"Landscape of Life": Eight -person painting exploration exhibition was held at the Academy of Fine Arts University City Art Museum

Text/Yangcheng Evening News reporter Zhou Xinyi Zhu Shaojie map/organizer provided

A few days ago, the "Open Classroom Series: Landscapes of Life -Eight -person Painting Exploration Exhibition from the College" opened at the Academy of Fine Arts in Guangzhou. According to the organizer, the theme of "Life of Life" was extracted by the exhibition and exhibition. Observation of life.

Fu Zhiming "望 11 11" 117 × 177cm 2018

Restore the "landscape" capacity

In daily terms, "landscape" is often used to represent space for viewing. People's understanding and understanding of "landscape" reflects the aesthetic ability of people and the brand of social history and culture.

Yin Shuangxi, a professor of the Central Academy of Fine Arts, a professor and doctoral instructor of the Central Academy of Fine Arts, believes that from a broader level, "landscape" can not only refer to natural scenery, but also describe artificial things and space. "'Scenery' is also a verb, which reflects the process of viewing, reading, interpretation, and creative between subjects and objects. The exhibition is based on the theme of 'Life Scenery'. Double joy said.

He Haifeng's "Water Waterfall" 180 × 180cm color ink silk "Landscape of Life" in 2021 shows the possession and reshaping of the landscape of life. Landscape is not only a cultural medium, becoming a place for man and nature, self, and others, but also an introverted image and symbol, showing the energy of the life of the creative body.

Hu Bin, the dean and professor of the School of Art and Humanities of Guangzhou Academy of Fine Arts, believes that the social and cultural construction of "landscape" is a topic worthy of exploration and meaningful. "Whether it is observing the scenery, expressing the landscape, or examining its own micro scenery, it is inseparable from the experience and spirit of the physical body; in turn, these landscapes are also included in the discourse of civilized words because of physical practice and spiritual reflection. The field. "

Jin Yan "Shinatong" 270 × 495cm paper ink 2019

Open a wider view

According to Hu Bin, many of the eight artists who participated in the exhibition have experience in studying or visiting in higher education institutions such as the Central Academy of Fine Arts and the Chinese Academy of Fine Arts. The creative media include ink, oil painting, printmaking, etc. Research topics, different ways to cut into nature, history, and society are different.

Hou Weiguo's "Tang Dantu" 200x270cm version of the corner material in 2016 brought them together to discuss the possibility of the artist in the current college's practice around a project. This practice is different from the creation of "freedom" artists with complete personalization, and has a collective "manufacturing" different from engineering projects. It involves a series of issues such as the demands of individual research, the combination of theory and practice, and the transmission of teaching and learning.

Source | Yangcheng Evening News · Yangcheng School

Responsible | Zhou Xinyi

School Delivery | Zhu Xiaoming

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