" has opened up.

Second, the assumption of Xie Mian

I was assigned to the poetry group and became the team leader. A little flattered.

Before that, although I participated in the writing of "History of Red Literature", I finally wrote a chapter of Li Bai with Xie Mian, but at the beginning, in the early summer vacation, I was not qualified to participate. During the citizens, I belonged to "Middle Right", that is, the kind of "bad breath" became a rightist. As for a character like me to seize the academic hall of bourgeois scholars, I feel guilty. Without becoming a rightist, he is grateful. It is already a great luck to be able to deal with the internal contradictions of the people. What else can you expect?

During the summer vacation, there was a task to work in rural areas. Several of our compatible "right" molecules, under the leadership of the left, went to the nearby rural labor. However, shortly after, he was recalled and participated in the writing team of the history of red literature. Although there is a sense of unknown name, and sometimes even a sense of mixing into the people, I am still very happy to report to the "Tang poetry" group. Each chapter has been allocated, and only the last chapter "The influence of the world of Tang poetry" was left to me. Where can I write such a question? I found the professors of the Department of East and Western language to visit and sort out their claims and information. It is not difficult to write. I have a sense of romance to participate in such collective academic research. Reading and writing at the Heat is almost a night car every day. For two consecutive months, some classmates return to visit relatives in the winter vacation. Seeing us, the first sentence is "thin". In the process, the happiest thing is not writing, but gradually forgetting his "bad breath" identity. I have also been included in the new generation cultivated by the party, and it has not been ranked among the enemies of the people. When the red literature history was finalized, it may be Li Bai's chapter. The original manuscript was not ideal, so let me and Xie Mian rewrite it. From then on, I have ended with Xie Mian. Before that, Xie Mian belonged to the leadership of the grade, and I was a small hairy, and I was daunting at a little bit. Perhaps because of writing Li Bai's chance, it is favored by Shangfeng. I remember that Chen Xianze, the general branch, came to the dormitory and talked about Li Bai's chapter well. It was probably written by Zhang Jiong. I couldn't help saying that it was written by Xie Mian. When the "history of contemporary literature" entered the operation stage, it may be Xie Mian, and I mentioned me to the position of the team leader of the poetry group. Soon after, Xie Mian informed me that Xu Chi and Sha Gou in the "Poetry" came to write a history of new poems. What stays in my memory now is that the two of them came to my dormitory. At that time, Xu Chi was the deputy editor -in -chief, and sand was the secretary of the party branch. Their meaning, "Poetry" has an idea to write a history of Chinese new poetry. Such a task cannot always rely on experts, and we should let our young people go into battle. I have considered other schools, and finally determined the 1955 students of the Chinese Department of Peking University. Time is very tight, we also have the task of writing the history of contemporary Chinese literature, and decided to use the winter vacation to complete on the spot. The atmosphere at the time was very warm.

For the first time, I was facing such a big man. Listening to his teachings like a pious mood like a primary school student, but he did not make me feel short in front of him. The impression he left to me was not his handsome face, but his dedication and forgetfulness of art. I remember that he was sitting in the lower shop of our double bed, and suddenly talked about his favorite Homer Epic. I have read his translation film. He was excited. It is said that Homer described a group of geese flying over the sky, and unknowingly stood up, and he touched the horizontal wood on the upper edge of the double bed. He just covered his head with his hands, neither pause nor frowned. We wanted to laugh, and when we saw him nothing, we pretended to be nothing but seeing nothing.

At that time, only Xie Mian and Sun Yuzhi seemed to be present. The task is so urgent, the three people are not enough. So separate the horses. Xie Mian proposed that Liu Denghan at the 1956 level may be Liu Denghan's proposal Hong Zicheng. Because Xie Mian and I don't know much about Hong Zicheng. I went to Qian Wenhui in the 1955 class 3. He was from Wuxi. Sometimes we talked in Wuyu dialect and had some friendship. However, he refused and said that he had to go home for winter vacation. Later, I found Yin Jinbu. In this way, the six people's teams are made. At that time, Xie Mian, Sun Yuyan, Yin Jinbi and I were the fourth grade. Liu Denghan and Hong Zicheng were third grades. What difficulties would face the tasks such as writing new poems, I had little worry. At that time, the atmosphere was the "Great Leap Forward" and broke the convention. The bourgeois expert Hao Chong accumulated the information, it was what I wanted to criticize. Politics and implementing the party's literature and art policy to the end is our advantage. Dare to think, dare to do, you can overcome any difficulties. This is the official language, and it is difficult to say that it is not our thoughts. This was because we had a new self -confidence in the historical mission at the time.

3. He Qifang's worries and our sense of mission

As far as we are concerned, I almost never thought that I had any clear motivation. Of course, "Poetry" has their motivation. The 1955 "History of Red Literature" in the Chinese Department of Peking University encouraged a wave of history of young college students. Students of the Chinese Department of the Beijing Normal University are also writing "History of Chinese Literature". The Chinese Department of Chinese Department of Fudan University is writing "History of Modern Chinese Literature". Our abbreviations. The academic program we proposed is to reverse the upside -down literature history. The working people are the masters of history, folk literature, and the literature of the working people should become the mainstream of Chinese literature history. Literature can only be a tributary. At that time, Mao Dun copied the Soviet literary theory "realism and anti -realist struggle" in "Night Reading". In fact, this theory was interpreted from Lenin's philosophical theory. Lenin's words, the history of the entire philosophy history is the history of idealism and materialism. Even Mao Dun is more dogmatic and more confident. Hanging folk literature and realism, and the literature of literati, the literature of literati is severely identified according to the degree of directly reflecting the contradiction between real society. It is thought that a new academic orgasm will be created by our generation. In this boom, "Poetry" naturally cannot do the "tide watching". They also have their sense of mission. Obviously, Xu Chi and Sha Ou represent a decision of the editorial department. To create a new situation in the historical exposition of the new poem. On the one hand, they show their support for this boom, and the other is to position many issues of Chinese new poems according to the new concept. The enthusiasm and enthusiasm they showed us even moving us. You know, in general, in general, we are expected to be invisible. Now it is actually a schedule. This is not only what Li Xian can summarize. At that time, the Chinese department students in China abounded, why did they choose us? It may be the reputation of Peking University. According to He Qifang's report recently, he said that in the face of so many college students with such extreme concepts, he was very worried about the ruthless class analysis of literary history. At that time, he had heard of it, and Wang Wei had been regarded as a representative of reflection. He is of course helpless. He pays attention to the evaluation of Tao Yuanming, which is also an intellectual of the landlord class. If he is also denied, He Qifang said, then he cannot accept it anyway. To his joy, Tao Yuanming was not simply denied in our "red literature history". Tao Yuanming was denied by the history of literature written by the university students of Bei Shi. Perhaps this is precisely that the "Poetry" people fancy us: Although brave, it is not messy.

Personally, I have always liked literary creation, especially poetry, and I don't want to focus on academic research. Before participating in the writing of red literature, I haven't even published an article with theoretical colors. When writing the first draft of the history of red literature, my text was influenced by poetry and imagined. According to my friends, Chen Suyi, who reviewed my manuscript at the time (later became Mrs. Xie Mian), said that Sun Shaozhen's manuscript could not be connected. However, after two or three months of tempering, I was actually selected with Li Bai, who was selected with the famous talent Xie Mian. It shows that my sentence has begun to be coherent. After entering the history of contemporary literature, I also studied Li Ji, Ruan Zhangjing, field and others after the founding of the New China, especially the "mountain songs" of Motano (Yuan Shuian). It doesn't seem to be difficult to write some manuscripts. This also gives me full confidence. At the same time, I do n’t have to take this opportunity to practice my pen and test my potential. Maybe there are some room for development in this regard.

Fourth, rich information and collectivism enthusiasm

Collective scientific research was not just a direction at that time, but also a honor. It is the spirit of collectivism to devote the research results to the people, and adherence to personal research is purely for personal fame and fortune, and bourgeois experts. Just in our grade, a classmate, shortly after entering the school, was determined to write a modern Chinese idiom dictionary. By 1958, quite rich information had been collected. At that time, they planned to collect the modern Chinese idiom dictionary in the class. He refused to participate. Although he did not organize his criticism in the class, he was in isolated for a long time.

After our manuscript was published in the Poetry Magazine, it continued to receive the manuscript fee, which was about 120 yuan per issue. This was a small number at the time. Pentagon, equivalent to ten months of food expenses. We immediately paid into the department. But soon after, it returned. It is said that this is not the task stipulated in the department. It should be you that you should use the winter vacation and should belong to you. I remember that it was allocated at the time, and each person was about 20 yuan. Xie Mian also led us to a small restaurant for a meal. It was very ordinary. One of the dishes was bitter gourd. I never eaten it and didn't feel delicious, but Xie Mian said that it was very good. Xie Mian also said something, the idea was to get the manuscript fee, and it was obtained. There was nothing terrible, but don't have personal fame and fortune, and so on.

It is not difficult to collect materials and read materials collectively. At that time, I was accustomed to collective life, and everything followed the spirit of collectivism. It was always alert to the erosion of individualism, especially personal fame and fortune. As for the ideas, of course, it must be unified, but there is no obstacle. Because before entering the study, we are only the enthusiastic readers of modern Chinese poetry. Although their personality and hobbies are different, especially the reading taste, the difference is very large. However, there is no concept of a very clear system. There must be no major obstacles at the level of political ideology. Moreover, at that time, the criticism of the modern literature history of Wang Yao, the "bourgeois expert", showed the truth, that is: modern Chinese history is the history of advancing in the direction of socialism led by the party; The socialist factors under the leadership of the party gradually became stronger and finally entered the history of socialism. Having caught this red line and grabbed the lifeblood of the new poem. Coupled with the spirit of daring to do, there is no way to go. We are so optimistic. Because of the confidence and bourgeois experts, we have innate superiority. We have been trained by systematic Marxism -Leninum theory and have the beliefs of party leadership literature. Before entering the study of modern literature history, I studied articles from the authoritative theoretical theory of party theory of Zhou Yang and Shao Yilin. They clearly pointed out that as early as the May 4th New Literature Movement, the factors of socialism were very clear. The modern literature history courses we are studying are discovered by Mr. Yan Jiayan, who was still a graduate student at the time, and the information of the Zuo Lian and the previous party's early theorists. We are all convinced of all this. The socialist direction of modern new poems and the direct leadership of the party from ideological to the organization are a red line that is constantly conscious and deepened. This is almost no controversy in our writing process.

The editorial department of "Poetry" seems to trust us very much, and almost no ideas or political requirements have been put forward. This may be that the public opinion at that time had already formed a kind of setting, that is, the young people were full of spirit, the fighting spirit, and had already gone ahead. The older generation of people had only followed by followed. At most, serve us. For example, the new collection of poems of the Writer Association and the Beijing Library should be borrowed as much as possible. Coupled with what we borrowed from the Peking University Library, two wooden beds were full. In retrospect, it is really lucky. It is a feast of information. For the first time, I have exposed to so many precious information. Commented poems such as Jiao Juyin and Lu Zhiwei can read them at hand. Some information is quite amazing, and it is unforgettable to this day. For example, the first version of Guo Moruo's "Goddess" is very different from the version of the 1950s, and the "Socialist" elements such as Lenin and other Lenin are added to the version of the 1950s. Shao Quanlin discussed the socialist factors of new literature, based on the later version.

"Poetry" was very assured of us at that time, they gave us books and magazines, and everything was made by us. Except for the Spring Festival for routine condolences, we did not control us anymore.

And we didn't seem to have conducted a few discussions, we carried out division of labor.

This division of labor, I want to come today, has a completely casual nature. Originally, I have paid more attention to the new poems in the May 4th period. I have also read publications such as "New Youth" and "New Tide". , I have been studying well for a long time. However, during the specific division of labor, I was responsible for the section from 1942 to 1949. Why do I allocate this paragraph to me, especially in the atmosphere of my friends in a very harmonious atmosphere, why did I not have any objection. Perhaps it is because of considering that this is collective scientific research, emphasizing that personal interests are ashamed. When I wrote here, I thought of another important understanding, surging in my subconscious at the time. This is exactly what I want to describe below.

5. Personal art fun obeys the will of the people

In terms of personal artistic taste at the time, I can say that literature and art from the liberated area after 1942 were incompatible, especially poetry. My artistic taste was formed in high school. In 1952, I was admitted to high school. Because of the publishing a small poem in Shanghai Youth Daily, I got the eight -dollar draft fee and bought a collection of poems. The exquisite and delicateness of the soul awakened me a lot of memories and made me discover many wonderful things in my soul. The method of expressing gentleness in ordinary language makes me intoxicating. Regarding this, I said that on March 2, 2005, the Beijing News reporter asked:

Go to Xinhua Bookstore to handle the old books before liberation. Among them, there is a set of "July Poetry" edited by Hu Feng, and only a copy of Ai Qing's "Xiang Sun". When I bought this set of books, I couldn't help it soon. I know that some people are dissatisfied with the new poems and call on the form of folk songs. But I have read "July Poems", but I couldn't stand the most popular folk songs at the time, such as Li Ji's "Wang Gui and Li Xiangxiang". As soon as I entered Peking University, I soon participated in the Shisong Society. In a freshman, I read Marcovsky. Later, Ye Senning, Neruda, and Loria were read again, and they were drunk. For a while, I woke up every morning and read Neruda. "Make the Lomatin Wake up" and "Love Song Dedicated to Stalingrad", many paragraphs I can recite. Later, in the Russian class, I read Pushkin's poem "Zhidayev". The gently and light rhythm is fascinating, which is much more exciting than the translation. I can still recite "Tochandayev" and Lemontov's "Cossack Culber" in Russian. I can recite some films in Russian poetry. Ma's early was the representative of futurism, and Neruda was symbolic. At that time, I was studying English and reading some Western romantic poets, such as Shirley's poems, especially the poems called "Bayon of Byron" by He Qifang. Smile; I love me, I sigh in the newspaper, ", the deep words are deep and heartbroken. Their feelings are so free, so diverse, and imagined so strange. I read intoxicated and fascinated. This is the real poem. My heart opened a window to many artistic genres. Compared with these, "Wang Gui and Li Xiangxiang" is too narrow and aged in art. Following this line, I read the works of French left -wing poets such as Aragon and Eluya again. The vibration is greater. They have a strong sense of rebellion. At a class meeting, I publicly said that college students should have a rebellious spirit. In the Communist Youth League team, he was criticized. Everything in Peking University makes me feel as what He Qifang wrote in "Night Song": there are so good sunshine during the day, and there is a good moon at night. The whole mind is like a window that opens one side. Many clouds flew up chaos. However, the open windows that are open to Li Ji can make Li Ji's faithful tour, including the popular "petroleum poetry" after his founding of the People's Republic of China. In 1957, I almost became the rightist, which made me be in the mental crisis for about a year. I often ca n’t get rid of the feeling of pain. I ca n’t help but reflect on it. I believe that I love socialism and love the Communist Party. I can't stand myself as the enemy of the people. But I can't help but admit that my thoughts are always inconsistent with the party, and my artistic taste often collides with the direction advocated by the party. In the field of poetry, I cannot accept Li Ji and Zhang Zhimin. In the novelist, I privately believe that Zhao Shuli's "Sanli Bay" and Shawlohov also write agricultural cooperation "Horgan Virgin Land". Big elephant. I was proud of the rebellious personality of college students, but the days when I was on the edge of the rightist made me completely lose my confidence in myself. It seems that I must fundamentally transform the nature of my bourgeoisie. The reason why my artistic taste is incompatible with the working people is definitely the world view of the exploitation class. Since the party saved me in the anti -rightist movement, what other reasons do I have no reason not to wash my mind and completely transform myself?

I take the new poem after re -understanding and evaluating the "Speech" as a good opportunity for my own ideological transformation and interesting transformation. In front of this, Zhou Yang had given several lectures several times in the Chinese Department of Peking University. His knowledge, his handsomeness, and his talked about arguing have made me feel good about him. His article, especially his "Preface" written by the new folk song "Red Flag Ballad", has made me unable to accept his high evaluation of folk songs. His series of articles have repeatedly emphasized that poetry after the speech was a historic development. Before that, at best in the field of poetry, it was only a manifestation of the thought and emotion of petty bourgeoisie. The working people could not go to the table. Only after the "Speaking", after the emergence of the new poet represented by Li Ji, the sound and laughter of the working people occupy the mainstream position in the art field. I almost forced myself to agree with these concepts, and regarded the style of poetry represented by Li Ji as a transformation of the new poem of May 4th. It was a new breakthrough in art.

6. The hard work of eating only two meals a day

When we decided to go to a small suite in the dormitory of the Chinese Writers Association in the winter vacation, there was a very realistic problem immediately, there was no cafeteria there. We must solve the problem of food ourselves. We have not eaten in any other meal units except for eating in the Peking University cafeteria. Sometimes I eat a meal in a small shop on the street. Although since 1958, except Beijing, other cities across the country have to pay food stamps in restaurants. Considering economic conditions, it is impossible to eat in the hotel every day. I decided to drive myself. When you buy food yourself, you have to have food stamps. I don't know how to think about it. Xie Mian actually called me such a horse -style character to go to the big dining room office. This is not expensive. According to the quantity of two weeks, 90 pounds of food stamps are given. It was national food stamps, each pound, 90 pounds is 90. Brand new, exquisite printing, like stamps, piercing in the middle is connected. When you go to Peace, the nearby grain shop, people do not sell, there must be a hukou book. In the dormitory of Peace, we don't know anyone. Only Zou Yifan who lived upstairs expressed concern for us. Mr. Zou was not in the editorial department of "Poetry" at the time, as if in the editorial department of "Translation". We really want to borrow the account book from Mr. Zou's house, but we are also concerned, for fear that we can buy it, people's quantitative is occupied, and now I can’t remember whether it was borrowed from Mr. Zou at that time. Jack of rice, the stove that led the cigarette tube to the outdoor was born, and he boiled a little porridge and mixed it for a night. The next day, it was found that someone had a headache (it seemed to be Yin and Jinpei). Later, Mr. Zou, or Mrs. Zou came to see it, saying that the cigarette tube was blocked. Very dangerous, headache is gas poisoning. As soon as we were scared, we didn't dare to cook by ourselves. What to do? Xie Mian decided to eat in the small shop outside. But three meals a day were too wasteful, and decided to eat two meals a day. Remember the most inconspicuous small restaurant in Beijing Hutong. I do n’t know where the fourteen days of food costs came from the cafeteria, or wherever the Mian tried to make a way to make up, I do n’t remember it at all. After the winter vacation, the task was basically completed and returned to school. The most distinctive thing to stay in the impression is that we took the taxi for the first time. Five points per kilometer. 90 pounds of food stamps are not useful and did not pay attention, so put it in my box. After a year, in 1960, hunger attacked us. There are food stamps no matter where you go. People do not care about it, but to overcome the urge to eat full, and the food ticket becomes precious. At this time, I remembered that it was about 90 pounds of food stamps in the box and quietly looked for it, but there was no shadow. Essence I have been sad for this reason for several days.

7. At the discussion of the "Poetry", the different performances of Guo Xiaochuan, Zang Kejia, and Lou Shiyi

The "Poetry" organization discussed in the conference room of the Writer Association of Wangfujing. In addition to a few of us and Xu Chi and sand gulls, there are Ding Li from the editorial department of the Poetry Journal, and there is one. Of. The invited people attending are Zang Kejia, Guo Xiaochuan, and Lou Shiyi. Zang's body was not good, and he came late, saying that he could only talk about half an hour, and left in advance. Most of them are his own business. How did his first collection of poems "Bae" published, how much money he heard about it, and so on. He pays more attention to his evaluation of himself and compares himself with Ai Qing from time to time. At that time, Ai Qing had become a rightist, and of course, no one raised his objection. No one shows the emotions of everyone pushing the wall. However, Zang's feelings in my heart were uncomfortable. Speaking of Ai Qing, he introduced some modern poems written by Erya as a pseudonym in his early years, and so on. What impressed me the most was Guo Xiaochuan, and he was frank. It seems that it is not just the value of poetry from ideological evaluation, and artistic achievements cannot be ignored. After a year, I was dispatched to Fujian Overseas Chinese University. At that time, Guo Xiaochuan came to Fujian to write a report literature on "The Drought and Drought Land". Liu Denghan and I went to Gulangyu, Xiamen to see him. He said frankly that at the time he was not satisfied with the "New Folk Song" campaign to write folk songs, so that he couldn't speak, so he had to talk about the people's song. It is also said that in fact, some articles of Guo Moruo did not come from Guo Moruo's hands, but they wrote it. Guo Moruo followed the announcement. At that time, Mr. Shi Yi talked about the specific situation of the Zuo Lian period, especially Jiang Guangci. The left -wing romantic poet, in the end, was a Communist Party member, and it was a bit vague. The style of speeches of Lou Shiyi, Xu Chi and Guo Xiaochuan is different from the style of Zang Ke's family. They are obviously the parties, but they never mention themselves.

After the manuscript was submitted to "Poetry", after publishing several chapters, I remember that there was still one or two contacts. It is in the editorial department of "Poetry". At that time, Ruan Zhangjun was transferred to "Poetry". When I met for the first time, I felt quite chic, not as rustic as his poems. Holding his hand with Ruan Zhang, he was very polite when he was embarrassed. In the article commemorating Xu Chi's death, I have recalled a small scale in the "Poetry":

The manuscripts of our young people are almost modified by Xu Chi. I want to come now, the manuscript at that time, it was impossible to publish without modification. I remember where he wrote him, he deleted him. At that time, we were all very young. Except for the words of Sun Yuyan and Liu Denghan, the other were more neatly written, especially me, especially me. And too lazy to copy, change the change, hook around, and think of him to come to hardship. Of course, he cannot appreciate our calligraphy, but he does not blame us in front. Most of the manuscripts are small crickets. For each page, as long as there are about three typos of the wrong words, it is necessary to tear off the rewrite. We don't know what special feelings Xie Mian listened, anyway, I felt a little hot on my face. At that time, our relationship with "Poetry" was relatively equal. "Poetry" may be more appreciated. Because soon after, they asked us to write some comments. Xie Mian, I, and Liu Han all became their authors. When "Poetry" published Guo Xiaochuan's long poem "Deep Valley" and "White Snow's Like", Yin Jinpei wrote a critical article. The Poetry Magazine was quickly published. Yin Jinbo later told me that he once went to "Poetry", and someone was sitting in the editorial department. Some people introduced that this is Comrade Ogawa. Yin Jinpei said that she couldn't help her face.

The specific situation is that Guo Xiaochuan's two long poems were published in April and December 1957 and December 1957. Yin Jinpei's article "What kind of praise to sing" was published in the January 1960s of "Poetry". According to Wu Jiajin, editor of Poetry, Guo Xiaochuan was the leader of the National Writers Association at the time. He read the criticism of Yin Jinpei and believed that he was talented. Later, he contributed "Poetry" and Guo Xiaochuan advocated adoption. However, our manuscript, after serializing the three or four chapters in Poetry, suddenly no longer published. According to Xu Chi, we must take the publication. The reason for them is not known. Later, after a few months, the manuscript was retired by Tianjin Baihua Art Publishing House. The refund letter was sent to the "Poetry". According to Xu Chi, it was very mean, which means that except for a few chapters, it is not very artistic. Why is it suspended, no one mentioned it. We did not ask, at the time, it was shameful to argue with our manuscripts. It wasn't until after crushing the "Gang of Four", in 1978, Liu Denghan and I participated in his delegation as the deputy head of the regiment to visit Daqing, and he said that he was a person who was his peers at the time. Dare ". It is a pity that I did not hear the name of this person at the time.

8. Failure to repay Xu Chi's love

At the end of 1978, Liu Denghan and I participated in the first event after the recovery of the Chinese Writers Association and visited Daqing and Anshan. Xu Chi is the deputy head of the delegation, and we have a lot of contact. After returning to Beijing, it may be Xu Chi proposed that we asked us to modify the development of the new poem. At that time, everyone felt that in this era of reform and opening up, some of our basic ideas have changed, and a little modification is no longer in line with our academic pursuit and level. Determine the stove. At the beginning, it was more optimistic, and the division of labor was made. Xie Mian was already a big celebrity and a busy person. Maybe considering that I am relatively leisurely, after deciding to write it, I will formulate it. I started my work very seriously. Soon after, Liu Denghan and I completed the first chapter of "The Era of Song Song and the Era of Songs" after the founding of New China. I also wrote some other chapters. The information of Fujian Normal University was limited. I remember that Hong Zicheng had called Hong Zicheng to copy the preface of "Selection of the Crescent Moon". At that time, there was no copy machine, and the honest Hong Zicheng copied for me. However, everyone else did not complete the task on time, and it was far away. At this time, we gradually felt that today is not the same as that in the past, we all have many of our own tasks, and it is impossible to complete the task of completing historical works as short -term as in the same year. We have new standards for our own works, and we don't want to write grass, and the text style has gradually formed. It seems that it is unlikely that so many styles of text to form a unified whole. Everyone was relaxing in an appointment, and it would not be mentioned later. At this time, I got the more than 10,000 words of "The Era of Song Song and the Song of the Times" to Zhang Jiong's "Contemporary Literature Research Series" edited by Zhang Jiong, and published it in the name of our six.

Our thoughts have changed, but it is mainly external and surface, concentrated on the most urgent political concepts. In fact, the political concept is relatively limited. It is Xu Chi, in his sensational "Gothic Bachs Conjecture", he also affirmed the "Cultural Revolution". The concept of inner mind, especially the artistic dogma that was deeply burned in the past, is still in an unshakable position. In the first place, it is time to be urgent. Before you have time to adjust, you have not figured out that under the new situation, you have to find the safety factor for the official recognition of the discourse. The most fundamental reason is that artistic concepts always lag behind the change of political concept. Therefore, when I independently modified Li Ji and Ruan Zhangzhai, basically, the idea of ​​1959 was continued. About 1979, I modified "The Art Road of Ruan Zhangcai" and published in the "Journal of Fujian Normal University" in the name of my personal name. When writing "On the Art Road of Li Ji", it was already at the end of 1979. The person in charge of the "Xiamen University Journal" Mr. Xu Huaizhong asked me, and I sent it to him. However, it has been delayed for almost a year, and has not been sent out by the end of 1980. It is said that the "Xiamen University Journal" has a new principle of press time, that is, no foreign manuscripts are issued. Mr. Xu Huaizhong was embarrassed to retreat, so he transferred it to "Literature Review". It was already 1981, and Li Ji died of an accident of drinking. Suddenly, academic manuscripts without system reviews, "Literature Review" was sent out if it was a treasure. Nine, Nanning Conference followed Xie Mian and rose together

In 1980, it was a year of major changes in my artistic thought. This year, I participated in the first poetry theory discussion held by the Chinese Contemporary Literature Research Society in Nanning and Guilin. At the meeting, I was not ready to speak. Because, until then, I still had skepticism about theory, and writing theoretical articles did not work hard. Until the meeting was about to end, Zhang Jiong asked me to "set up a shot", and I didn't have much interest. But he and Xie Mian insisted. I put forward a condition to arrange my speech at the end. That is, at 4:30 in the afternoon, I don't talk well, and there is no hindrance. I did not expect that as soon as I arrived at the scene, I talked a few words, and satirized those who were critical of the hazy poetry. The venue was divided into two factions who opposed and supported. I am a person who likes to speak at the scene. I feel very cool, and I have an impromptu to vent the depression of depression. I think I have found my own words, and I can express my thoughts freely. My speech was appreciated by a senior editor of "Guangming Daily". After inviting Xie Mian as a text, he asked me to make a text. Xie Mian wrote the famous text "In the face of the new rise", and I wrote "Poetry and Elegy". This is undoubtedly a small test. Historical development is sometimes slow. For decades, people's thoughts do not seem to change, but sometimes, a few months later, "The Principles of New Aesthetic in the rise" was published, and it was besieged. I couldn't help but become a hazy poem black whirlwind. At this time, "On Li Ji's Art Road" was published. Someone (Mr. Zhuang Zhongqing, Xiamen University) thought I was criticized because I was criticized and quickly compromised with this article. In fact, this is a misunderstanding caused by time difference.

Ten, the wrong trend of thought also becomes the sun that is blacking the skin

The writing of "Overview" is the first time I use theoretical language to express academic concepts in my life. Although it is not your own concept, it is more or less to experience some of the arguments to get a pleasant expression even if it is not very accurate.

This has a problem. Fundamentally, the writing of "Overview" is a hasty academic blind movement under a wrong trend of thought. However, this wrong academic blind movement has exercised us. This is not only ironic, but also hidden the general law of talent growth.

The writing and publication of the article did not terminate our thinking. On the contrary, at least the division of thoughts and artistic tastes, on the one hand, is an orthodox theoretical concept, on the other hand, scoff at the artwork of the works that the theoretical works that have theoretical affirmation. In the long -term reading process, my art Fun, quite a little bit of "subjective fighting spirit" that Hu Feng said. It is not completely assimilated for the theory that it is not preached. Under normal circumstances, I have nothing to do with this binary state, and I have to let it go. However, once I get a sense of public support, my thinking enters the most exciting climax. This is this kind of thinking, transforming my artistic taste into the concept of theory, becoming the opposite of my original concept, and eventually becoming the fierce killer of these ideas. Perhaps this is what Lu Xun said, the anti -Ge hit from the old base is more disruptive than the external attack.

In all fairness, in the "Overview", the part I wrote, distorting myself and self -clarification, is intertwined. However, some of the discussion, after all, are the condensation of their own efforts. What I mean is the part of "Maga Tuo Mountain Song". As far as my memory is now, I have not thought about what kind of historical literature comments have been found in Magan Tuo Mountain Song. When I was in junior high school, I purchased the "Massan Tuo Mountain Song" published before the founding of the New China and the "Liberation Mountain Song" published after the founding of New China. Due to the irony of Marthando's ironic, most of them are political and social life in Shanghai from 1947 to 1948. I was sensible at that time and resonated. Coupled with the form of Marthanta, it is more popular in Southern Jiangsu. Out of some kind of local feelings, I not only read it very well, but also had many wonderful feelings. In writing, the art of "The Mountains of Machtoro", I don't need to find a more accurate summary for artistic intuition according to the ready -made words of authority, it seems not difficult. I remember the artistic analysis of the Baili Literature Publishing House's retreat, and also affirmed the art analysis of "Maga Tuo Mountain Song". Those analysis, although it seems naive today, is a pleasant thing to form a judgment and discourse directly from the perception of the work. For the first time, I felt the joy of the inner intuition as a rational language. This point has been staying in my heart, and in future academic research, it has become the realm I pursue. That is, the interpretation of theory is not exactly theory, because the premise of the interpretation is that others, from their own intuition, summarize, directly summarize as the point of view, form their first premise, and more refreshing. Too many comments and references of the predecessors' comments may block their free thinking on the opposite side. After many years, I know that in more exaggerated words, this is the pursuit of "originality". The beginning of my "New Aesthetic Principles is on the Rise" is nothing like this. If you enter no one, you can bump horizontally with intuition. Xie Mian saw this paragraph from published an article later, saying that it is the left that can not stand the left, so don't say the later. The rise of young people often show an unknown gesture for our traditional aesthetics. They disdain the horn of being the spirit of the times, and also disdain the great achievements outside the self -emotional world. They even avoid the experiences of those characters we are used to, heroic struggle, and selfless labor. ("Poetry", "Young Poet Talking Poems", April 1981)

The characteristics of such words are not like writing academic papers, not first seeking the predecessor's classics as the basis. General. Such a style of writing, in my later "Boom College Entrance Examination", "Boom Boom 46 English Test System". This is both my advantages and my disadvantages. The disadvantage is that the academic resources are insufficient, but I don't think that academics is a knowledge spectrum. If there is really a knowledge spectrum, it is not necessarily written. Sometimes in the world of feeling around. Original abstraction, which derives ideas and forms a system.

Whenever I recall the days when I was in peace, I smiled. History has proven that this time academic blind movement has made us almost all the strong men who have been in Xie Mian. However, I also realized that I was reluctant to accept the concept of the year, and it became a certain force in the later years to restrict us in the later years. The most obvious point is that there is a huge difference between the new generation we have not accepted the rigid dogma. After the 1990s, scholars of our generation showed some kind of diaphragm in many post -modern ideas, and they generally adopted a avoidance attitude, but the characters like me were frankly criticized. I respect my intuition, but my intuition has not been distorted by the potential value concept of educated that we was educated that year? I even felt that all the limitations on me were related to the concept of that time. I don't know how history will criticize me. But I believe that as a cultural phenomenon, this is a complex equation. To solve this equation, a historical process is needed. Summer insects cannot speak ice. Maybe our generation did not want to see its final answer.

Edit: Liu Qihan

Source: Literature and Art Contention

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