Zhu Hong and Zhang Lei: "Tao Yuanming Painting Biography" -Duowei Tao Yuanming in the modern field of vision

A genius poet who made Su Dongpo worshiped him, a literary wizard that allowed poetry fairy Li Bai and Poetry Saint Du Fu, Bai Juyi, Xin Qiji, Huang Tingjian as his hardcore fans, Zhu Xi, Wang Guowei, Lu Xun, Zhu Guangqian and other dynasties. Wenhao with different aesthetics and different temperament respects him. He and his works have become one of the sources of still water in the long river of Chinese civilization.

Tao Yuanming, the first idyllic poet in China, is known as the "Zong of the ancient and modern hidden poets." His "Return to Come" has opened the theme of "return" of Chinese literature; he organically combined "poem" and "wine" to give "wine" to become the eternal theme of art; 》 Form the philosophy's thoughts as a superb life experience; he has become a giant who is side by side with Qu Yuan and Li Du with the number of more than a hundred poems. It is a wonderful work in the world's literary world.

Tao Yuanming, also known as Qian, Zi Yuan Liang, privately "Jing Jie", self -named "Mr. Wu Liu", was born in Zaiyang Chai Sang (now Jiujiang City, Jiangxi Province). Tao Yuanming is a great poet, writer, and thinker in China. The works circulating in the world have 125 poems and 12 articles.

People from different times have interpreting historical figures, which have different perspectives and characteristics of different eras. Especially Tao Yuanming, who has countless fans in the historical long river, was read again and again, comments again and again, Confucianism reads Confucianism in Tao Yuanming's poems. Taoism made his debut on Tao Yuanming. Seeing hidden in Tao Yuanming, philosophers were thought about from Tao Yuanming ... How to read a historical figure with a modern spirit and embraced by modern people from a modern perspective, a Tao Yuanming, who has never seen before, is an inexplicable responsibility and obligation.

Tao Yuanming, one of the Chinese cultural symbols, was conceptual for too long. For a long time, people who wanted to inertia for granted ignoring his origin, his growth, and his joy and sorrow as flesh and blood. Even when it comes to Tao Yuanming's home, most people float in the minds of "Chai Sang" and "Puyang", and cannot immediately think of "Jiangxi" and "Jiujiang". People also seem to have forgotten why it is Tao Yuanming in Jiangxi and Tao Yuan of Jiujiang's Tao Yuan. The Xiuhe, which is the same source and condensed Wu Chu's civilization from the west to east, flows into the Yangtze River from west to east, and the Mountains of Jiuling meander in the hinterland of Jiujiang, breeding the male, strange, dangerous, and beautiful Lushan. The mountains can gather water, and the water also supports the mountains, nourishing "the world of the world", and the Jiangxi Jiujiang, Jiangxi, which is the hometown of fish and rice. At this time, the Huanghe civilization blended with the Yangtze River civilization, and the Central Plains culture and the regime were "crowned to the south", and Jiujiang was the first. Tao Yuanming, as a local clan of Jiujiang, Tao Kan of the patriarchal was a generation of Haoxiong. The maternal Meng Jianai was celebrities at the time. In the end, Tao Yuanming of Jiujiang became Tao Yuanming of history and Tao Yuanming of culture.

The book "Tao Yuanming Painting Biography" published and published by Jiangxi Fine Arts Publishing House has removed the long -lasting fog, from a macro historical perspective, parallel era sight, micro literary perspective, from his work text, combined with his growth The regional environment, the political situation of the times, the family inheritance of the parent, complex and hidden politics experience, the tortuous and changeable journey, multi -dimensional perspective, pumping cocoon, and restoring a multi -faceted three -dimensional, real reliability, breathing and charming Tao Yuanming. The poetic text of the aura, the boldly escape the imagination of the question, the strict and meticulous research and reasoning, the freely row layout, the opening of the roll is fascinating, and the volume is contemporary.

Source: Open Jiangxi's book

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