New Observation of the Soviet Army | Ye Mi: Fiction of a city, life, life
Author:Yangzi Evening News Time:2022.09.19
The Yangtze Evening News and the Jiangsu Provincial Writers Association jointly launched a series of micro -documentary films of the "New Observation of the Soviet Army", which continued to be updated. We talked to Jiangsu writers such as Zhao Benfu, Chu Fukin, Zhou Meisen, Hu Xuewen, etc. at a glance at the turbulent and interesting spiritual world. In the fifth issue, we approached the talented daughter of Suzhou -Ye Mi. In literature, she fictional Wu Guo City with Suzhou as the prototype, which is also the place where her character grows and lives. Here, the poor and the rich are flat and diluted on their faces, soft voice, and have no suffocation. From Jiancheng to the present, my weather is serene.
She is "not old" in literature
Recently, Ye Mi Xin wrote "Nothing Old". She was easy to draft, and after several modifications, she finally became a book. The location of the story is still Wu Guo, the Suzhou City shaped in the virtual literature world.
In the process of preparing writing, Ye Mi interviewed a large number of people, including workers, farmers, teachers ... in a huge world, these ordinary people are as small as you and me. "They are walking on the street and tell the truth. Very ordinary, I can't see what the spiritual world is at all, but when I interview, I find that everyone's bones have very unusual pursuits. "
The heroine Kong Yanni in the story is also the same. She is gathered from many female friends around Ye Mi and is a proper Jiangnan woman. According to everyone's traditional concept, "Kong Yanni" should be gentle and soft, but on the contrary, Ye Mi's writing is both resolute and strong.
As a post -60s female writer, Ye Mi face is anxious about age, and Kong Yanni can't. She lives in the "Wu Guo City" in the literary world. There, Kong Yanni broke through the age of age, lived chic, and had a taste. She lived in a secular life but was not a woman in a secular sense. "". The title "Nothing" is the best adjective for her. Ye Mi said that the new book is first known, and then there are stories and characters. "At the beginning, I think the two words" not old 'are together. Reasons for establishment. "
However, in her opinion, this kind of urgency and anxiety chased by time, everyone has, "women have, men also." So she wrote the original intention of "Nothing Old", and still wanted to tell a popular love story. "Tell the story and tell people, on this basis, let it have some social significance, such as reflecting the freedom and publicity of women."
Ye Mi said that after writing Kong Yanni, she felt that he wrote herself "full". This "full" was a satisfying "full".
Give up literary writing twice
Ye Mi loved literature from an early age, and was inseparable from the influence of the family. At the age of 6, her family was decentralized to Funing in northern Jiangsu. Her mother handled many things at home, but brought a large box of books to the past. At that time, the rural northern Jiangsu was not enough to eat, let alone a cultural life. Fortunately, there is this bunch of books that accompany her to live a free life. In retrospect, Ye Mi only felt that this experience was "valuable". Although bitter, it was necessary for a writer. "It laid the foundation for my writing."
The talent was revealed early. At the age of 18, Ye Mi was able to publish the first work in the newspaper. However, she gave up literature for the first time and stopped writing. "At that time, she was not willing to go this way, and felt too hard." Ye Mi said that she was fostered in five or six different families since she was a child. Care about the existence of "family", "My wish at that time was to be an ordinary family woman. It was best not to write books at the age of 20, and slowly entered the stage of marriage and child."
At the age of 30, leaf reminding the family women who only worked in the job were not enough. There was no place to place her heart, and her desire to write came out again. Returning to literature, "talent" is a backing, her writing is not difficult. In 2005, the "Swan Velvet" she wrote was seen by the director Jiang Wen, adapted into the movie "The Sun Raise", and moved to the big screen.
The work is famous first, and it brings to the rise of Ye Mi's popularity. Many media have invited invitations to interviews, but she chose to hide and stop writing again.
In the final analysis, it is a contest with myself, "Because I don't think it is okay, what does it mean to tell me about writing?" At that time, she had a lot of dissatisfaction, and the most dissatisfied was "herself". People feel impetuous and their bodies are uncomfortable. They often have no reason for insomnia. Sleeping pills from 1 capsule to 4 capsules. "I can't find motivation in life, and writing can not bring me happiness."
In the early spring of 2008, Ye Mi moved to a town -like town near Taihu in Suzhou. She brought three cats from the city and was busy in a new home. "The house I live is far from the city, almost isolated from the world. My friends think that I live too much, and the traffic is inconvenient. I rarely come here."
In my spare time, Ye Mi stopped writing, but instead sorted out the yard, planting vegetables and planting trees. After living, I did not expect to raise the body. Dreaming. "
The place where she lived was remote, and there were many stray cats and stray dogs in front of the house, and they came to her. Ye Mi couldn't bear it. She bought a bag of food and food for them. In an interview with the reporter, near 4 pm, several cats and dogs just returned from the outside and automatically returned to Ye Mi's house to find food.
It is much beneficial to deal with these dogs and cats. People can learn a lot from animals, their mutual feelings and their desire for alive, sometimes Ye Mi even feels: "It's not that I am retaining them, but they are retaining me."
At this moment, the time was right. After a long time of writing novels, Ye Mi decided to start again. From 2009 to 2018, she wrote a new work "Romantic Picture" intermittently, turning over and over, and polished for nearly ten years. "On the day of the modification, I felt the real liberation. Many delusions. I feel that this book is leading me to grow. "
Late writer
Ye Mi's tangled and changed, his son Ye Chi looked at him. He is a young writer and is regarded as the "second generation" in the modern population, and his relationship with his mother is also a teacher. For Ye Chi, Ye Mi is like a senior. As a literary creator, he believes that every writer has experienced the confusion and pain encountered by his mother.
Because every writer, every generation of writers will encounter a problem that belongs to each of them. For example, many young writers in modern times will be distressed by this. "The living conditions are superior to before, and the material conditions are better. The depth of experience may not be before before. The content is a question that our generation of writers should think about. "
Ye Mi claimed that he was a "late -maturing" person. When he was young, he didn't expect to resist anything and never thought about what he wanted to build. In the past two years, out of curiosity, she suddenly started to understand the universe and human exploration of human space like children. Reading is decreasing, thinking is increasing. During the epidemic period, she couldn't go out and walk around. She stayed at home. She had a lot of time to create leisure and relax, and she often visited the starry sky in the yard at night.
Looking up at the starry sky, Ye Mi felt extremely frustrated. She couldn't help but compare it. When the writers were looking for rationality for a word, a word, and a word, the scientists had imagined after imagining, "I always think about what should be done at the moment, relying on the current literature, relying on the current literature, relying on the current literature. What is close to the truth? "
Wang Xingguo, secretary of the party group of Jiangsu Provincial Writers Association, gave Ye Mi highly evaluate: "She in the small pastoral in the suburbs of Suzhou, under the seemingly bland life, the passionate is actually her nostalgia for the life, the thoughts of the times, and the eternal life. Connect. "
Producer: Wang Wenjian Bi Feiyu General Planning: Wang Xingguo Ding Jie
Editor: Feng Qiuhong
Script: Sun Qingyun
Coordinating: Zhou Yan Yang Hengguo
Photography: Zhu Xinzhi and Wu Weilong
Editing: Zhu Ying
Beauty Editor: Xiao Tian
Produce
Jiangsu Writers Association
Yangzi Evening News
Edit: Qin Xiaoyi
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