Quick Comment ｜ Use digital technology to tell the story of living relics

The reporter learned from the Guangdong Provincial Museum on the 14th that the "Guangdong Provincial Mobile Cultural Relics Resources Management Platform" has been officially launched recently. (CCTV on September 15)

In recent years, the role of digital technology in the protection of cultural relics is prominent. The advantages of digital protection of cultural relics are mainly three. One is to "build files" for cultural relics. What are the benefits? Taking the Notre Dame of Paris as an example, the digital ecosystem built by text, images, videos, and three -dimensional models has played an important role in restoration and reconstruction. Second, let the cultural relics "near". Nowadays, many museums have accelerated digital construction. With the help of advanced technical means, high -definition images are collected in the collections in the museum, and the collection of cultural relics information is opened to the public. This not only allows the public to see a large number of precious cultural relics without leaving home, but also You can also appreciate the many details of the cultural relics. Third, the cultural relics are "live". The massive data formed by digital protection can provide a large amount of materials and strong support for the activation and utilization of cultural relics after in -depth research and mining. For example, compose the spectral scores for famous paintings such as "Thousands of Miles and Mountains", and let the ancient painting "sing" is the "flowers" from the digital protection of cultural relics to protect this big tree.

The positioning of Guangdong's mobile cultural relics resource management platform is "uniform and dynamic cultural relic resource management systems of mobile cultural relics, business data, and digital resources in the province." This means that the maximum blocking point in digital protection of cultural relics has been opened. In the construction of the Smart Museum, if each museum is traveling, there is a set of standards and practices, and the communication between museums and the application of cultural relic data in the future will be greatly restricted. Guangdong Province's mobile cultural relics resource management platform will provide technical means and methods for cultural relics and data management for various museums in the province, and help the province's state -owned and non -state museums of cultural relics and data resources in the province's interoperability. The power of "combined" will undoubtedly make the advantages of digital protection of cultural relics to the maximum.

In the future, more articles need to be made on "combined". First of all, in the "built files" for cultural relics, cooperation must be strengthened. Digital talents are an important support for digital protection of cultural relics. In this regard, the strong museums must reach out to those who lack conditions and promote the comprehensive "cloud" of cultural relics. Secondly, in the "near" of the cultural relics, a joint force is formed. Taking the promotion of Haise Culture as an example, many museums have "Hycene Cultural Relics", and they may wish to work together to tell the "Haisi Story" through the form of "cloud exhibition". Finally, in the "living" of the cultural relics, pay attention to the integration. In the process of using digital technology to activate cultural relics, we need to balance the relationship between science and technology and culture. It is necessary to cross the sea, show their magical powers, and use digital technology to continuously innovate. It is also necessary to excavate cultural connotations and protect and inherit the historical context. Only in this way can the excellent traditional culture bloom dazzling in the digital age.

How to protect the cultural relics and let the cultural relics "live" is a question that many museums are thinking.

Text/Guangzhou Daily · Xinhua City Reporter: Hu Juntu/Guangzhou Daily · Xinhuacheng Reporter: Mo Weipun Guangzhou Daily · Xinhuacheng Editor: Tan Min: Tan Min

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