The National Grand Theater version of the classic national opera "The Daughter of the Party" "July 1st" returns

In the blood, there was a soul in the fire, and the rhododendrons of the mountains bloomed. From June 28th to July 2nd, the classic national opera "Daughter of the Party" will reunite with the audience. The play was launched in July 2021. From the actor's performance to the stage, it was noticeable to be a monument. The venue was full and the performance was unprecedented. In this round of performances, the conductor Lu Jia will join in, the female treble singer Lei Jia and the male middle voice singer Liao Changyong will bring many artists to reproduce the heroes of the hero with the light of faith, the torch of ideals, the National Theater Orchestra The artists of the choir and the Central National Orchestra will also rejuvenate the classics with a higher level of art.

Stills of the opera "The Daughter of the Party"

Later on the Rhododendron Poor Persons "Guizheng" spirit "innovation" stage

The National Grand Theater version of the classic national opera "The Daughter of the Party" was launched at the centennial birthday of the Communist Party of China. , The Ministry of Culture and Tourism, and the "Exhibition of Outstanding Stage Art Works to Celebrate the 100th Anniversary of the Founding of the Communist Party of China" by the Federation of the Chinese Literature and Art Circle Federation. As early as 1991, in order to celebrate the 70th anniversary of the founding of the Communist Party of China, the Opera Troupe of the General Political Department of the Chinese People's Liberation Army (now the Cultural and Industry Troupe of the Chinese People's Liberation Army) created the national opera "The Daughter of the Party". The script was written by Yan Su (writing), Wang Jian, He Dongjiu, and Wang Shouyuan. Wang Zugong, Zhang Zhuoya, Yin Qing, Wang Xiren, Ji Cheng, Fang Tianxing composed, and the artists such as Peng Liyuan, Yang Hongji, Sun Liying and other artists completed the first round of performances and condensed. At that time, the hard work and wisdom of top artists.

Stills of the opera "The Daughter of the Party"

To the party, he continues the blood veins. Thirty years later, the National Grand Theater adhered to the concept of "keeping up and innovating", which not only retained the charm to pay tribute to the red classics, but also renewed the classics with new stage presentation and audiovisual effects. In the view of director Wang Jun, "The Daughter of the Party" is a work that has been tested after time. Keep it. "In less than three hours, Tian Yumei was deducted from the story of a traitor in the party and a salt for the guerrillas. The uncle, Ma Jiahui, Gui Ying, and Juan sister and many other images were lifelike and extremely three -dimensional. Under the grand theme of the times, the behavior and psychological context of each character are reasonable and clear. "Seven monuments of the towering green mountains, Xiao Xiao's grass and trees are dark and sad", "Who knows that the weak life is strong, and the Aoyama loess knows it" and other lyrics have been handled by the singers, and the shocking power broke out. Continue the strong vitality, cast the soul of faith, and stand up to the backbone of faith. In the stage of the stage, the main creative team flexibly uses the light and shadow technology to enable the "real scene" such as the rhododendron, the Ma Jiahui family, the cottage house, and the bamboo forest. And up. The whole drama actively practiced the principle of "keeping innovation" with excellent artistic quality, and lived up to the "giant's shoulders" to climb the peak.

Stills of the opera "The Daughter of the Party"

Full Tianxing gathered a group of fire Lei Jia and Liao Changyong to sing "July 1"

From June 28th to July 2nd, the third round of performances of the classic national opera "The Daughter of the Party" of the National Grand Theater will kick off. Female treble singer Lei Jia will once again interpret the heroic image Tian Yumei, bringing four artistic enjoyment. In the previous performance, the Tian Yumei shaped by Lei Jia was delicate and moving, showing a firm belief and strong power of a general Communist Party member from the execution ground, the intelligent fighting traitor to the heroic righteousness. "Don't hesitate, don't lament!" Lei Jia interpreted a Communist Party member with an artistic appeal and was also a mother. When life was about to come to the end, he was entrusted with the child's ardent and gratitude to his home. When Tian Yumei's spiritualization was a rhododendron with mountains and mountains, the power of the belief of the breath accompanied by Lei Jia's singing to push the artistic power in the play to the climax, no one was moving. "Why does the" Daughter of the Party "succeed? Because it uses Chinese language, the expression that Chinese people can accept to convey the spiritual value recognized by the Chinese. When I interpret the female protagonist 'Tian Yumei', I was in the past. Thinking, what kind of spiritual power is to make her life in the nine deaths and encounter the betrayal and distrust of comrades, and insist on pursuing the light of faith and ideal torch? When the development of the story and the emotional context continue to explore her inner world When I knew her, I also wanted to pass her spiritual belief to contemporary audiences. "Lei Jia said.

Stills of the opera "The Daughter of the Party"

- END -