China Art Museum hosts the first administrative secretary training course

Author:Chinese Art Museum Time:2022.09.15

On the occasion of the 50th anniversary of the establishment of diplomatic relations between China and Germany, the opening ceremony of the opening ceremony of the "Eternal Temperature -The Eternal Temperature -the Chinese Art Museum Collection of Ludwig Couples" jointly sponsored by the China Art Museum, Tsinghua University, and the Federal Republic of China. It was held on the 14th at the Art Museum of Tsinghua University. Zhao Shaohua, deputy secretary of the party group and deputy minister of the former Ministry of Culture, attended and announced the opening of the exhibition. Fu Rong, Germany's ambassador to China, Wu Weishan, member of the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference, director of the China Art Museum, and vice chairman of the Chinese Academy of Arts, Yang Bin, vice president of Tsinghua University, and Shao Dazhen, a professor and doctoral instructor of the Central Academy of Fine Arts, attended and delivered a speech.

This exhibition belongs to the China Art Museum's "Collective activation" series exhibition, exhibiting 61 (sets) of the Ludwig couple donated works in the Chinese Art Museum, divided into "consumer culture", "constructing society", "expanding language", "constituting boundaries", "constituent boundary", "constituent border" The six parts of narrative life "and" inheritance tradition "show the artistic appearance of Europe and America in the 1960s and 1990s.

Wu Weishan said that in order to commemorate and thank the messenger of the two Chinese people and the messenger of the Chinese people, the Chinese Art Museum continues to "activate" the works in more than 20 years. The feelings of heart and art are understood by the hundreds of millions of Chinese people, and people are moved by these two German friends.

Professor Peter Ludwig and his wife, Professor Erin Lutwich, are internationally renowned collectors and scholars. In 1996, they donated their personal treasures of Berllo Picasso, Andy Volhol, Gehard Richt, David Hockni and other artists. The pavilion. These works come from different countries and regions, including multiple art schools, showing cultural diversity in different society and historical context. Since accepting donations, the Chinese Art Museum has used these collections every year to maximize the value of these artistic classics through exhibitions, research, and public education. Over the past 26 years, more than one million viewers have witnessed the style of these cultural treasures.

In December 2020, the China Art Museum and Tsinghua University signed a cooperation agreement to open a new chapter in the cooperation between the "strong joint and advantage". This time, the Ludwig couple donated works to enter the Tsinghua campus. It is also a powerful measure for both parties to study academic communities through collections and deepen public cultural services. The exhibition uses "Aesthetic Education" as the starting point, restores a section of an era by combining works and literature, and explains the art and cultural value of these works to the audience on this basis.

In 2016, the China Art Museum held the first special exhibition with the theme of "Eternal Temperature" to commemorate the love of donors. As a beneficiary of donations, the China Art Museum once again subject to "eternal temperature". It is hoped that through the exhibition, the emotional temperature of these works and the temperature of the friendship between China and Germany continue to "heat up."

The exhibition is presented in the No. 4, 8, and 14th Floor of Art Museum of Tsinghua University, and it will last until November 30 (closed Monday).

Foreword

Professor Peter Lutwich and his wife, Professor Erin Lutwich, have devoted himself to the collection and research of art. As a collector, the Ludwig couple explore the world through art and know themselves. Their collection builds a panoramic view of the art of the times to some extent, which is a great feat in itself.

The greatness of the Ludwig couple is not only in collections, but also donations. "Tibetan" reflects their high eyes and "donation", showing their broad minds. Over the years, the couple have collected the artistic crystals of human civilization, and adhered to the attitude of openness and sharing, and let their collection be shared by the world through donation or borrowing. In 1996, the Ludwig couple selected the European and American master of modern art in Europe and the Americas 89 (set) art works donated to the Chinese Art Museum. Today, these Western art treasures have gone through 26 years in the Chinese Art Museum.

The United States and the United States and the United States, the world. The Chinese Art Museum has maximized the value of these collections and toured the exhibition in 11 domestic cities and 14 venues, allowing millions of audiences to witness these art treasures. The names of these works and "Ludwig" have become a symbol of friendship between China and Germany and a bridge for the people's hearts and minds of the two countries.

The cooperation between China Art Museum and Tsinghua University has a long history and has fruitful results. In December 2020, Tsinghua University and the China Art Museum officially signed a cooperation agreement to open up the new world of library cooperation. The "Eternal Temperature -Selection Exhibition of the Ludwig Donation Works of the Chinese Museum of Fine Arts" belongs to the "Collection Activation Series Exhibition" of the China Art Museum, and it is also the first time that the Ludwig couple donated to the university campus. This exhibition takes "Aesthetic Education" as the starting point, 61 selected works (sets), through "consumer culture", "constructing society", "expanding language", "constituting boundary", "narrative life" and "inheritance tradition" The three -dimensional presence of European and American artistic appearance in the 1960s and 1990s. The exhibition restores a section of an era through these classic collections, and explains the art and cultural value of these works to the audience on this basis.

A piece of work can not only produce art and extensive social effects, but also deepen the friendship between the two countries. In 2016, on the 20th anniversary of the Ludwig couple donated, the Chinese Museum of Art held a special exhibition with the theme of "Eternal temperature" for the first time to commemorate the love of donors. This year marks the 50th anniversary of the establishment of diplomatic relations between China and Germany and the 26th anniversary of the China Art Museum. As a beneficiary of donations, the China Art Museum once again subject to "eternal temperature". It is hoped that through the exhibition, the emotional temperature of these works and the temperature of the friendship between China and Germany continue to "heat up." Peter and Irene Ludwig are called "the life -dedicated people". The China Art Museum continues this gift with temperature, and will pass this temperature to allow culture to bridge the break of history and connect different civilizations, and compile and draw eternal friendship.

Chinese Art Museum

Tsinghua University

Deutsche Federal Republic Embassy in China

Appreciation

Character Figures

Pablo Picasso

Spain spain

(1881-1973)

Ink painting Ink and Washed Painting

52.8cm × 74.5cm 1967

Bird's infantry Foot Soldier with a Bird

Pablo Picasso

Spain spain

Cloth oil painting Oil on Canvas

146cm × 114cm 1972

Cross the Atlantic Crossing of Atlantic Ocean

David Hockney UK

(1937-)

Cloth oil painting Oil on Canvas

183cm × 183cm 1965

Evil Scenic (Liming) near Huberlat (Dawn)

Eifel Landscape, Hubbelrath (dawn)

Gerhard Richter

Germany Germany

(1932-)

Canvas oil painting Oil on Canvas

150cm × 200cm 1969

Three Chinese Doll Three Chinese Dolls

Ben Schonzeit American USA

(1942-)

Cloth Acrylic ACRYLIC on Canvas

183cm × 183cm 1971

Stereo with lemon still

Cubist Still Life with Lemons

Roy Lichtenstein Roy Lichtenstein

USA

(1923-1997)

Cloth oil painting Oil on Canvas

228.6cm × 172.7cm 1975

Alaric's Tomb in Alark's Grave

ANSELM KIEFER

Germany Germany

(1945-)

Jaoseki oil painting il on hessian

221cm × 300cm 1975

Rome, static Rome, Still Life

William Beliam Bailey American USA

(1930-2020)

Canvas oil painting Oil on Canvas

114cm × 146cm 1976

Barber's tree THE BARBER ’s Tree

Jasper Johns American USA

(1930-)

Wax and Oil on Canvas

87cm × 138cm 1976

Static figure painting: the death of the fisherman

Still Life: Fishman's Death

Marcus Lüpez Markus Lüpertz

Germany Germany

(1941-)

Cloth mixed technique Mixed Media on Canvas

190cm × 245cm 1977-1978

Portrait of Peter Ludwig's portrait

Portrait of Peter Ludwig

Andy Warhol and USA

(1928-1987)

Screen Printing printing

105cm × 105cm 1980 on Linen

German cafe 10, new majority

Café Germany10, New Majority

Jehrg IMMENDORFF

Germany Germany

(1945-2007)

Print Print

180cm × 230cm 1983

Somersaults in Paris in Paris

Hartwi Eberbach Hartwig Ebersbach

Germany Germany

(1940-)

Comprehensive material MIX Media

325cm × 390cm 1983

Caretaker

Sieghard Gille

Germany Germany

(1941-)

Comprehensive material MIX Media

157cm × 80cm × 35cm 1983

Zalllav Richter is playing

Sviatoslav richter is playing

Dimitri Dimitrievich Richalinsky дмитрий дмитриевич дмитриевич дмитриевич

Russia Russia

(1927-2015)

Tempera on Board

200cm × 150cm 1984

Train Art IITRAIN ART II

A-One (Anthony Clark)

A-One (Anthony Clark)

USA

(1964-2001)

Cloth spray paint on canvas

213cm × 550.5cm 1985

Tongjiao

We are all in the ame boat

Arno Rink Germany Germany

(1940-2017)

Cloth oil painting Oil on Canvas

241cm × 281cm 1985

Atlas atlas

Adriana Varejao Brazil

(1964-)

Cloth oil painting Oil on Canvas

180cm × 120cm 1987

Bird Birds

Natalia Iglev Nicholova наталья игоревна игоревна игоревна игоревна

Russia Russia

(1944-2022)

Cloth oil painting Oil on Canvas

140cm × 150cm 1988

Painting No. 6 Piction 6

Georg Baselslitz Georg Baselitz

Germany Germany

(1938-)

Canvas oil painting Oil on Canvas

285cm × 457cm 1991

Responsible editor | Xu Mengke Li Haoran


Photography | Chen Xi

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