"Big Sword" is Taibai Poetry Dance -Ma Guodong and Li Bai Shiwen Ceramics Seal

Wang Liqiang/Wen

A artist is easily obsessed with his beloved hometown culture.

Ma Guodong, the chairman of the Calligraphers Association of Jining City, is a calligrapher and a well -accomplished seal carving. In recent years, through the exploration of ceramic marks, he has broken through the dependence of traditional seal engraving, and has found the path that fits Li Bai's theme creation. In the contact between the knife and the mud, it has created the more fast and great artistic conception of the sword and the mud. A new look has achieved a different cultural symbol.

Seal carving Ma Guodong (member of the Chinese Calligraphers Association and Chairman of the Calligraphers Association of Urban Calligraphy)

Li Bai, a great poet in the Tang Dynasty, had more than 60 poems related to Jining. This is undoubtedly precious cultural resources for Jining. However, in fact, it is also very lonely. Why not use the seal carving around Li Bai's poetry to do something meaningful? In this thought, Ma Guodong not only fascinated Li Bai's poems, but also encountered a lot of confusion. In the case of engraving, he followed the road of Qin and Han, and he did not fit with Shixian's romance. In other words, Ma Guodong's engraving style does not match Li Bai's poems, which makes Ma Guodong very distressed. For many years, the incident has been lingering in Ma Guodong's heart.

It's easy to think about it, but it is not easy to do. Ma Guodong, who has been engraving since he was a child, has seen the long texture of Baiwen, and his "pleasure" seal is "fierce" all the way, which has won the reputation of "big knife" and "horse big knife" in the Indian altar. For the thoughts in his heart, he opened another way, decisively jumped out of the stone world, instead turned on the ceramic printing material, and "danced" on the pottery and porcelain, and found a new space. The ceramic seal he created, with a knife and pen, Zhu Wen Baiwen, left and right, upside down, the discharge is free, emotional, and wonderful. In particular, a single knife enters the pottery, and it is spicy and energetic, extremely hearty, making the person who observe the mind.

Shimen (Bai Wen) 2.4X2.4 cm

A chic ceramic seal showed Ma Guodong's text literacy and engraving accomplishment to the fullest, so that he found the entrance to Li Bai's poems. In the Tang Dynasty, he was the city of Jining. The Tang Dynasty poet Li Bai left Jining not only a Taibai building with eternal ages, but also his popular poems. However, most of the Jining people know that Li Bai wrote "Rencheng County Hall's Wall" in Jining, and Ma Guodong grew up in Rencheng. He kept investigating Li Bai's relics, discussed with cultural scholars, and communicated with colleagues in engraving. Kung Fu is worthy of careless people, and finally sorted out the creative path of the theme of engraving by Li Bai's family Jining. He was full of pleasure in his heart. He wanted to "dance swords" to do the long -term thoughts and let the seal engraving "live".

Rencheng County Hall Wall (Zhu Wen) 5x7.1 cm

There are more than 60 poems created by Li Bai. The most distinctive feature is a series of farewell poems. For example, "Lucheng Beigequan Sang Sang Send Zhang Zi Return Songyang", "Lu County Yao Temple Send Dou Mingfu Bohua Return Xijing", "Lu County Yao Temple Send Zhang Fourteen Tour Hebei", Lu County Yao Temple Send Wu Wuwu "Langya", "Luzhong Sending the Second Brother to the West Jing", "The Sixth Uncle Return to the Sixth Uncle of Xuefeng, and Return to Beijing", "Send Xue Jiu to Lu Lu", "Send Liu Changshi of Lu County to the History of the Great" "Brother of Zhongdu Mingfu", "Send Liang Si Gui Dongping", "Golden Township Sending Wei Bazhi West Jing", "Sending Fan Shan people to return to Taishan", etc., all of them are poetic Li Bai's gift during the family Jining. Work. In addition, poetry such as "Lu Dongmen's Watching Thin", "Ying Women's East Window Sea Pomegranate", "Bie Lu Song", and "Dreaming of the Tianyou Tian Yin" and other poems are also written in Jining. Li Bai's poems are as vast as the sea, and they are deep as mountains. With this path, Ma Guodong opened like a mountain gate. He carefully screened from these poems of Li Bai and repeatedly scrutinized. He selected more than a hundred prints over and over again, and embarked on the journey of creation at ease. When it comes to why he chose ceramic seal, he said: "Tao, contains the ancient cultural genes of the Chinese nation, is an utensil with vitality. On the pottery, the lines are completely different from the texture of the stone. It is more suitable for expressing the beauty of Li Bai's poetry and expressing the temperament of poetry. Porcelain is a Chinese element. After firing, it has a certain challenge to grasp the nature of porcelain. Choosing ceramics as a printed material, its rigidity and flexibility It is also a kind of cultivation, a kind of self -cultivation. "Dancing the knife on the ceramic printing material, Ma Guodong set a spirit to make the knife like a pen, whatever he wants, but not more rules and laws. , But not fluttering, forming a elegant and superb, calm and painful style.

Guanyue in water (Bai Wen) 4.5X5.8 cm

Ma Guodong has been playing with a knife for many years. The seal of his rule has been trying to figure out the stream of Chinese seals and the contemporary sages, and he has been in the same way, integrating, and self -containing. He has a professional self -confidence for Shi Xian Li Bai's poems. In early 2020, the new crown pneumonia's epidemic occurred, and human society pressed the suspension key. Homesome -prevention is as if he has become the exclusive creative time and space of Ma Guodong. He cherishes this tranquility, residential room, burning incense and cooking tea; He centered on the poems of Li Bai's family Jining, highlighting the theme, bowing inch, and carefully created a hundred square meters of ceramic seal, but the actual seal seal was far more than that. According to him, the seal of grinding and grinding is repeatedly engraved, I am afraid that there are no less than three hundred square meters. The epidemic forced the society to enter the slow lane, but Ma Guodong took the opportunity to step on the expressway. The well -known Beijing -Hangzhou Grand Canal is the culture of the culture that passed through the city. In recent years, the culture of the culture has promoted the cultivation of the canal culture and gave the connotation of the new era of excellent traditional culture. In Jining Hanyuan, there is a Grand Canal Pottery Pavilion, which brings together the enthusiasts who come here to figure out the ceramic seal. Tao and engraving are very happy. Ma Guodong used the actions of Li Bai's poems engraved with ceramic printing materials to receive the support of this group. Ma Guodong, he was indulged in the love of ceramic seal, and he couldn't sleep excitedly at night. To this end, he specially established his own ceramic printing studio. In the twenty -fourth year of Tang Kaiyuan, Li Bai paid his house as a city, and passed Wen Shang, and wrote a poem "May Donglu Xingwen Weng". Ma Guodong took his poems and verses, and created the two -party ceramic seal of "May Donglu Xingwen Weng" and "Lu Ren's heavy knitting". Combined with his understanding of the structure and lines of the script, not only the graceful lines of the scripture are more integrated into the ceramic seal, but also the corresponding strokes in a thick and thick method, and the thickness of the white texts of the Han Dynasty in the Han Dynasty was thick and straight, straight and straight. The balanced form shows a three -dimensional sense. "French ancient but not muddy", Ma Guodong's two print lines, the law of the law is natural, does not dye the time and customs, which not only fully expresses the strength in the lines, but also makes this performance very subtle, hidden without publicity. According to Ma Guodong, "Ceramic printing materials are completely different from stone printing materials, more free, more room to play, and more conducive to the show of Li Bai's poetic." Turn the opposite factors such as Zhu and Bai, fat and thin, sparse and dense, simplified and complex, and achieve unity in the change.

Gift Wu 17 序 Parallel (Bai Wen) 7x7 cm

Li Bai is a great romantic poet and has the reputation of "poetic fairy". To show this characteristic, Ma Guodong created some large -sized ceramic marks. These big seals are more than 7 cm, or square or long, different. The seal of 7 centimeters of the square "Gifts the Seventeen of Wuxi and the Sequence", which is born with each other, has a degree of moving, the white text is engraved, the lines are natural, and the blood veins are unobstructed. The mighty of three thousand feet ". Bai Wenyin's "watching the moon in the water" is high, and the freehand taste is full of freehand. It is simple and generous, and the romantic atmosphere of fullness makes this seal active and unique. In the first year of Tianbao, Li Bai was invited by Tang Minghuang to go out of the mountain, and he was worshiped Hanlin from Chang'an from Ren Chengfeng. Later, "Gao Jin Fang returned" and returned to the city in the east. Tongguan Ma Guodong's 100 ceramic seals, more than 60 of which are Baiwen. His use of Baiwen vertical line is like the stream breaks through the pond. Ru Ge's artistic conception makes people feel happy. Although it is not as heavy as the Hanyin, the thrill of the knife is still full of square inch, which makes people think of the romance of Shi Xian Li Bai's access to, chic and that unique romance.

Wandering Tianyin Leave Farewell (Bai Wen) 5.2x5.4 cm

In Jining, Shi Xian Li Bai's footprint has long been in the landscape. However, the attention and application of Li Bai's poems are light, and there is less innovative application. Li Bai is a well -known figure in Jining, and it is also proud of the Jining people. Yin chanting Li Bai's poem, figured out Li Bai's writing, and appreciating Li Baili's way of being in the world. This is actually associated with the ancient sages. In this sense, at present, Ma Guodong is a "dance knife" for Li Bai. It is also artificially presented by Li Bai's poems. It is also filled with blank moves. It seems a very meaningful thing. This is not only an innovative application of a city's collection of Li Bai's poems, but also an important window for understanding and looking back at Jining's different humanistic history and mainstream value. As a result, we can get such an inspiration: Any accomplishment of artists has a deep traditional foundation and at the same time has a strong spirit of innovation in the times.

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