When art and digital technology meet

■ In recent years, a new trend of digitalization has appeared in the field of art. So what new trends will art in the collision with technology?

■ Digital technology bring art to the innovation of creative media and means, or bring new thinking to creative ideas?

■ Digital painting must have vitality, standing, and walking far. Which is more important for art content and technical content? What is the core competitiveness?

■ With technological innovation, can digital art replace traditional art? What is the relationship between the two, is it integrating symbiosis or development?

■ How to draw nutrition from traditional culture, how to give traditional culture new vitality, and how to play a role in cultural promotion?

Holding a large -scale digital art exhibition is the first time in our province. This exhibition brings cutting -edge digital art into the public vision.

At present, digital technology has gone through unprecedented development and has integrated into all levels of economy, culture and our daily life. In recent years, a new trend of digitalization has appeared in the field of art. So what new trends will art in the collision with technology? How can digital art alive with traditional art? At the end of August, at the "Visual Liaoning -Digital Art Exhibition" seminar hosted by the Liaoning Academy of Literature, Liaoning Art Museum (Liaoning Academy), Lu Xun Academy of Fine Arts, etc., experts surrounded by digital technology on artistic creation and art education. The relationship between digital art creation and digital art criticism, the popularization and life of art, and the future development trend of art have been conducted in -depth.

The "Visual Liaoning -Digital Art Exhibition" just concluded is a centralized display of digital technology in our province's digital technology. The exhibition is hosted by Liaoning Provincial Cultural Group, Lu Xun Academy of Fine Arts, and the Provincial Artists Association, and hosted by the Liaoning Art Museum. This large -scale digital art exhibition is the first time in our province and is rare in the country. This exhibition brings cutting -edge digital art into the public's field of vision, bringing an immersive artistic sensing experience and rethinking technology constructed by digital technology. Because of the high quality of the exhibition and received widespread attention, a seminar of "Visual Liaoning -Digital Art Exhibition" was held before the exhibition.

Digital art is an art form or artistic process that uses digital technology creation or presentation, with certain independent aesthetic value. Digital art is a large art category, including digital installation art, digital sculpture art, digital space art, digital painting art, etc.

Does digital technology have changed our awareness of traditional painting? Zhang Shijun, Director of the First Teaching and Research Office of the Department of Painting and Art of Lu Xun Academy of Fine Arts, said that in traditional painting, people need to paint cases, paint paper, pen and ink, etc. The computer's computer, the display replaces the paper, the mouse replaces the brush. The artist can choose different output methods based on the artistic effects requested to form different visual language presentation.

In the field of art creation, digital technology brings not only the innovation of creative media and means, but also bring new thinking to creative ideas.

At the seminar, Yang Bo, Dean of the School of Humanities of Lu Xun, said that after reading this exhibition, the first question was that digital art had a new inspiration for the essence of the art of art today. As we all know, computer painting has appeared since the 1960s. To this day, computers can participate in the field of clothing design, and also involve in the field of music, literature, dance and other art fields. This shows that in the current art ecology, digital art is an inevitable constituent. So, if we understand digital art as a new artistic style, from the perspective of development, it is no longer a new thing, but it will still cause some new thinking -how to think of digital art in our art sector, it will give us shaping us to shape us Is there a new way of connection between the artistic environment and our perception. Secondly, the digital technology has a role in artistic innovation. The direction of art innovation should be inward, and digital technology is only auxiliary effect.

Regardless of traditional painting or digital painting, the thoughts to be expressed in the work, the creative significance behind the work is the most precious quality of art painting. Digital painting must have vitality, stand, and go far. The art content is far more important than the technology content. This is the core competitiveness.

Wu Yujie, a professor at the School of Arts of Liaoning University, said that digital art is an artistic art. We appreciate digital art and talk about digital art. In fact, it provides us with a different aesthetic space that was different from the past. Technology is to serve art, but technology itself should become a concept of precipitation in the depth of the creative body. Then the art created in this way really becomes digital art. Digital technology provides unlimited and broad space for art. Digital art requires the creative body to form the consciousness of digital art. This is very important. Another point is that digital art has changed the traditional way of appreciation. This completely immersive appreciation is actually in the dream.

Li Na, an associate professor of Shenyang Conservatory of Music, said that when digital technology integrates into art, he opens the boundaries of art and subverts the creative space and creative concept. After the application of new technologies, the form itself has also become content, bringing unlimited possibilities to artistic creation. How much digital technology is innovative in the essence of art, which should be reflected in creativity. How to express the same subject in different ways, creativity plays a very important role in it.

Digital technology has brought revolutionary changes to the field of art. One of the major features of great digital painting in art development, talent training, and art education is its plurality. This feature makes it more convenient to spread and collect. But because of the infinite replication of digital painting, it makes it difficult to guarantee its scarcity and authority. But digital painting is the same as traditional prints. Although it can be copied infinitely, it is controllable. That is to control the quantity with numbers like prints to prevent the use of pure technical means for batches and assembly line production.

Digital technology brings unprecedented changes to the artistic field as the revolutionary changes brought by printing technology to prints. Xu Baozhong, Dean of the School of Painting and Art of Lu Xun Academy of Fine Arts, said that from the perspective of painting art practice, taking printmaking as an example, whether it is Chinese carving technology or bronze prints and stone prints in the West, it is closely related to the development of printing technology. Printing technology provides available conditions for printmaking creation, and printing is related to social communication. Digital technology is widely used in the field of culture and art, but how technology serves art and how technology is to train art talents is the core content we need to think. The energy brought by digital technology to art is far more than the energy brought by traditional printing technology to the art of printmaking. Traditional printing technology emphasizes the kung fu and ability at hand, such as realistic and non -realistic abilities. Digital technology has the ability to do with hands -on ability and thinking Three of the capabilities and technical capabilities provided by the technology itself are together.

Digital technology has brought revolutionary changes to the field of art, and has a great role in artistic development and talent training in art education in colleges and universities.

In 2018, the International College Printing Alliance officially confirmed the "Digital Printing" as one of the print doors, and it was rectifier for "digital prints". Xu Baozhong said that "Digital Printing" was recognized as a version of prints, which was of great significance. Because "digital prints" had an artistic identity, we were more based on teaching, display, and dissemination.

Liu Hongxuan, an associate professor at Liaoning University, said that the identity of the identity of digital prints to digital art is defined to digital art, and then to popular art, it takes a period of running -in and the consensus and attempts of the art world. From the perspective of traditional art concepts, the proposal of the concept of digital art and this exhibition gives people a disruptive understanding of the art of "pure shelf". The changes in artistic concepts and thinking are mainly reflected in a sense of identity, especially the recognition of the new field of the art world has never been reached before. This time, as the first digital art exhibition in Liaoning Province, this attempt and integration is unimaginable. It is a good opportunity for Liaoning art to go out. This innovation is an excellent opportunity for Liaoning art to achieve overtaking or in line with international standards.

From painting to digital painting, from sculpture to digital sculpture, from photography to digital imaging, from installation to digital space, from new media and network art to virtual reality, digital technology has been applied to the teaching and research and creation of Lu Xun Academy of Fine Arts. Zhang Shijun said that from the perspective of the college's teaching, digital painting requires a better growth space. Digital painting should be a relatively large range. It involves the form of painting and painting form seen in this exhibition. The future development space will be very large.

Zhang Dan, director of the experimental art department of Lu Xun Academy of Fine Arts, said that contemporary art is first of all combined with the most cutting -edge and advanced technologies at the moment, followed by the artistic aesthetics and thinking methods of the current forefront, as well as the forefront of the forefront. The art of discovering and application of materials. From the perspective of discipline development, the integration of art and technology can be seen in both design and art. It can be seen that the country attaches great importance to digital art development. A few days ago, the digital art and blockchain laboratory were established. The eight major academies were the main nodes and other art colleges as sub -nodes. The purpose was to connect the digital art of national art colleges into a network to form a communication platform. Digital art can go deep into society, such as art transformation of the countryside, and the holding of various art festivals has become a trend internationally.

How to draw strength and resources from traditional culture from traditional culture, so that digital art becomes a digital art with national characteristics and in line with Chinese temperament

No matter how the times develop and how technology is innovative, thinking is the true eternal value of art. The art form of digital technology will not replace traditional art, and the two will become a state of integration symbiosis. This is an unanimous point of view at the seminar.

From the perspective of art history, the core of art is not only the expression of artistic language and form, but also the presentation of thought.

Digital art not only plays a positive role in cultural promotion, but even injects new vitality into traditional culture. How can digital art draw nutrition from traditional culture and give new vitality to traditional culture?

Liu Wei, a professor at Liaoning University, said that we can draw visual and auditory elements from traditional Chinese culture. Peking opera, national music, etc. are used in the creation of digital art. The subject matter can be extracted from traditional Chinese culture. Historical allusions, fable stories, historical figures, historical relics, etc. can be used as a reference to digital art creation. For example, Zhang Shijun's "Zi Jian ・ Three Hundred Imaginations", Li Qiushi's "Cultural Interpretation", Song Wei's "Cultural Status · Book Series Painting", Qi Yingling's "Love", He Yongyi's "The Life of the All Things" Xu Yibo's mechanical dynamic device "One" and so on.

Wu Yujie said that how digital art has drawn power and resources from traditional culture, how to show Chinese traditional culture in digital art, so that digital art becomes a digital art with national characteristics and in line with Chinese temperament. The field of digital art has its own place. Zhang Shouzhi, an associate professor at Liaoning University, said that the country attaches great importance to digital construction. From this perspective, combined with our daily digital art practice, there are two big ideas. One is cross -border integration. A multimedia designer abroad has made an exhibition to bring China to China The opera costumes and characters have made digital art, which has a wide range of influences internationally. This is the best case of cross -border integration. This time and space renewal and fixing presentation can actually be combined in artistic creation practice. Promoting the innovative development and creative transformation of traditional Chinese culture can push our Chinese traditional culture into the form of digital art to the public, and feel the charm of traditional culture and the integration of technology. In addition, you can "integrate cultural tourism". A professor of the Central Academy of Drama has just won the World -class award. He combines the space design of digital art with the traditional Taoist concept. After his integration The child is released.

Yang Bo said that the popularization of art, today we use digital art to insert it with wings, art planning and art acceptance. Today, it becomes very strict. With more possibilities, the problem lies in our. How the artist can better practice this art of art, and how art itself is out of the ivory tower.

The core of the combination of art and technology is aesthetics. The times give them different connotations, and the generation of new tools also brings corresponding new production methods and aesthetic standards.

At the seminar, Wu Yujie proposed the synchronization of digital art creation and digital art criticism. She said that digital art has presented us with a visual feast, so where is our digital art criticism? Whether it can be synchronized with digital art creation now, this is actually a very imminent thing. How to make digital art criticism a real criticism, can coordinate with digital art creation and work simultaneously, then our digital art will go further.

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