Deep in memory, a petal of the oranges of "what is self" ｜ Disabilling "The Goddess of Xishuangbanna"

U Edvard Munch

"The Goddess of Xishuangbanna" real shot

A orange that memories of yourself

—— Read the collection of the Xuexue novel "The Goddess of Xishuangbanna"

Wen ｜ Wang Luke

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The dragon's fine hair sat in the grass, took out the oranges and peeled slowly, and enjoyed it with petals. Now recalling this incident many years ago, the little girl's anxious face appeared clearly in her mind. Does she really think he will die when he eats oranges? Why?

Disable Snow "Key"

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The pioneer writer Consolidation Short Story Collection "The Goddess of Xishuangbanna" includes 13 short stories published recently published by the Xue Snow, and published by the People's Literature Publishing House. If it is said that "Juvenile Drums" published by the People's Literature Publishing House a year ago showed the trial of combining the combination of the mysteriousism and the tropical style and the theme of the story theme. Based on the pursuit, the previous literary images were also repeated and extended.

Since the 1980s, the writer Consolidation has always been active in the literary world with a pioneer writing attitude, and exploring the hidden and empty spiritual world of individual life is an important intention of his work. In the creation of recent years, the Xue Xue has been looking for a hidden spiritual treasure from the life experience of a small person such as a migrant group, a barefoot doctor, and a tea farmer, and presents the details of life through exaggeration, deformation, metaphor and other means. The novel "Treasure Zone" occurred in a northern town abandoned due to the exhaustion of coal mines. In the story of "I" re -visited the abandoned mine, the writer stepped forward to show the trauma of the "I" miner's parents due to gas explosion. Readers let the readers discover that "I" originally lived in the shadow of their hometown and their parents died. They were a young man who penetrated life and tried to rescue himself and tried to start again. Capitax has written the image of "coal" in many novels -it buried underground for thousands of years, cold and hard but burning, bringing warmth but causing danger. In this novel, "coal" has become a kind of past life: parents burned youth and even life because of the "coal" direction. In the post -industrial era, an era of lack of "coal" resources, the younger generation looked for new generations The fuel/resources to obtain the spiritual value of survival.

"The Goddess of Xishuangbanna" real shot

What does death mean? The little girl in "Death Education" Lia is facing the fear of her grandmother who is about to die. With the perspective of the first contact little girl who was in contact with the death of death, Cultivation wrote her feelings about death: the death of the grandmother was not a change of the sky, nor the horrible charm. The fear comes from the unpredictable, elusive but being coming. Raya's fear of "don't know when grandmother died", compared with the sedation and alienation of his parents in the face of his parents: This cold "alienation" made us see the numbness of adults. This numbness is obviously in addition to the unexpected Lia, and it is also the emotional homework that Raya is to face: how do people try to defeat the fear of nowhere? Little Lia is also "assimilated" by her parents and tried to overcome fear with "blunt feeling"?

Facing life with a "assimilation" posture, with waves to the "order" of everyone, is a penetrating theme in the new work of the snow. The Xuexue handles people's feelings that live in "at this moment" and are about to enter the new order. In the novel "Similar", it is difficult to endure hunger and see the "I" around the nothing in the wasteland. This gender metaphorical encounter is always reminiscent of the angel Maria, who leads us in "Divine Comedy". In the pen, this leading angel is not other, but more like the other side of self -consciousness "one side": "I" is to complete self -examination and self -trial by discovering the other side, and then obtain "love" Therefore, at the end of the novel, "I" harvested the fruits of the wasteland, but "she" disappeared unknowingly; "I" is the goal found by "she" and the person who chose "her". Under the inspiration of "her", "I" eventually became like "her". Or, "she" is the soul of the soul of "I".

"The Goddess of Xishuangbanna" real shot

The novel "Key" tells the story of the rural young people named Long Ximao, and feels that the dull life has trek for a long distance of the Dahei Mountain Village as a forest guard in Daheishan Village who was wealthy and loses with the process of urbanization. The "feeling of aliens" of dragon hair is that his weak nerves realize that the "dullness" of rural life that others are accustomed to, and the "hard work" of farming. He is eager to escape from the countryside of life and go to Dawni Mountain Village to be a forest guard. At this time, he remembered that he had eaten the "death" oranges in Dawni Mountain Village in his child. Back to "Dahei Mountain Village is more suitable. When he led the keys to the forest's studio and returned to Dawni Mountain Village, he found that the villagers in the village were very familiar with his whereabouts. The village chief and the dragon fine hair are surnamed "Long". The villagers say that Longcun is "fighting" with the South China tiger every night. When he was looking for a forest's studio, he entered the cave in Dawni Mountain Village. He met the South China tiger and fell into a dream of dialogue with his father in the cave -maybe this is the "fight with the tiger" by the village head of the villagers. Every time the lock of a studio is opened, the dragon hair is going further towards heaven. The whole novel is shrouded in the atmosphere of mysteriousism. The real world is unpredictable, but it seems that the orange of the petals has become a destiny. The novel "Key" is like a "new story" to return to "Lost Park". Japanese sinologist Kondo Kondo once evaluated the work of the snow in "Eat Apple Privilege": "Awards from those who confront them with nothingness, and Apple, in the matter of confrontation with nothingness. And uneasiness. But if the formal result is that, will there be greater comfort in addition to the comfort of surviving? "Perceived living fear and anxiety, realizing that life is a fight with nothingness. , Perhaps it is a "lucky thing." The dragon hair in the Xuexue "Key" is such a person with "the privilege of eating apples": he gradually found the "door" to heaven in the "tiger"/nothing fight. But how did he get such "privileges"? Starting the "engine" of dragon fine hair thinking about life and death, is it an orange that eaten at a young age, or a often hard rural life, or the "tiger" that secretly fights in the mediocrity? The degeneration of the novel "The Key" is that the residual snow buried countless answers in the life experience of dragon hair, so that whether it is the character or the reader, it cannot find out the real one; I am afraid that each of us is in In the face of limited life, I suddenly thought of the significance of visiting the existence, and it was difficult to touch and cannot be identified under the daily life that was not shocked.

"The Goddess of Xishuangbanna" real shot

Like the dragon hair with neurasthenia, the characters in the residual snow works have the characteristics of "weakness/disease". Disabled Xue once described itself: "'Disease' and 'Qiangjian' is probably a pair of contradictions. The deeper the disease, the clearer the self -awareness, the more sense of reason, and the sound reasoning. The Novels of the Xuexue always started from that weak, the other voice: Lu Xiaoyuan, who lives in the "Snow City" living in the "Snow City", was in the abandoned civil air defense engineering. Gold ... but it is also them, which is inspired by the depths of the soul that is inspired by the deep memory of their deep memories -in the depths of their memory, there are such memories of "what is self". Orange has become the driving force for them to constantly identify and examine the "mystery of self"; perhaps, the oranges that swallow the self -identified self are causality with their weakness.

The decades of writing have made the novel language in the "Goddess of Xishuangbanna" simple and powerful, and the pen is full of intelligence and poetry. Snow's work is still confusing, difficult to enter, but fascinating; because the snow is also unique: she fights in the split self. She wants to cut off her daily experience to explore the undercurrent of the soul below her life. She wants to advance through the empty tower of the real maze and the fables of life.

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