Sang Yu is not late, and the public calligraphy works of the new year

Mo Dao Sangyu was late, and Fu Yan was thousands of miles. On the afternoon of September 16th, the 120th anniversary of Nanjing University — Sang Yufei -The New Calligraphy Exhibition of Jianjian "was opened at the Art Museum of the Xianlin Campus of Nanjing University. More than a hundred works Han Mo waved, bringing the audience a pen and ink feast for calligraphy and poetry. Hong Yinxing, the former party secretary of Nanjing University, Lu Jian, president of Nanjing University, Xue Hailin, deputy secretary of the party committee of Nanjing University, and Huang Yan, a professor of Nanjing Academy of Arts, and other ribbons for the opening ceremony.

Jian Jianxin, pseudonym Hancun, Zhai Dinglu and Tianxiaju, born in 1945, Jiangsu Wujin. He used to be the chairman of the Literature Federation of Lishui County. He is now a member of the Chinese Calligraphers Association and a member of the Jiangsu Writers Association. For more than sixty years of Xi Shu, the length of the scholars of Person has gradually been integrated, and finally became its own appearance. His calligraphy accomplishment is profound, and he is particularly good at books. On August 10, 2012, he wrote the "100 -meter Grass Book Long Volume (Selection of Bai Juyi Poems)"; on December 10, 2015, on the entire huge red star Xuan paper with a length of 11 meters and a width of 3.3 meters, " ", This work was awarded the" largest rice paper calligraphy work (whole) "certificate in January 2016.

Cursive Zhang Ruoxu "Spring River Flower Moon Night" (8 feet)

It is reported that there are 120 works in this exhibition, which are mainly cursive script and script. They are all fine products that Mr. Jian Jianxin has paid attention to in the past 20 years, including Zhang Ruoxu's "Spring River Flower Moon Night" (8 feet), Su Shi "Nian Nujiao Chibi Huagugu Gugu 》 (Liu Fa), Du Fu's "Cottage", Bai Juyi "Flowers and Flowers", etc., whether it is 窠》 幛, or Dou Fang sketch, all of which are full of meaning.

It is worth mentioning that nearly half of the books are written in their own poems. "Ten years ago, I had a personal calligraphy exhibition at Peking University. Ten years later, I was nearly a year, and I held another exhibition at Nanjing University ..." Jian Jianxin said. "Sang Yufei" is not only to encourage people to not give up lightly, but also inspire himself to add a bright color to the 70 -year -old pen and ink career. . "Early the exhibition hall, each has a variety of works, some are magnificent, some are thousands of styles, some are flowing, some are solemn and solemn. The perfect combination of books and poetry interprets the essence of beauty in the minds of Chinese people.

Mao Zedong's "Deng Lushan"

Li Bai's "Deng Jinling Phoenix"

Among them, "The Four Monthly Poems of the Seven -character Rules of the Yangtze River in China" carefully selected Cui Yan's "Yellow Crane Tower", Li Bai's "Deng Jinling Phoenix", Du Fu's "Deng Lushan", Mao Zedong's "Deng Lushan". The form of banners makes people look at the momentum of the Yangtze River through different angles and the realm is high.

A mother in the Wenchuan earthquake guarded the babies for several months under the weak body. When the ambulancers discovered that the mother had sacrificed strongly, the children were safe and sound, and they were sleeping in her mother's arms. His behavior spread throughout Bashan Shushui and moved the people of the whole country. The "Mother's Yin", which was groaned, also attracted the audience to stop.

Cursive "Stay up late to ridicule"

From a fighting sketch called "Staying Overnight", you can see the author's diligent creation in his life. "The red day is on the wall, and the gentleman is three lines in the morning. On the day of the year, the lights are burned to the sun." As Jian Jianxin said, calligraphy is an art of practice. Only in the end of the day, can you gradually appreciate its beauty and touch its essential core. In the graceful pens and ink on the rice paper, the beauty and scenes contained in the artist are also the true revealing of the artist's heart, the comprehensive reflection of literacy, and the true portrayal of personality. Anyone who is familiar with Jianjian knows that he lives in a briefing on weekdays and rarely participate in warm and noisy activities. He always believes that "writing good works is the last word, and he should pour all the energy and feelings of life into creation and research."

Previously, in addition to holding the first personal calligraphy art exhibition at the Library of Peking University, he was widely praised by people from Peking University and people from all walks of life. In 2014 and 2015, he held a donation of personal calligraphy works at the Jiangsu Art Museum and Changzhou Liu Haisu Art Museum in 2014 and 2015 The Yizhou exhibition, a total of more than 3 million yuan in good funds, established the "Hancun Boai Fund" by the Jiangsu Red Cross to rescue people and vulnerable groups of difficulties and social vulnerable groups. In the early years, Xun Jianxin also worked in literature and drama creation, and also loved research and creation of ancient poems. He has published works in literary journals such as "October", "Youth Literature", "Rain Flowers" and "Zhongshan". "Chinese Medicine" won the first and second Jinling Literature Awards.

Interestingly, he loves art, in fact, he is a physics teacher who has been a physics teacher in Jiangnan No.1 Middle School. In the age of extremely difficult conditions, I couldn't buy paper and pen or even a copybook. The "science and engineering teacher "'s love for calligraphy never changed, as he said:" At that time, the conditions were poor, and the conditions were poor. The paper written on the school is the old newspapers of the school and the old test papers used by the students. At that time, there were a lot of monuments in my hand, and I was very mixed. I remember that I have been in "The Preface to the Holy Education" and "Lanting Preface". "The Arcade of the Nie", "Competition for the Seating", "Zhiyong Qiancao

The artist's works enter the campus, not only display and display, but also a aesthetic dating with colleges and students. It is the communication and revelation of thought. The aesthetic travel is long. The opening ceremony was hosted by Shi Mei, the deputy director of the Nanda Museum, and a donation ceremony of the new calligraphy works of Jianjian was also held at the scene. Lu Jian, president of Nanjing University, issued a new collection certificate to Jianjian.

Yangtze Evening News/Zi Niu Journalist Shen Zhao

Edit: Qin Xiaoyi

- END -