Our school, Professor Xie Tiancai, has appeared on platforms such as learning power, Chengdu Daily and other platforms

Editor's note: For a city, culture is the heritage of socio -economic development, while the context is the root system of urban development. The context of urban literature is the chronicle of the city. It is closely related to social life and historical and environmental and environment. Recently, Professor Xie Tiancai's special article "The Watching and Confinement of Chengdu Pulse" on Chengdu Jincheng College has appeared on a platform such as a strong country and "Chengdu Daily · Theoretical Weekly". Here are reproduced to readers.

Xie Tiankai, a professor and writer of the School of Literature and Media, Chengdu Jincheng College, the vice chairman of the Chengdu Xue Tao Research Association, and the director of the Li Yiren Research Society. Ten papers have been published, many of which are scholars from Fudan University, Tongji University, Sichuan University, Shanghai Normal University, and Central National University. Has published long documentary literature "Brothers of the Communist Party of China" (300,000 words), edited "Twelve Lectures of Folk Art" (240,000 words), cultural biography "The Tang Dynasty Xue Tao" (400,000 words), modern poetry "Tang Poetry: Poet and Culture" (15 Million words). He was born in Chengdu and was longer than Chengdu. He had an incomprehensible relationship with Chengdu.

Watch and inheritance of Chengdu Wenmai

Author: Xie Tiankai

The context of urban literature records the context of urban civilization, reflecting the changes in many elements such as urban functions, culture, politics, and economy. Each city has its own unique context to develop evolution, and gradually forms its own urban cultural logo, which is the style of urban culture.

The characteristics of Chengdu Wenmai

The essential connotation of Wenmai is culture, so the veins can also be divided into "big traditions" and "small traditions". The so -called "big tradition" is the prehistoric history and culture, and "small tradition" is the historical culture of the post -history. And the "big tradition" continuously affects the "small tradition", and "small traditions" are constantly positioning and evolving the "big tradition".

Watching Chengdu Wenmai, the characteristics of the context need to be clarified. The name of Chengdu is from the beginning of Chengdu's urban context. "Taiping Huanyu Ji" states that the name of Chengdu's name is to borrow the history of Jiandu of the Western Zhou Dynasty. Zhou Wang Qianqi "set together a year and became a gathering, two years, and three years in Chengdu." It is named for Chengdu, which can be described as the "small tradition" of Chengdu's urban context. Then there were Zhang Yizhu Chengdu City in the Qin Dynasty, the Gao Ying of the Tang Dynasty, and the Erjiang Ring Chengdu City, and the later Shu Mengzheng was called "Rongcheng" in the hibiscus trees in the city wall. Building Chengdu City Wall; until the Republic of China opens a modern Chengdu city road, etc., this can be described as the material and cultural space of Chengdu's urban context. The psychiatric and cultural space of Chengdu Wenmai is tied, that is, Yangxiong of the Han Dynasty and the "Shu Du Fu" of the Zuo Si of the Western Jin Dynasty, the magnificent poetry of the poets of the Tang and Song dynasties, the people of the people of the poetry of the Shu people, Yuan, Ming, Qing, and modern literati Regarding Chengdu historical description and literature description.

From the traditional vision of culture, the most significant feature of Chengdu's urban context is two: one is magical and exquisite; the other is "spotted articles".

Among the "great traditions" of Chengdu's urban context, the most noticeable is the Mask of Sanxingdui Mask and the Sun Sands of the Sands, both of which show "magic and exquisite" of one of the characteristics of Chengdu's literary veins. Chengdu Wenmi is continuously interpreted and handed down on the cultural and cultural levels of the cultural and cultural levels, and at the level of material culture and mentality and culture. The emperor, the same as the Pakistan "; in the future, there will be a great Fu of Zuo Sisi in the Western Jin Dynasty. Recalling; with Du Fu's "Chengdu Mansion"; there is a model of the Shujin broccoiring machine in the Han Dynasty; the invention of Chengdu Jiaozi, the first banknote in the world, and so on.

The second "Bancai Article" of Chengdu Wenmai Features. Such a "spotted article" is the "Chengdu -like" of the colorful Shujinshu embroidery at the material culture; it is the exquisite Chengdu lacquer art and Xue Tao notes. At the level of mentality and culture, Chengdu has the tradition of etiquette and music since Chengdu Xing Xue. In terms of etiquette, Chengdu people are happy with culture and travelers. During the Tang and Song dynasties, Chengdu had the "December City" folk festival and commercial night market in the year, and it has already become the urban folk customs of Chengdu. From 1918 to 1921, in the climax of the diligence and thrift of the Fa, there were about 1,600 students in the country's diligence, and about one -third of Sichuan students, and more than 500 people, which was the crown of each province.

How does the city inherit the consequences

In the face of such a deep and vast context of Chengdu, how to undertake today is a question that the city always needs to answer and pursue.

Inheriting Chengdu Wenmai, first of all, the protection and research of the cultural pulse and material culture of the city. The exploration, sorting and research of urban arts is both durable and common. You can do it in the traditional staging in the durability, and can be carried out in the cultural space unit in the same period of time. In this way, the city's veins can be protected and undertaken in the transformation of the city or in the new construction. For example, the drainage system of the Chengdu neighborhood site of the Tang and Song dwelling in Zhengkejia Lane, which was unearthed in 2014, is now the eighth batch of municipal cultural relics protection units in Chengdu, and it is adjacent to the Jiangnan Pavilion of the country's key cultural relics. The protection of the pulse is unhappy. The large underground drainage facilities in ancient Chinese cities here should be the best note for the prosperity of the city of Shi Xian Li Bai's "Nine Days, Thousands of Gates Thousands of Gates".

The protection and research of urban cultural pulse and material culture lies in constant discovery and coverage. Chengdu Phoenix Mountain was named Xuejie Mountain during the Han and Wei Dynasties, and it was named Denduction in the Tang Dynasty. Xue Tao, a female poet in Chengdu in the Tang Dynasty, has two related poems, "The Book of Dendrobium" and "Dudou Mountain Xiaowang Send Lu Shi Yu". Today's Phoenix Mountain should be introduced in the context of the history and culture of the Han and Tang dynasties. For another example, the Capricorn Cultural Park in the center of Chengdu, which is restored, recommends that the recurrence of the Jinlou and border building that affects the singing of Datang poetry. Inheriting Chengdu Wenmai must also study and promote urban context in both officials and folk aspects. Because the context of a city is the root system of its civilization, it accumulates in urban culture and becomes urban civilization. It is a unique memory of urban culture. It affects the trend of urban culture. It is also a cultural genetic gene of the citizens of this city. The spiritual culture of Chengdu's urban context is mainly reflected in the collation, research, and promotion of the literature describing Chengdu's urban context. In terms of finishing, academic and publishing institutions such as Bashu Book Club have long been committed to the collation and publication of Chengdu City Township Literature. In terms of research, it is praised that the research results displayed by Sichuan University Urban Research Institute and Sichuan Normal University Bashu Cultural Research Center and other special research institutions. In terms of promotion, the cultural lectures of the Chengdu Museum and Sanxingdui Museum have a certain attractiveness and influence, and they are expected to be pushed to the people and become public welfare. In addition, such as Qingfeng Academy in Qingcheng Waishan, Jinsha Academy in Chengdu Jincheng College, Sanhua Academy of Tiexiang Temple Water Street, and Taojia Academy in Yifu Road, are also different types of folk inheritance in Chengdu Academy.

Inheriting Chengdu Wenmai, the purpose is to make the urban context achieve inheritance and innovation on the level of material culture and mentality and culture. The city is the container of culture, and the main body of the context is the creation of people. The context of a city is not only the recognition, positioning function, and development function of this city; it is also the value of the city's history, spirit, quality, and innovation. However, there is still a general impact of philosophical and cultural concepts in these functions and values. "Fang Yu Shenglian" describes Chengdu's customs: "The people follow the softness, their vulgarity. Scholars are more than Qi, Lu." One of the mantra of Chengdu "Xun Xi", from "Tao Te Ching": "Lao Tzu said: 惚 惚Xixi, there is an image, Xun Xi, there are things. "; One of Chengdu's mantra" comfort ", from" Zhuangzi · Zhile ":" Those who are suffering, you must not be comfortable, you can't have a thick taste, you can't have a thick taste. It is not necessary to have a beautiful service, the eyes are not good, and the ears must not be sound. "In the traditional culture of the context of Chengdu, the Chengdu people advocate the philosophy of the old village at the level of mentality and culture. It is associated with Shu Land Turkey, which is traditionally traditionally in the cultural pulse of Chengdu, and the Shu people. Nomadic thoughts, Changchi aesthetics, Chengdu Wenmai Yuancheng screened, and the flow was endless.

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