Pioneer architect in Chongqing: Use sharply to dispel a grand narrative

Author:Architecture Time:2022.09.18

Urban recorders, we are in Chongqing.

The civilization of a society is reflected in its tolerance, tolerance for different people to make different attempts, and maintaining the vigilance of grand narrative to promote a sustainable society. The sociality of an architecture is much more important than its own construction.

Choosing to maintain sharpness means choosing to maintain wildness. The true self is the light of the blade, not only to others, but also to self, constantly subverting, vigilant, and creating. The urban recorder in this issue has come to "Jiang Xiaobai's one -acre three -point land", the "release of natural rural clubs", starting with the strong hard emotions that it conveys, in the "manufacturing problem" architecture In the context, in the "non -stage country", talk about agricultural spiritual architecture and professional consciousness, as well as a broader field and long -term goals that vanguard architects want to win.

Chongqing, happened here.

Urban recorder

-Li Weitao/Li Bo

Weotao Architectural Design Office

-Shao Bing

Editor -in -chief of Architecture

Urban observer

-Wei Haoyan

Professor of Chongqing University Architects

Pull a knife

"Jiang Xiaobai's one acre three-point land-earth tavern"

Question is a starting point, designs follow "internal" and "essence", it is not a performance.

Shao Bing (hereinafter referred to as "Shao") The urban recorder in this issue came to "Jiang Xiaobai's one acre and three -pointers". And the architecture of Chongqing. The themes of Weitao and Li Bo are "Pioneer and Knife".

Why is Wei Haoyan (hereinafter referred to as "Wei") named "Pioneer" and "Sword"?

Starting from their personality, work habits, and ideological state, Shao felt that he did not like a person who was traveling with a knife; Li Bo was a poet, a bit internal pioneer. What is the relationship between Wu Tao and Li Bo?

At the beginning of Li Weitao (hereinafter referred to as "Tao"), I accepted the definition of the knife at the beginning, and I added a pioneer later. I think it doesn't matter if I think it is thick.

Li Bo (hereinafter referred to as "Bo"), he did not discuss it without asking me.

The name of Wei was bolder, very fierce, and really felt a pioneer.

Shao Shi Wei Tao was embarrassed, but I said it was okay. Whether it is a real knife or a fake knife, take it out first. But I think this is true, you believe you are like this, you are.

Wei um, you can associate with sincerity.

Jiang Xiaobai's one acre three -point bird's eye view © Yan Yan building space photography

Shao I feel that Teacher Wei seems to be particularly concerned about the prototype. Teacher Wei thinks the prototype of "Pioneer and Sword"?

Wei is, basically without the prototype, I can't think and act. The prototype of the vanguard is like Zhao Zilong in "The Romance of the Three Kingdoms". When a army is going to get a expedition, the pioneer is killed at the forefront. In a industry, pioneers should be created.

It is difficult to do pioneering things in Chongqing, because culture is poor. In what context do we talk about "pioneer and knife"?

Weiyi Ru talked about globally, it may be that the "pioneer" and "knife" are Shi Shi Chunye and Herzvik's real generals. But I think everyone who rushes forward in their own survival situation can talk about "pioneer". Pioneer is that he is willing to try something to try something unknown.

But "criticalness" is behind "true". Truthful thinking, changing sincerely, sincerity is the emotional foundation of critical.

Shao Weitao and Li Bo have this "true" and question. They can also be Tai Chi, which is complementary. Wei Tao was a scabbard. When he was going to pull up, Li Bo said, controlling his strength, don't pull so fierce.

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Tao has this action. But not every time we both tacitly. I want to pull my knife every time, he will drag me away, whether it is doing things or design, basically this state. Relatively speaking, he will be more stable.

I sometimes persuade you to pull a knife.

Tao both discouraged and encouraged. I had a kind of trust with him. Sometimes when I was inconsistent, I asked Li Bo, and he basically handed the knife over the face.

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Shao, we followed the footsteps of Wei Tao and Li Bo, watching while walking. What does Mr. Wei look at the big feeling of the entire work?

The first impression of Wei is the Fang house, which is better than a curved house. In the place where the two cross blocks intersect, the core position is hollowed out.

Tao's dining area is west and east; the mouth upstairs is East and Western. Below is north -south, and interlaced on the middle point. The entire farm can provide a large number of outdoor and outdoor space.

Wei Yilian is a shaft. Why is the first floor of this slope roof?

Tao hopes to echo the surrounding environment. In this project, we did not deliberately cater to the so -called "local". The flower room over there is "point". The prototype is "gap", and the homestay that has not been built is "ring". The prototypes, lines, cross, and circles are related to this venue.

At the earliest blog, we even considered whether every building was the simplest geometric shape in farmland.

Shao did not rely on the background of the countryside, but more than understanding the purity of architecture.

Wei Yan is quite standard. No one stipulates what rural buildings must look like. This is the simplest and most direct relationship with the pastoral. Tao is right, this is what we want to explore. Party A only made one appeal, that is, "to be rustic," I think this positioning is right. When you come to the countryside, there are something different from the city.

Shaw It links the wild part.

Tao really has a relationship with the countryside. It is a behavioral relationship. It is to go to people's hearts. We put forward a concept at the time: I hope that the entire farm is a "release of heaven" rural club.

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Releasing nature

"Jiang Xiaobai's one acre three-point land-earth taver-picking flower room"

Pioneer also means trial and error, and even many times the knife is facing itself.

Many people in Shao may think that Jiang Xiaobai's brand attributes are very strong, so the architecture here should become a symbol. Have you ever thought about this?

Tao never thought about it. We have neither catering to the countryside nor catering the brand, we feel that this is the building of this venue.

Wei was like the "knife". Because the knife is used for cutting.

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The knife in the Wei building industry is a brick knife, splitting the bricks. The architect always designs based on the architectural history he knows. Because the discipline of architecture has a lot to do with history, it is impossible to get rid of history to talk about architecture. In terms of analogies, for example, the paintings of Mondrian now are based on some simple straight lines, but if you understand that he is the first painter in history to understand and present the world in history, his historical status is settled. It can be seen.

The same is true of architects in the academic sense. The ability to require two directions is to constantly explore the unknown ability, and the other is to predict the ability of this unknown to the entire academic community. From this perspective, the pioneer seems to be metaphorized as a metaphor for rushing to the forests I don't know. I don't know what will happen, but I want to try it.

Shao can also find something different in the real state.

Wei is involved in the "comfort circle". It is very comfortable to step out of the comfort zone. There will be a self -recognition -always doing things that others have done, it will be a bit uncomfortable for me.

Tao may be a sense of responsibility in a sense, both adventure and responsibility.

We are doing these attempts now, and we are also reflecting on ourselves. Pioneer also means trial and error. Many times the knife is facing itself, the significance is to open up new possibilities. In a relatively comfortable circle, there will be other possibilities or breakthroughs.

Wei Pianfu should break through the prototype. Once the current prototype is currently more common, there will be pioneer. We should all agree with the pioneer of Shi Shangye, such as the steel plate welding of Kanagawa University now, and there is no pillar in the middle. It is very vague as the boundary of the building, and it seems that it has no practicality. But I think this is the possibility of exploring some new physical constituent environment for humans, or a sense of strangeness. Of course, this exploration is related to project attributes and construction technology, and it is very important in terms of academic value. The scale of buildings with specific functions must be much smaller.

Tao's entire project is not as pioneering, but this direction is the direction we are going to, and this is clear at the beginning. Thanks to Lao Tao, he told us not to think too much at the beginning. I think this requirement for me is rare.

Shao Laotao is Jiang Xiaobai's boss?

Tao is right.

Wei seems to be a lively and transparent person.

Shao seems to have dispelled some of your obsession.

Tao is right, he is often dissolving my obsession. The architect has his own obsession and will fly from time to time. When an owner can help you in this regard, this feeling is very wonderful.

Rule reconstruction

"Jiang Xiaobai's one-acre three-point land-earth sports field-parking lot-field toilet"

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Keep some wildness in architecture, which is the possibility we keep in it.

Tao is a square football field.

Why is Shao's design?

Tao because I want to change the rules of the game by changing the shape of the venue. There is also a round basketball court.

Wei Na's idea is very stuffy, because it is only known if it is used. I used to design a triangular feather stadium with my friends.

Shao uses architecture to change the rules of the game. Is it possible for the building to give more different feedback in the future, including the emotional state of the close -up scale?

The Wei Du was subtly involved. I have a clear optimistic attitude towards this matter, and the times will affect people's ideas and lifestyles.

Tao's space is very large, and there are a lot of things that can be changed.

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Tao, let's take a look at this bathroom. Every small compartment is independent. There are two small bathrooms in total, and their prototypes are the same. I am quite satisfied with this bathroom.

We are also exploring how to use space to guide behaviors. Like this toilet, we feel that design is still relatively mature.

Shao uses architectural reconstruction rules.

Tao changing people's behavior habits can naturally bring different experiences.

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Shao architecture and wildness.

Wei Ye's sex is too important. Can shit and urine become a very poetic thing?

Shao can be poetic when he was in the wild when he was a child. Now the city's civilization is imprisoned in our wildness.

Wei Yi's novel mentioned: Lost humanity and loss of humanity, losing beasts and loss of everything. When I saw the cement dam, I often had some evil ideas. For example, a row of people squatting on it, everyone's ass to pull down, it would be very sour. If you use it in a way, you will bring a very different result.

Wei has to talk about the rules. The rules were originally used to protect civilization, but if all people follow the rules, the rules may become another thing.

The two of Shao are not willing to be trained.

Tao is not satisfied with being trained.

President Wei has to do something wrong and extraordinary, and the grid is a regulation.

It can be seen from the materials they chose. The two designs of the two of them are quite rough. I prefer this state.

Shao's buildings are pursuing a different state in the way of materials and technology.

Wei Weitao and Li Bo obviously have self -requirements, and they pursue the interest of architecture. Consciousness and unconsciousness are a big division. The conscious architect will do something that pushes forward and create strangeness no matter what the purpose is.

Is there any difference between coarseism and exquisite buildings? There is no distinction on a certain level, just a distinction between style. However, it does not mean that the rough architecture is very rough in the design process. There are some places in roughism, but it must be particular and strict at some key points in order to ensure quality.

Shao Ru Yeism is not rough.

Wei is not rough. But there is a kind of countryside that is created by people, and it is a stage of stage.

Tao is on the face, one is essential.

Teacher Shao Wei's summary is very accurate.

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Tao I think it is a very natural state, and there is no breakthrough. I especially like to look at it from here or even farther away, because you can see the relationship between it and the mountain behind, such as the relationship between the two sides of the mountain, and its state is very good. If you approach a little bit, you will feel a little lonely.

Is Wei that relationship you thought about when designing?

Tao is not, this is an accidental.

Wei's accidental nature is something I like in design, and designers cannot control all aspects. Obtain a series of results by controlling something/set prototype. Individuals can only expect a few of them. Other things are brought out by this system. This is the charm of the prototype. Once this prototype is available, a series of interesting relationships will be produced with the environment.

Tao is a reward.

What do you think of "academicity of architecture"?

When we do it, we have no purpose. We don't care if there is any academic standards. I just want to do this.

Weee By Boxing to fight, it always needs to win, which is the provision of the society for him. However, he may have nothing to do with anyone else. He has a breakthrough in innovation in the boxing method. These two things are separated, but they will be together in the end.

In the strict sense, this is the entrance of the project, which is a parking lot we designed.

Is Shao's parking lot so irregular?

Bo also had a utilitarian attitude at the time, and the parking space was relatively more.

Tao actually started to be less conservative at first, but was asked later, and felt that the parking space seemed to be a little more.

Wei sometimes wants to go out to do things, and is often restricted by economics. After a long -term development of society, its norms have a set of algorithms. It is found that this is the current optimal solution.

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Isn't Shao's pioneering things the optimal solution?

Wei is definitely not, it is almost certain. This is like making a community/real estate design, which is difficult to innovate, because the optimal solution is already obvious. After coming up, you only need to perform a series of established operations according to the established procedures. However, it should be pointed out that this so -called optimal solution is often the most important place to impact.

Shao's goods are the rules and rules of batch output.

Obstacle

"Jiang Xiaobai's one-acre three-point land-Earth Art Museum-Museum"

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The spiritual space stacked between cities and rural areas finds a return place to the body and mind.

Tao is a museum. The design idea of this museum was also very simple at the beginning. I wanted to raise agriculture and hope to make a cement granary in the sorghum land. Agriculture is not synonymous with poverty and LOW. Agriculture itself is very lofty, so we hope to express the spirit of agriculture in this project.

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Tao's passage is a very indifferent axis.

Wei needs to have professionalism, which is a very simple configuration. Long, empty, narrow, and wide matching it is like a good dancing.

Tao I even wanted to make a device earlier, letting people come in first, and then I thought that everyone could bend over. I really want everyone to experience it at first.

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Bo is our best wall, and the wood grain on it is difficult to do.

Wei is very particular about the concrete. Ando also has Pie Nuo's concrete, which can be smooth. © © 筑 © ©

Shao Grain's Temple. This is a spiritual space stacked between cities and rural areas. People who return from the city to the countryside need to return to their souls.

Tao can't just place himself, but also to be attentive. The nutrition it brings is internal nutrition, which makes people comfortable.

The elder Shao can set up a stall here, which feels very good.

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Wei Shangshen, I like this prototype, the space above is very empty, no one can, the below is buzzing, which is very secular. In fact, many types of ancient times.

Tao Kong has various possibilities, and it is unique to doing anything. We have painted many and many solutions, we have painted, the artists have painted, and the curatorial team has also painted the plan. I originally wanted to set up a thing, and I wanted to make a sorghum pile in it, cement granary. Later, I found out that it was really good.

Shao made an extremely soft space with a very heavy material, which nourishes the body and mind.

Many modernist masters love concrete because of this.

Bo is not a very special material. It is a very artificial modern material, but it feels very simple.

How is the ratio of Wei this roof determined?

Tao was actually not like this at first. When I was still designing, I saw a design drawing, which was particularly similar to the current building. I quickly made some adjustments.

Wei this is my conscious design and respect for each other. I used to make a design and think it is quite original. Later, I went to Gulangyu to play. When I saw that there was a group of buildings opposite the sea, it felt like me. I felt it at the time.

I often say that my students are "Pinggu", and they often design "Pintrest" and "Gu De".

Bo said, it is early to be famous.

Design manuscript Weitao architecture

There is a saying in Weifo's home called "knowledge of obstacles", which is probably that it is too insight but can't do anything.

Wei I am also doubtful about antique works. I feel that the words of the ancients really make the primitive things there. I should do something different from it instead of doing the same thing as it. I don't know which one is true and which is false.

Tao has weakened the value of the true building itself, and it is not good to make the relationship more ambiguous.

Wei just because I respect you, I am different from you.

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Shao is too advanced. Because we do not lack the possession of information now, what we lack is the consciousness of that point, or the design of the design.

Wei has a trivial matter for all aspects of politics and culture, and it is rare to judge independently.

Shao sometimes does not know whether others let you judge, or you judge yourself. At this time, consciousness is important.

Conscious design

"Jiang Xiaobai's one-acre three-point land-earth art museum-office district"

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Never find a perfect state, because nature has been changing, and this change must be accepted in the countryside.

Tao is their office. The office environment is very comfortable.

Shao is in the countryside to dry food, and each family has such a dam.

There is a way to Tao here. The employees go from here to work. The road in the middle is tourists visited. There are two moving lines inside. The office people have their own lobby, a reception area, and can come up from here. Tourists walk from here.

I used to feel a little bit regrettable in this place. Although I can plant a seasons of sorghum species and plant rapeseed flowers every year, there will be a period of time in the middle, which is bald. In retrospect, I think this is the truth of agriculture, and there must be time to raise land.

Tao will never find a perfect state, because nature has been changing, and this change must be accepted in the countryside. Some trees were deliberately planted in the south. When they grew up, they would slightly cover the sun in the southwest direction in the summer, and there will be light and shadow. When the angle is good, the light can penetrate the curtain wall.

If the originality of the architect is in place, including planting trees, not looking at trees or trees, but treating trees as an element in a space, and how to connect with their own design and what kind of connection occurs.

Shao, what are you particularly unbearable?

Wei, I can't tolerate "unclean hands", can't copy it.

Tao greasy.

Flying.

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Wei Jian (Xue) contains too many forms of prototypes and its historical origins. Many people directly use some forms, but they do not know what it is going on. In this case, it will cause things that are not close to the same thing. It's like stir -frying a Cantonese dish or a Sichuan cuisine. Cantonese cuisine hybrid Sichuan cuisine is possible, but if it is done, it is not necessary to mix Cantonese cuisine and Sichuan cuisine casually. Instead, you find a matching point from the prototype of Cantonese cuisine and Sichuan cuisine. At this point, the Yuechuan hybrid dishes are created, and the new prototype is also produced.

The "style" is difficult to define in the academic world, because behind every so -called "style", there is a problem that he needs to solve.

Shao I feel faintly feel that we seem to fall into a trap of consumerism. The prevalence of the so -called minimalist style seems to have become a means of business. So I think the style can be banned, because I understand that architecture is the evolution of capital. You can make a profit, but I think it is worth your design. Wei Zi is very strong, but this does not mean that architecture is a vassal. Because a certain type of projects at the moment may be crushed by capital, but looking at the history of the entire human civilization, you will find that architecture has always been there, and business is constantly changing.

Blogs or people say that commercialization is alienated to this design. I put these things that were unclear, one by one, labeled, and placed in front of customers.

What about crushing? You still have to live with dignity.

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Tao architects are talking about or wanting to fight for a longer -term value, or farther or larger things.

Wei Xian has some social issues, mainly because of excessive emphasis on power relations, and does not emphasize the civilized relationship of professional cooperation. This is very abominable and sad. Our society should evolve into a professional society.

There is also a view that the architect wants to let go of myself. I am more doubtful. I feel that I can't do anything without my own attitude. Party A will also doubt your value. Now there are some architects and their capital licking each other and feeding each other. I don't know if it is a good state.

Tao architects must know who he is, not blindly catering.

If you do n’t have any principles, you will not be able to choose.

Wei, I do n’t think the construction industry is the service industry. I do n’t think that any design industry is a service industry. I think it is a exchange relationship, the exchange relationship between commercial civilization, and mutual respect for each other.

The "service" is not low in itself, but we are cheap now.

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Everything in the Bo building is thrown out, and the structure is particularly clear.

Wei is a long circle.

Shao I think he has certain guidance to the countryside, which is extremely strong.

The dripping water above Tao is a very traditional old approach.

Wei's relationship is clearly handled. In fact, I like the height of this window, that is, two meters high, it is a human perspective. Every time the scenery is changing, it is very interesting.

Non -self -hi

architecture

"Jiang Xiaobai's one acre three-point land-

Snail Vegetable Garden "

Sometimes, architecture is a knowledge of a manufacturing problem.

Is Shao's restaurant when we came? In traditional cultural cognition, it rarely uses black to build such a house in the countryside.

Tao I think it's good, black seems to make the surrounding trees beautiful.

Wei is very good. Black has a strong effect.

When Shao was lying by the water, I felt that the collision was extremely strong. I suddenly found that my body had a relationship with this.

Tao is a snail vegetable garden we made, spiraling like a snail shell.

Shao walks like a snail, don't get blossoms. Is this rosemary?

Tao is right, stolen. This is the original intention of we designing this vegetable garden. You will find that no matter what age, as long as you come to the countryside, we will definitely ask what it is and what it is.

The fluorescent stones used here are beautiful at night. The two sections of the extended parts are very cute from the other side of the river at night. It feels like a snail.

Shao's road is completely useless, as if opening a door for us to walk from this road, or not.

Tao is intentionally interested. I hope that this corridor is complete and echoes here. The countryside happened, and the design was like this.

Wei I prefer social architecture. The social nature of architecture is much more important than its own construction, because the relationship between space and body often affects social state, or architecture is the expression of social space/form. In addition, I think the professionalism of the architect is actually reflected in his self -requirements.

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Shao Dan, Hi Hi and Hi, are two concepts. As an experiencer, how can I not feel my self -discipline and consciousness here? Or how to explain its sociality consciously? I think the consciousness of architecture and the consciousness we are talking about need to be created with a degree of association.

Tao I want to do it here, this is a consciousness. But how people use, what experience, what people feel, and what it has to do with people, these are already related to society.

Any major in society is niche in society, and its majors are just serving a large number of non -professional. If a large number of non -professional people cannot understand its professionalism, what is the significance of this profession?

The iteration of Shao's professional and social integration is synchronized and parallel.

For example, the development of the Music industry, its development depends on the feedback of the audience market. Both parties have participated in, and this matter has become positive.

Tao's behavior itself is social, in fact, architects are the same.

Bo finally felt that this thing became a little better. In fact, there was a lot of professional accumulation behind it, which is a professional significance.

Wei Architecture may be the knowledge of dealing with problems, but I don't think it is the science of solving problems -it does not have such great ability, and I even think that sometimes architecture is the knowledge of manufacturing problems. Shao Fanguping just wants to create problems, find new ways to go out, and do new creations. What are the problems encountered by domestic architecture in China?

Wei I think it is very similar to other disciplines. Nothing has not entered a relatively healthy path to explore its own development laws.

In the late 1980s and early 1990s, everyone felt that architects made more money. Many people chose architecture for future revenue, just as they chose artificial intelligence today. I think there is no problem in going to college like this, but if you treat this as the subject of education, it is very problematic. In the value prototype of a society, do not believe that society is contemporary, civilization, and mutual assistance, but believe that power can determine everything, money can determine everything. If so, what good expectations can you have?

There are also a group of outstanding young architects in China, but they are not cultivated by the system. They grew up in the system.

From the perspective of society, I understand it as, as long as the industries in society need should have its dignity.

We should ask deeper questions after Weihefu. How should people get along with people? How should people get along with people and society? How does building have a relationship with the environment? It is not necessarily the relationship between the form. It is not necessarily a slope roof to have a relationship with the environment. It is a more positive relationship to see the vegetation and mountains outside.

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Many of Shao's buildings have the problem of surrounding and non -surrounding. How can I adjust it here?

Wei is a very basic judgment. For example, it is a insurance company, you are mostly surrounded; if you design a mansion, it accounts for thousands of square meters, it will be surrounded by this area, but the house does not need to be surrounded.

Tao Japanese people will adapt to architecture, not architecture must adapt to people's preferences, including conventional residence, cold in winter, hot summer, the owner has no opinion. People have adapted to this space that the inconvenience of our routine is inconvenient. This is a person adapting.

Why should Shao people adapt to architecture?

Not only do bloggers have a stable mentality, they also have a new mentality. Please ask a professional person, in addition to giving me a comfortable house, should you give me a new lifestyle and give me some new things.

Wei is willing to try something new. There is still a point of view that society should not be regarded as an experimental field. From the perspective of academic discussion, it is almost impossible to create new things without experiments.

Tao does not get real feedback and results in the real environment. Real relationships with society.

Wei a civilized society is very inclusive, and it can tolerate many people to try or test in different aspects. In this way, the whole society can improve.

In the process of Bo, we have experienced a lot of explorations, and we have also done a lot of communication with Party A. Some things we verify that it is established. Some things are not established, which is enough for us.

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Many of Wei feel that they are unwilling to be a little white mouse. In fact, they don't know that they are a little white mouse every day, mice in the huge system. If architecture has no spiritual pursuit, then this society is bad. Every industry should have spiritual pursuits.

Tao I think this is very good. Contemporary society is not a circle with Chongqing. Chongqing is not a circle. It does not have a clear boundary. Chongqing may have something to do with any place far from the sky. Observe in many very vague borders, you may see what Chongqing is.

Shao maintains the vigilance of grand narrative.

The things that Wei people are embracing are terrible and no doubt.

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Real

"Jiang Xiaobai's one acre three-point land-

Dadi Paper "

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True sense and sincerity are the best interpretations of local architecture.

I didn't say before Wei, I felt that the house was in the north.

Shao is strong. The strong wine, the feeling of Jiang Xiaobai, has a strong hard emotions in it.

Wei Yizi.

For the individual of architects, it may be difficult for you to ask me who to represent and what direction. A few years ago, I have also talked about where Chinese traditional buildings are and where they are out. Later, everyone doesn't want to talk about it anymore.

Where is the fate of the traditional architecture of Wei China, it seems to have a sense of illusory mission.

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Shao Na has to answer what is the local building in Chongqing first?

Bo Chongqing's temperament is a bit in the north, but if we open it to say that we can say a lot, but is it meaningful? It doesn't seem to make much sense.

The true and sincere sense of Wei can actually explain the local building. For example, this layer of overhead, Chongqing's summer is hot, forming an overhead layer, which is better ventilation and can cool down. This is a good local architecture.

Tao is the simplest, most direct, and most authentic. It is not so fantasy in the ground. It must be the most real thing.

Shao, I felt a kind of "real place" today.

Tao's screen can also release open -air movies.

People on the other side of Weihe will also watch when they drive, and they are also local.

Shao, let's summarize the chat feelings of the three hours of today. Wei, I think that these three hours are talking about something happily, basically they are talking about what they want to say, and this matter is quite reliable. Summarizing this matter may also be a trap. This is a quick reading era. Everyone wants to read a sentence summary.

I have come back and forth how many times I have come back and forth, and I have to come once every two or two weeks. Participating in the urban recorder also wants to hear some different explanations. Sometimes we have been turning around ourselves, and we may turn in. the same. I heard some new views from the two here. This is the biggest gain today.

筑 Existence of architecture-architectural photography

Tao talked very well today, easy, and comfortable. I met with Mr. Wei once, and I was looking forward to the second time after chatting. I did not expect to get some recognition of Teacher Wei on the project to help us identify your traps. I feel very happy. For the first time to talk about my own project today, I was very secure. Some of the things I said today seem to be very entangled. Now I jump out and see, many things can be seen.

Shao I also saw Teacher Wei for the second time. I think it is fantastic. Teacher Wei felt that he was a state of having a kind of inhalery. His human taste was very good, he was very compatible with his juniors, and he could offend arbitrarily. Wei Tao, Li Bo, they are just a soft and one, one is hidden, and the other is explicit. I think both people have a blade. It is precisely their inner structure that there is such a work. In a spiritual building of agricultural in the countryside, it uses architecture to break through and split things out under the grand narrative of rural revitalization. Thank you for watching!

Architecture

This article sorted out the live dialogue of "Urban Recorders 丨 We in Chongqing" on April 23, 2022. Except for special labels, the graphic and typesetting belongs to the urban recorders.