Wall Light -Entering the Suzhou Garden Works in the Glimer Pen Appreciation

Wingguang, Dean of the Dalian Painting and Calligraphy Institute of Jiu San Society, member of the Central Painting and Calligraphy Academy of the Jiu San Society, Deputy Dean of the Chinese Teachers' Painting and Calligraphy Institute, Editor -in -chief of the Dalian Painting Institute "Northern Ink" magazine, and member of the Chinese Artists Association. Professor of Dalian University, master tutor. His works have won the highest award at the National Art Exhibition. More than 60 works have been collected by official art institutions and museums of the Chinese Art Museum, the Chinese National Painting Academy Art Museum. He has published 18 special collections including "Spring Blossoms", "Urban Scenery", "Wall Light Painting Collection", "Wall Light Works Collection", "Wall Light Album", "Northern Ink Famous Arts Art Archives • Wall Light Volume". Many TV stations have filmed special films such as "Journey to Life", "Wall Light and His Flowers and Birds", "Gardens Style • Wall Light".

Entering the Suzhou Garden in the Global Pen

Chen Qiu

Chinese classical garden art is interacting with contemporary landscape paintings and influences each other. The creation of garden landscape painting themes runs through the development of Chinese landscape painting. In different historical and cultural backgrounds, different expression forms and cultural connotations are present. In the process, the garden has both the meaning of urban life and the meaning of living in the mountains, gathered unique artistic charm and historical value of contemporary landscape paintings.

Wall Guang is an extremely painter who loves life. For many years, he has created multiple theme series works from different angles with the times and in -depth life. Including the "Northern Memory" series of works with the theme of the northern flowers and birds, to express the "Morning Dalian" series with the spiritual appearance and rich emotions of modern urban people; Moonlight Island series works, etc. The concentrated exploration and innovation of art made him never stop. In order to celebrate the dreams that have been haunting in his heart for many years, the painter's residence is Suzhou, who is known as the paradise on the earth. At the same time as beauty, it is more deeply moved by the humanistic atmosphere here. After that, it is integrated into the garden to sketch. Choose the best perspective and create the grass, one wood, one mountain, one mountain, one mountain, one mountain, one mountain, one mountain, one mountain, one mountain, one mountain, one mountain, Water, one flower and one bird, one person.

In the process of a large number of garden sketches, the love of Jingsheng, from the love of life, from the realm of the law, and the ancient and modern and elegant "Xiangyun Dyeing Garden" series, "Suzhou Garden Sketch" Essence As a kind of homeland and spiritual habitat, the garden landscape breaks through the limit of traditional pen and ink and subject matter. It is an ideal natural landscape and a typical representative of Suzhou Shanshui. For people, they will have the past. Although they are not in their hometown, they are the "distant" in the hearts of the artist. Throughout the landscape of the garden, its shape is emotional, transparent, and twisted. It continuously extends between square inches and expands itself. Its landscape image and classical connotation and spiritual thoughts are permeated every inch of space. In the "Xiangyun Dyeing Garden" series, we see not only poetry and painting, but also a high -level rational expression. Different light and dark scenery levels, white walls, Taihu stone, stone 幛, leaks, Daiwa and other order A promenade, vegetation, and curved water with decorative composition have been highly refined and simplified into symbolic art language, highlighting the era of the picture. At the same time, on the basis of traditional pens and ink, the use of lines has been increased. In addition, the unique ingenuity of the tone makes the garden landscape painting light and fresh. The color division of the picture shows the artist's rational thinking, especially in the distribution of the three white -leaving levels. The "white" above is the infinite extension of the sea and the sky; The extension of the garden to expand the unlimited imagination, making the picture open and sparse; the "white" in the middle is a kind of fun superposition, not separated, and the boundary is not bound. The dynamic white and static architectural symbols echo each other, which not only forms a sharp contrast, but also builds a harmonious form. The three levels of blankness, one long, one side, one circle, shows the aesthetic orientation of "Tianyuan Place" and "Harmony" in the traditional Chinese literati view. In the picture, architecture, trees, and mountains are the main body. The line in painting is the cornerstone of building bones. It is real, thick and delicate, strong and powerful, and is scattered with the taste of gold and stone.

The language symbols that are illusionized by imagery condenses the pen and ink of contemporary landscape painting. In the Suzhou garden in the painter's pen, stones and water should not be underestimated. The dynamic rosewood has evolved from traditional water ripples. The layout seems to be casual, but in fact, there is no intention, piercing the gesture, flexing high and low, and letting it natural. Shanshan's stalemate still shows that Zong Bing's "traveling in the painting" since the Wei and Jin dynasties said. In the picture, the doors and windows and various hollow patterns use realistic techniques. It is thin and not vulgar, simple and ingenious. This asymmetry is not only the use of painting language, but also restores the true nature of nature. Here we have seen different expressions of pen and ink, such as the flowing clouds and flowing, slowly moving forward, shuttling on the pavilion and pavilion in the painting, as if smelling the sound of Guqin, long. Let's feel this peaceful state in the mountains and rivers created by the artist!

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