"Light Poet" Fu Yixin's ink and Ink World

With the movement of light, it will be expressed without losing the opportunity. The movement will not be the same, and the work will have different personalities, which makes me never give up with "light", and happy.

—— Fu Yixin

Speaking of the painter's performance on "light", you may think of the magnificent and natural nature of Western oil painter Corro and Turner, or the rapid and changing light and shadow in Monet and Renoir painting, but do you know that Chinese ink painting can also perform Light? The "Dan Qing Poetry Rhyme -Fu Yixin Ink Painting Exhibition", which is exhibiting at the National Theater, shows the audience the unique creative style of the painter Fu Yi Xin's light and shadow landscape painting and his poetry, calligraphy and painting.

In the early 1960s, Fu Yixin, who taught the art of self -study, caught up with the last year's college entrance examination before the Cultural Revolution. , Li Kuhan, Ye Qianyu and other painters. In the second grade, his sketch scores caught up with the students who came up with the High School in the US Academy. Mr. Li Hu's famous saying, "Sketching for you to learn to see the whole", left a deep impression on him, and also affected his future control of the scenery and character layout in the picture in the future. Out of his love for the natural mountains and rivers, in the third grade, Fu Yixin transferred from the Department of Character to the Department of Mountain and Water Sciences, and studied from Zong Qixiang and Li Keran, thereby opening up the pursuit of tireless landscape painting creation for a lifetime.

Since ancient times, "Ruts and Horse Trace Half the World" has been considered one of the necessary cultivation of landscape painters. Close to nature, love to explore the personality of danger, and follow the teaching advocated by the teacher Li Keran to go to "Zhenshan and Real Water", for decades, Fu Yixin has spread throughout the country, districts and cities across the country, and has stayed in Yunnan and Xinjiang a hundred at once a hundred at once. Above the sky, a large amount of ink and ink sketch created during the tour. From the new sentence in 1991, he could realize his hardships of "searching for the draft of Qi Peak": "Searching for a late spring pen, who knows who knows the sentence. When grinding ". This experience of "full swimming" makes its landscape paintings extremely wide: Qifeng Mountains, Plain Hills, Waterfalls, Waterfalls, Lakes and Rivers, and Red Sun Haoyue. unique.

Fu Yi's performance in the creation of Johor Bahru painting can be said to be unique in the Chinese painting world today. This is the result of his decades of exploration and innovation on the basis of the style of his predecessors. "Light" has always been considered the object of Western landscape painting. It is rare that Chinese landscape painters are in love with "Light". During the study of the character department of the Academy of Fine Arts, Fu Yixin came into contact with the history of Karavaggio and Rubens, who was known as the "Master of Lights and Shadow" in the history of Western art. Among them, the dynamic and dramatic light treatment inspired his interest in light. After turning to the family of Shanshui, he came into contact with the light and shadow landscape in Li Keran, Zong Qixiang and Lin Fengmian. Li Keran is good at drawing trees with halo in front of the backlight mountain; "Night Scene master" Zong Qixiang is best at expressing the reflection of the moonlight through the clouds and the lights on the boat; Lin Fengmian loves to use yellow, red, orange and grass green The tree projected under the sun is strongly compared with the lead -gray sky in the background. Fu Yixin was deeply shocked by their works, and determined to start trying to show light and shadow with ink. In the next decades, he worked hard to experiment and expand on the basis of the teachers and predecessors's exploration of light and shadow mountains and rivers, forming a clear personal appearance.

Compared to his teacher, Fu Yi Xin's perspective of expressed light and shadow is more diverse. He not only shows the mountains and trees under the sun, but also directly expresses the sun, and portray it into a glowing ball; or depict the sun in different periods of the day, or the sun in the fog or twilight, and its reflection on the water surface. Essence He is particularly good at showing the clusters of clouds, superimposed, and the flowing clouds of the water, like waterfalls, and deep beauty of the clouds. From a formal point of view, in Fu Yi's new light and shadow landscape, the combination of hooks and ink splashing ink, ink and painting together, cleverly use the white showing cloud gaps and beams, and rendered the atmosphere through the contrast of the light ink color, showing the changes in light changes. It is fleeting; coupled with the simple summary but vivid and vivid character, horse group, migratory birds and other "scenes", further convey the strong emotions of the painter's heart and set out the poetic meaning of the picture. The light in Fu Yixin's new works is not realistic natural light, but the lightly refined and sublimated light is an expression of the beauty and emotions harvested in nature and life. The emotions sent by each painting are different, just to prevent their works from being expressed in the expression of landscape painting. The light and shadow landscape in his pen often lamented the audience that "Chinese paintings can still be painted like this", and the painting style of the blending of this scene created by him is also known as "ink ink can be dyed and the light is new."

Su Shi said: "Poetry and painting are the same." This points out that poetry and painting have a common law. Deng Chun also wrote in "Painting Ji · Yuan Yuan": "Painters, the text is extremely." It can be seen that the painter's literary accomplishment has been placed in a very high position. Fu Yixin is a painter with deep literature and history. When studying at the Academy of Fine Arts, the teacher Li Kuhan taught him calligraphy "the lifeblood of Chinese painting". Since then, he has worked hard to cultivate ancient texts, poems, and calligraphy "painting outside the painting". His ink and wash sketch, "Poetry Painting", and the "reading history painting essay" in the form of imitation of the Han portrait bricks are the display of his literature and calligraphy cultivation. Most of the landscape paintings exhibited this time are equipped with topic poems or notes. These texts vividly record the mood and understanding of Mr. Fu's creation. The effort spent is not as good as painting creation. The "Reading History Painting Essays" in the form of portrait bricks in the imitation Han is a combination of figure painting with historical stories in "Zuo Zhuan" and "Historical Records". The characters are not commonly seen, but a new technique derived from Han painting brick pens, focusing on the character, expressions, and psychology of the character's body language delicately. It is hard to think of such an artistic form for painters, calligraphers, or literary historians alone, which can be said to be the originality of Mr. Fu Yixin. The National Grand Theater showed Fu Yixin's artistic creative appearance and characteristics in a comprehensive exhibition. The audience was able to enjoy the "Light Poet" Fu Yixin's good rivers and mountains, and to realize the eternal charm of Chinese traditional culture in the light and shadow landscape and poetry.

(The author is "Dan Qing Poetry Rhymes -Fu Yi Yixin Ink Painting Exhibition" curator)

"China Culture News" on September 18, 2022

The second edition published a special report

"" Light Poet "Fu Yixin's ink World"

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Editor -in -chief: Chen Xiaoyue

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