Hong Kong Palace Museum Cultural Expo Museum: Interpretation of the National Treasure Cultural Relics with the heart

Xinhua News Agency, Hong Kong, September 17th. Question: Hong Kong Palace Museum Culture Expo Museum: Interpretation of national treasures with your heart

Xinhua News Agency reporter Lin Ning

"" Luo Shen Fu Full Map "is a copy of the Southern Song Dynasty, which is more complete than the Northern Song Dynasty copy of the Northern Song Dynasty exhibited last month, which is more consistent with Cao Zhi's original text." Before, he said to the audience.

She is one of the curators of the special exhibition of "State of the Country -the Palace Museum, Tibetan, Tang, Song Yuan Painting and Calligraphy", and specializes in the research of ancient Chinese calligraphy and painting.

For more than 2 months, Jiang Fangting has been busy guiding and changing exhibitions ...

The "Treasures of the Country" exhibitions exhibited a total of 35 famous ancient Chinese calligraphy and painting products. It is a national first -class cultural relics. It only exhibited each month for one month. One ticket is difficult to find.

The first two issues were exhibited "The Book Research Mountains", "Autumn Suburban Drinking Maps", "Luo Shen Fu Tu" (Northern Song Dynasty copy). Luo Shen Fu Quan Map (Southern Song Dynasty copy) and so on.

The exhibition time of the two exhibition period is only 48 hours.

Beginning on the 5th, under the testimony of many parties, the Hong Kong team where Jiang Fangting was located and experts from the Palace Museum worked in a hurry: withdrawing the last phase of the exhibits, replacing the exhibition hall layout and cultural relic explanation cards, making new exhibits, and putting them into the constant temperature In the weighted showcase ...

At about 22:00 on the 6th, the exhibition was completed. Cultural security personnel wrapped the showcases with shading cloth to make these precious calligraphy and painting "rest".

Twelve hours later, the new exhibits ushered in the first batch of admirable audiences.

"I saw some students enjoying the full text of" Luo Shen Fu "while admiring" Luo Shen Fu's full map "(Southern Song Dynasty copies). ', Moved me very much. "Jiang Fangting said.

Since its opening to the public on July 3, the Hong Kong Palace Museum of Palace Museum has endlessly.

"The birth of the Hong Kong Palace Museum is a tribute to Hong Kong's tribute to Chinese civilization." Said Cheng Mingzhang, assistant researcher at the museum.

This summer, more than 900 Palace Museum's cultural relics arrived in Hong Kong, and a police car opened the road to escorted from the airport to the Hong Kong Palace Museum.

In order to show the national treasure of the Forbidden City, the experts carefully designed it to make the national treasure welcome the audience in the most perfect attitude.

In the ninth exhibition hall showing the boutique of Ma Culture and Art, there is a huge vertical axis "Lion Jade". This is one of the "Ten Jun Maps" series created by the ten horses of the Emperor Qianlong Emperor Qianlong's favorite of Emperor Qianlong. The white steed in the painting is very realistic, and it is shocking.

The Qing Dynasty paintings with a vertical 5.26 meters and horizontal 3.44 meters could be "standing", which was considered a lot.

The painting is paper cultural relics. It has a large scale itself. The bamboo scroll increases weight. The vertical suspension is difficult and risky. Researchers have customized more than 6 meters high showcases for this painting, carefully designed to increase the position of load -bearing, choose the material of the hanging line, and the way to expand the scroll.

On the day of the exhibition, the eight or nine staff members stood in the two lifting ladders, holding the two ends of the painting, first hanging the top of the painting, and then carefully expanded the drawing rolls along the wall, and finally held the drawing shaft with a metal shelf to hold the painting shaft. Essence

"Holding it above, holding it below, the paper in the middle is a little loose, and it is not difficult, so it is okay." Said Jiao Tianlong, chief researcher at the Cultural Expo Museum of the Palace Museum of Hong Kong.

In the third exhibition hall of the Palace Museum's treasured ceramics, the curatorial team tailored the arc -shaped showcase for the 12 -color chrysanthemum petals of Yongzheng, so that the 12 porcelain plates were placed into arcs and highlighted their beauty.

This set of monochrome glaze is rich in color and is rich in glaze juice. It is divided into 12 colors such as yellow, red, blue, green, green, sauce, purple, white, and loquat lotus. Jiao Tianlong and colleagues carefully designed the placement of each plate. "In the end, we determined that the chrysanthemum panel of similar colors was opened, so that it can show a variety of effects." Jiao Tianlong said.

Every device, every color, and text of the Hong Kong Palace Museum of the Palace Museum of Hong Kong are interpreted by the national treasure cultural relics. "It is my happiest thing to interpret cultural relics from different angles and let the audience understand the cultural relics." Said the assistant researcher at the museum.

The fourth exhibition hall "Dragon Yan Fengzi -Portrait of the Emperor of the Qing Dynasty" exhibited the portraits of Huang Taiji and Empress Xiaozhuang, as well as the painting of the Cixi dynasty. Yang Yan and colleagues of the Cultural Expo, the Palace Museum of Hong Kong, cleverly used digital image technology to make multimedia exhibits to show the sacrifice function of the emperor's portrait portrait.

In the "Life Emperor's Hall" shaped by the Red Wall and the "Cinema Cinema", the audience can immersely observe the scene of the Emperor's Rong Da Festival in the Lunar New Year of the Lunar New Year of the Guangxu Dynasty.

The first lens is the snowy day created by digital image technology to fly over the axis of the purple forbidden city and the long shot that arrives in the Life Emperor's Temple, which makes people immersive.

During the curatorial, Yang Yan's partner Chen Li'an took the lead in proposing the idea of ​​designing the "Forbidden City in the Snow". But has there been a snowy sacrifice in history?

Yang Yan flipped through various historical documents, and finally found in the diary of Emperor Guangxu's teacher Weng Tonghe: The snow was snowy early on the first month of the eighteenth year of Guangxu, and the first day of the first month was the day when the royal family worshiped his ancestors.

Therefore, they added snow scene creativity in multimedia films. "We deliberately show the effect of just snowing, so that the glazed tiles cover a thin layer of snow, which has both the beauty of the snow scene and the golden glazed tile." Yang Yan said.

Every piece of cultural relics have their own unique stories, carrying heavy history and culture.

The last exhibition of the first exhibition hall is a mottled wooden box. Compared with other exhibition halls, it is slightly abrupt compared to other exhibition halls.In the 1930s, in order to avoid the increasingly approaching Japanese invaders, a cultural relics were loaded south to the south to carry the Forbidden City cultural relics, riding a train, ship, and a car, bumping all the way, moved south ...

The curator specially placed the cultural relics south to the front of the big screen.The screen rolling is a short film called "From the Forbidden City to the Forbidden City", which tells the history of the Forbidden City from the palace to the museum, and the fate of the Palace Museum and the Hong Kong Palace Museum.

The Hong Kong Palace Museum of Culture is a link between ancient and modern Chinese and foreign, and it is also a link between experts and the public."If the audience finds the cultural relics that move their own, then the cultural relics will have a sense of belonging." Said Liang Huiqi, assistant researcher at the museum.

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