"Chuan" and "innovation", let traditional culture "live"

There are such groups of people around us. They not only love Chinese traditional culture, but also make traditional culture living through "creative transformation and innovative development", enter our daily life, and illuminate the hearts of more and more ordinary people.

Chang Cheng, the "post -85s" armor of Nanjing "post -85" armor:

Crossing thousands of years, walking into the "historical scene"

Armor, later generations, also known as the armor, and the cold weapon era. Out of love for traditional culture, Chang Cheng, the "post -85s" armor and the founder of Nanjing Talent Studio, let the ancient armor enter the people's vision today.

Chang Cheng told reporters that he was studying art design in college. At that time, most of the learning content was Western design. However, when he was in contact with the research of armor, he had the idea that he could cut in, from pointing to the face of the entire history of ancient Chinese clothing. At that time, the research of ancient Chinese armor was very unpopular content, and the information that could be checked was just a few books. From the beginning, the lack of physical information. Most of the Treasury soldiers were lost in the dynasty and the wars were lost. It was difficult to recover. However, no matter how difficult it is, the power of the original intention is that Changcheng hopes to start from the specific recovery armor to explore and fill the gap in ancient history. For more than ten years, he has turned ancient books, inspected and inspected many museum collections on the spot, and used the combing literature to comprehensively investigate the methodology of art archeology and practical archeology. Art, weaving crafts, rope knotning, traditional lacquer art, human engineering and other armor restoration cover, until it can restore the production of high -precision ancient armor.

In practice, Changcheng found that it was not enough to restore the artistic image of ancient armor according to cultural relics and ancient paintings. Logic, the use in actual combat, as well as the military background of the era, changes in the battlefield environment, etc., and then the overall logic of the obtained research, integrate the clues and knowledge points, and then make the armor Essence This discovery made him feel very meaningful, and also realized the value of letting armor culture enter the vision of modern people: let more people experience the process of making ancient armor production and feel this profound traditional culture.

Therefore, in the lectures of various types of armor knowledge, Chang Cheng took the audience into the scene of history together, using actual operations and examples of cases, such as high -thin and thin soldiers. Different design and editing methods; by identifying different materials such as leather armor, iron armor, and the characteristics of the thickness and density of the armor, the situation of the battlefield environment changes. For example, in the pre -Qin period, the armor of the soldiers was wider and hard, and it was like a barrel when surrounding the body. In the Qin and Han dynasties, the infantry began to become the mainstream of the battlefield. From the action, the infantry armor must pay more attention to flexibility and convenience. Therefore, a smaller nail film was adopted. The activity was more flexible. Come to disperse the severe gravity. These vivid cases, after rigorous logical analysis, the conclusions of conclusions are infinitely close to the design ideas and craft wisdom of the ancients. Such a wonderful cultural experience effectively attracts people's attention and interest.

Today, armor has no practical significance, but still "live" in a unique way. Changcheng will take his own armor to practice archery with local ancient weapon enthusiasts, or perform ancient weapon simulation confrontations. The handsome shape of the armor is loved by more and more young people, but Changcheng also hopes that everyone will feel the cultural significance it carries. "Armor is a combination of ancient technology and culture. Once we put on it, the proud and tragic life emotions come through time and space." He said that since ancient times, China has the military thought of "Zhi Ge for martial arts". It is manifested as a tough guardians, not the aggression of violence; the more important significance of the recovery of armor is to study the changes in armor, summarize the experience of the ancient people's wisdom creation, and experience the spiritual characteristics of benevolence, integrity, justice, and harmony.

Financial "post -90s" Liu Pinzhang:

Guqin is a blueprint, creating fantasy novels

The adopted daughter of Du Mu, a famous poet in the Tang Dynasty, wanted to be the best pianist. She chose the Guangling Qinist, and also encountered the "Rabbit Chitose" who lived three thousands of years -a little rabbit, looking for the person who was selected with a mission, and helped him to practice the superb piano skills. One person and a rabbit, led by Qin Yin, slowly spread out the scene of the Datang prosperous Yangzhou ... This "Song of Datang Qinyuan Records Blowing Guangling" is the work of Liu Pinzhang, a young man in Yangzhou, after the 90s. He graduated from a financial major and worked at a securities company. He used Yangzhou and Guqin as a blueprint. "Cross -border" tells the legendary stories of youth inspirational and fantasy, so that traditional culture integrates into the public life.

Liu Pinzhang is a native Yangzhou post -90s, a master's degree in economics and finance at the University of Cambridge, England. In a foreign country, the beautiful legends such as Tang poetry and Moon City, Qionghua Fairy, and other beautiful legends of Yangzhou often float on his heart, not only comforting the nostalgia, but also to marvel at the profoundness of traditional Chinese culture. There is always passion in his heart, and he wants to share the wonderful historical and culture of his hometown with more people. Therefore, he thought of his writing that he had always loved. Guqin became the carrier of his emotions to his hometown. The ancient fantasy fantasy novel "The Song of Datang Qin Yuan Blows Guangling" was finally polished after three years.

From the view of Liu Pinzhang, "ancient style" and "national tide" did not simply return to ancient cultural space, but had a modern vision, re -reflecting and examining traditional culture, so that it was re -activated. During the creation of the novel, he combined his wonderful thoughts and traditional culture, and adopted a light and fantasy form that modern people loved to build a magnificent Guqin Jianghu: combined with Du Mu, Niu Seng Confucianism, Du Qiu Niang, Dong Tinglan and other allusions. Historical events such as changes, Zhaoyi rebellion, etc., make the novel presentation and fantasy, and perform new interpretations of classical legends such as the moon city, Qionghua fairy, and Chang'e Benyue, and fits the current life and aesthetic concepts. In the novel, there are not only the bustling scenes of Yangzhou, but also the grace of the Tang Dynasty; not only the poet Du Mu representing the superb poetry, but also the Guangling Qinists who are colorful to the piano skills; ", The most famous rabbit in Chinese mythology ..." Today, the inheritance and development of traditional culture should be more observed with the practical needs of society. In modern society, people generally feel the rhythm of life is fast, stressful, and brought by traditional culture. The sense of spiritual gain can improve our life and work status. "Liu Pinzhang told reporters that" Song of Datang Qinyuan Records the Song of Guangling "was well received in the Guqin circle. They found that traditional culture was not far away from their lives. Usually, people inside the circle spontaneously organize reading clubs, watch piano, drink tea, share reading, and let traditional culture "slow", "quiet" and "simplicity" bring spiritual comfort.

At present, consumer groups dominated by young people are defining new consumer concepts with their own personality. Among the sub -cultural social groups such as Weibo, Douyin, and B Station, IP development of traditional culture is becoming increasingly important and important and more important and important. The production of innovative points has continuously "breaking the circle" to spawn the trend, topics of public opinion, and consumption hotspots. Liu Pinzhang told reporters, "IP is the largest number of conventions looking for cultural symbols. It includes video, numbers, stage and other media to complete the tasks covering more people. This is the inevitable trend of culture in the Internet era." At the beginning of writing, he There are considerations to create IP. At present, "Song of Datang Qinyuan Records Blowing Guangling" has been published in IP operations. In addition to the publishing of paper books, numbers, audio, drama, film and television, NFT, cultural and creative derivatives, etc. will be carried out. Development and operation.

Huang Qiang, a researcher at the history of traditional clothing:

Innovate research, inject "source living water"

"Over the years, although there are quite achievements in traditional historical and cultural research, there is often a sense of embarrassment of the high cabinet." Huang Qiang, a researcher at the history of traditional clothing and a visitor professor in Nanjing Xiaozhuang College, was very emotional, "When doing traditional cultural knowledge, innovation The spirit is essential. If others do not study, do not study other people's research, think about the perspective of research that others have done, so that we can see the development of traditional culture and do a good job of cultural popularization. "

As an ancient literary enthusiast, Huang Qiang found that in the process of cognitive traditional culture, the public urgently needed to return to the real, sensible history. In the study of traditional cultural research, clothing research has been ignored by many scholars, and it is precisely a key to cracking traditional cultural secrets. Therefore, Huang Qiang took a different approach and used clothing research as the starting point. In the past ten years, more than ten works such as the history of underwear, Jun Rong dresses, clothing etiquette, and six dynasties clothing have been completed. Vision.

He led readers into Du Fu's "Beauty" and felt the fashion style and the exquisite costumes of Yang's brothers and sisters at the time. "Mei Dai Gaoshio, red skirt jealous of pomegranate flowers", "vine grass to see Luo skirts", "lotus leaf Luo skirt" ... he used literary works such as poetry to outline the colorful women's skirts, which made people look bright. Essence During the Wei and Jin dynasties, people were commendable, free and elegant; Hu clothing was easy to ride shooting, as well as waterproof functions to adapt to the cold climate in the north; the emperor in the Ming and Qing dynasties, the emperor, the python robe, the difference between the dragon pattern and the python pattern in five The claws are dragons, four claws are pythons ... Open a "ancient wardrobe", Huang Qiang uses life -like narrative to tell the changes and fashion changes in ancient Chinese clothing, so that traditional culture enters the life of modern people.

"Monk only speaks at home." Huang Qiang realized that traditional culture carried universal thoughts and emotions. "For example, the national style in the Book of Songs, although the melody has been lost, it is created by the working people in the fields, and it can still resonate." Extracting universal emotions in traditional culture can make people deeper into deeper Feel the beauty of traditional culture. Huang Qiang took the "Feng Guan Xia Xun" as an example to tell "ancient and modern concentric": "Phoenix crown, Xia Yan, from the Han Dynasty is a symbol of noble identity. Today, in people's most important weddings, women of ordinary people's homes still give 'Borrowing', wearing a phoenix crown to celebrate the picture. This humanized detail is a rare special case in ancient Chinese clothing culture. "

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