Calligraphy and calligraphy | Avenue is not alone -heaven and earth people He · Lu Yushun's works exhibition

Author:Cultural Tourism China Time:2022.09.16

In 2021, which is full of tenacity, hardships and harvests, we have ushered in the 2022 of hope, vitality, and restarting a new journey in 2022. 2022 is the year of the 20th National Congress of the Communist Party of China, and it is also an important year for the great cause of national rejuvenation.

As the core concept of Chinese Confucianism and Taoism culture, the concept of "Tao" and the pursuit of it have been integrated into the cultural blood and genes of the Chinese nation after thousands of years of development. Essence In Taoist culture, "Tao" can be understood as the development law of nature or human society; in Confucian culture, the meaning of "benevolence" and "loyalty", in a sense, the avenue represents ancient politics of ancient politics. The highest ideal -Datong. In "Book of Rites · Rites": "The trip to the avenue, the world is the public ... ... It means Datong." It means "when the avenue is implemented, the world is shared by people ... this is called an ideal society "". "Not alone" comes from "The Analects of Confucius • Liren". With the theme of "Avenue is not alone", we aims to express our original intentions and determinations of adherence to the "Avenue", and also intend to convey our beliefs and confidences of the people of the world, fate, and co -sharing. At the same time, it is also intended to convey a spirit of preaching by arts of the Chinese National Academy of Painting, passing by art, artistic relay, like -mindedness, and salary.

Literature is the first voice and horn of the times. The artist is "bacon casting the soul and keeping up the innovation", and the main force of the times with the fashion of the times. As a national art creation research institution, the Chinese National Painting Academy, as the "national team" of Chinese art, has always been "not forgetting its original intention, keeping in mind the mission", and always adhered to the creative orientation of "people -centered", to prosper Chinese art, spread Chinese culture For their own responsibility, pay attention to the creation of art ontology, pay attention to reality and the times, follow the three major political activities and major historical events nodes, and the normal practice activities of "deep life, rooting the people" theme activities, and gradually strengthen " The development concept of bacon to cast souls and keep in innovation ", adhere to the awareness of boutique, adhere to the people of morality, and promote high -quality development of art creation. Efforts to work with muscles, morals, and temperature, heart -based rejuvenation, and enthusiastically depict the magnificent weather of the new era and new journey, and praise the reform and development of the great new era. Adhere to the people's stance, the endless people's epic of the people, firmly establishes the people, belongs to the people, the people are Jiangshan, and Jiangshan is the fundamental position and creative concept of the people of the people. Adhere to possession of innovation, and use the masterpieces of the times to open up a new realm of literature and art. Creation is a central work task, and the work is the foundation of standing. Persist in the story of China, love, and vigorously tell the world to show the world's trustworthy, cute, and respectable image of China and the deep feelings of the world. Promote the right path and achieve the value of life in the pursuit of virtue. Use truly healthy literary works to cultivate sentiment, inspire the mind, and lead the fashion.

The invitation exhibition of young artists in the National Academy of Painting, in the form of a exhibition, the creative results of the group of young and middle -aged artists in the hospital, with a variety of forms, themes and rich content. The main purpose of the exhibition is "the avenue is not lonely", that is, to encourage artists to continue to explore, pursue, communicate, and mutually learn about it while promoting the art avenue. For exquisite art and excellent production, for creative requirements, we strive to create a masterpiece worthy of the new era, contribute to the prosperity of contemporary literature and art, and contribute to the great rejuvenation of the Chinese nation. In addition, in 2022, we will also organize artists from the National Academy of Painting to create a work with the theme of the 20th National Congress of the Communist Party of China. Take the new journey to the Chinese rejuvenation with a full spirit.

Lu Yushun, Dean of the Chinese Academy of Painting

Dean of Lu Yushun China National Academy of Painting, the Chinese Academy of Arts, Harbin Normal University, doctoral supervisor of the University of Macao University of Science and Technology, a second -level professor, director of the Chinese Artists Association, Deputy Director of the Chinese Painting Arts Committee, Vice President of the Chinese Painting Society, 12th and 10th Member of the Third National Committee of the Chinese People's Political Consultative Conference. He has been rated as the second "National Middle -aged and Middle -aged Middle -Education Shuangxin Literary Workers", National Outstanding Teachers, and "People's Teachers". It is an outstanding expert who has made outstanding contributions to the "four batches" talents. Allowance experts.

Self -order

I was born in the ice city of the north. The vast land and forests in the north, the simple and kind people, and the crystal clear ice and snow, smeared a quiet and mysterious and distant background in my artistic genes. If the work is compared to the child of the artist, or a mirror, then it is not only the image of the big era, but also the artist's personal mind cultivation, ideological understanding, and the projection of the vision. Knowing and understanding is of particularly important significance.

In my artistic life, if you want to find a relatively large watershed, I think it was 2006. It was distinguished from me and me after I entered the National Academy of Painting of China (formerly Chinese Painting Research Institute). I used to seek and convey the joy of benevolence in the landscape, and then I consciously incorporated the "ego" into the "big self" in the landscape. Homeland feelings. In the latter stage, it is also a stage of rapid improvement in my vision pattern, political theory, and comprehensive cultivation. I also have more new explorations in terms of creative theme expansion and form language innovation. In the previous stage, my understanding of the Tao mainly comes from the influence of Laozhuang philosophy. The "Eight Wilderness Tongshen" and the later "quiet view of the eight wastes" series, in fact, I used the exploratory abstract language symbols and graphics to try to express my mysterious universe floods. The philosophical inquiry and questioning of the heavenly road; Lao Tzu's Taoist law is natural, quiet, and indifferent, and Zhuangzi's Qi theory, Xiaoyaoyou, Zhuang Zhou Mengdie, is my "Tang poetry", "virtue is good field" and later The ideological foundation of the "Spiritual Homeland" series is also the ideal homeland I created for the busy and hustle and hustle and hustle. Essence

In the latter stage, my understanding of the Tao was more influenced by the national policy, social responsibility, and Confucian thoughts. Unlike Lao Tzu, the Tao of Confucius focused on humanity and more at the level of political ethics. The education of Confucianism, Bid said, neutralize, stand up, etc., have a great impact on me. My "Heaven and Earth Beauty" series is designed to express the concepts and ideals of harmony and symbiosis of the heavens and the earth; The sorting and enrichment of external writing and drafts, which shows more contemporary life, reflects the freshness of the times.

After 2012, the focus of my creation is increasingly inclined to theme creation, mainly based on the major national decision -making deployment, important time nodes, and major historical events. Among them, from 2013 to 2015, for the first time, I tried to implant historical figures into landscapes and used realistic spirit and romantic feelings to observe history and reality. By combining the artistic conception of the world's beauty and the harmony of all things and the revolutionary leaders, the thinking of the family and the spirit of the mountains and water naturally integrates the spirit of the mountains and rivers, and try to start from the perspective of ordinary people to express the kindness, ordinaryness, ordinary, ordinary, ordinary, ordinary, ordinary, ordinary, ordinary, ordinary, ordinary, ordinary, ordinary, ordinary, ordinary, ordinary, ordinary, ordinary, ordinary, ordinary person of the universe heaven and earth. Benevolence and poeticity, the equality and negligence between people and nature, and people, and then express a new understanding and thinking about the relationship between heaven, earth, and human relations. ; From 2014 to 2018, the promotion of the "Belt and Road 'International Art Engineering" of the National Academy of Painting, the "Belt and Road Initiative" of the National Academy of Painting, was completed. In this series, I use Chinese ink and wash language to break the space -time boundary and even combine the realistic techniques of the image overlap with a surreal psychological space -time image and space to express the humanistic style of civilization along the "Belt and Road", and try to highlight the " The humanistic spirit contained in the Belt and Road Insurance interprets the spirit of the "Community of Human Destiny"; in the past five years, in the process of creative transformation and innovative development of Chinese excellent traditional culture, I will re -deepen again In the traditional classic cultural classics, finding the inspiration of innovation and creation, therefore created a series of works with its mother -in -law, such as "Xiaoyaoyou", "Shan Hai Jing", "Forever Dunhuang" series and "The Yellow River Anlan World is big in the world.两 "两" and other works; in the past two years, I have also focused on major theme works such as celebrating the 100 -year -old party, the subject matter of resistance, the theme of the Winter Olympics, and welcoming the 20th National Congress.

With the gradual deepening of theme creation, in addition to the more open and deepening of the thinking on art ontology, my understanding of the mission responsibility of the painter, especially the Chinese National Academy of Painting, is becoming more and more firm. If it is said that in the early days, my creation was more concerned about the mysterious philosophy of the macro -universe world spirit or the micro expression of the ideal habitat of life, and more exploration at the level of art ontology and the expression of the "ego" level; then, nearly ten In the year, my creation focused on the combination of individual philosophy and poetic pursuit of contemporary life, social history, and the inheritance and transformation of traditional culture. The creation of creation has been implemented in a more active response to the new requirements and challenges put forward by the times and the state on Chinese paintings, and in the new era of orientation, strive to actively build the Chinese National Painting Academy New pattern and new blueprint for development.

However, although there are different stages above, the difference between different creative tendencies and priorities, my artistic creation always has a consistent core idea, that is, the ideal pursuit and interpretation of the ideal of heaven and earth. China's "He" culture has a long history, which contains the unity of the universe, the international view of the Confucian Wanbang, and the different social views, the human heart and the good moral view. In the development of more than 5,000 years of civilization, we have been pursuing and inherited the concept of peace, harmony, and harmony.

According to my understanding, there are tens of millions of ways to ask, but at the peak of the avenue, it is the same. Therefore, in my work, I also put Mao Zedong like the leader of "Taiping World, Global Cold and Hot". The characters, Qi Baishi, who advocates peaceful people, participated in the same air in the same air in the same air in the 20th century art of Fu Baoshi, Xu Beihong, Pan Tianshou, Li Keran, and Huang Binhong who promoted the development of Chinese art. There must be neighbors. "Qu Yuan uses vanilla, beauty Yu gentleman, and virtuous ministers. They also have a variety of flowers, birds, beasts, grass bugs, etc., which are accompanied by auspicious meaning. This is both a symbol. At the same time Human and harmonious, mutual respect for tolerance, people and nature of nature, and the same prosperity of heaven and earth are also the ideal portraits in my heart: the Qiankun is orderly, the universe is unparalleled, Tianxiang Rui, the beauty of each beauty Beauty, Baijiahe Ming, the United States and the United States, the avenue is not lonely, the world is unified ... Looking back at more than forty years, he asked for arts. At the same time, artistic creation is also a very difficult thing, and it is an endless path. However, this process itself is also a kind of happiness, especially when this happiness can bring happiness to others, so there is always no regrets and will continue to seek!

Appreciation of some works

Lu Yushun covered the world, the world's eight -pole six -in -Kyushu Avenue, the Datong series 79 × 136CM 2021

Lu Yushun covered the world, the world's eight -pole six -in -Kyushu Avenue, the Datong series of Datong series 374 × 138cm 2022