Culture "two innovations" look at Shandong | Weifang Han Pavilion: One knife and one version of the craftsmanship, painting together for a century Qilu love

Editor's note: Culture is the soul of a country and a nation. The culture of upward is the spiritual leadership of our grassroots work. In recent years, Shandong, a large cultural province, has been committed to the construction of "virtue Shandong". It has stood at the forefront of the times in promoting the creative transformation and innovative development of the excellent traditional culture of China, and promoted the double harvest of the province's material civilization and spiritual civilization. The theme reporting activity of the "Two Innocers" of the "Two Innocence" of the excellent traditional culture of Shandong Province, which was jointly initiated by the Nishan World Confucian Center and the China Internet News Center (China Net), will penetrate from all parts of Shandong and show the huge changes brought by the construction of "virtue Shandong". Improve the soft power of urban culture.

The wooden version of the New Year painting is a traditional folk art form with a long history of Chinese history, with a history of more than a thousand years. Han Ting Yangjiabu Wooden Edition Painting Tongtian Yangliu Qing and Suzhou Taohuawu also called the three major wooden version of the Chinese folk, which has a long history and unique artistic style. In the folk, New Year's paintings are the symbol of the year. Today, Yangjiabu's wooden version of the New Year painting is not only the decoration of festivals, it also contains cultural and artistic value, making it an encyclopedia that reflects the Chinese social life of China. The light of beauty.

Drawing a folklore one by one, the Three Lives and Third Craftsmanship

"The knife is set up, the lines are initially; the white paper falls, the color appears. With people's endless life beliefs, it is almost hundreds of years. "

Entering the first "Chinese New Year Painting Museum" in the country, it has a collection and exhibition of more than 200 wooden version of the New Year painting with unique and distinctive styles of various annual paintings in the country. , Golden Boy, Landscape Flowers and Birds, Drama Characters, Myths and Legal, and also reflect the people's life and needle time. Among them, the most collections are also the year of Yangjiabu.

On the first floor of the museum, Yang Yingwei, the inheritor of Yangjiabu New Year's paintings, carved on the spot, showing the ancient skills in front of people, and felt the persistence and persistence of the engraved knife.

The desk -size tools set up seven or eight self -made tools on the table: engraving, cutting knife, twisting, flat knives, leaving knives, big digging knives, medium digging knives, small digging knives ... I saw He picked up a knife, held the knife to the top of the knife, and reached the wooden version with a 135 -degree corner with himself, and deepened the line groove along the pattern lines that had been painted on the wooden version. Yang Yingwei explained while demonstrating.

"Limu is a very hard wood. You inserted the carved knife into this wood. It is the most tiring." Yang Yingwei pointed out that the engraving knife has changed because of the perennial year.

"The sculpture time of each version is about 2 months, so learning scattered sculptures must be able to resist loneliness. It must sink my heart. Only this kind of perseverance can be. I have been doing it for almost thirty years. "Yang Yingwei put down the knife, a little stiff finger, stretched out her waist.

In the museum, there are detailed introduction to printmaking from all over the country, the rounding of Sichuan prints, the rudeness of Hebei prints, the atmosphere of Northeast prints, and the delicate of printmaking in both sides ... let tourists understand printmaking, cognitive prints, Fall in love with prints.

"We build this museum to inherit the traditional culture and do not care about the gains and losses of economic benefits. The national prints gather here, which also shows the different characteristics of prints in various places. The characteristic is a textbook for understanding the local customs. "Wu Anjun, the head of the Chinese New Year Painting Museum.

Going to the time with the times, the traditional technique eats cultural meals

Yangjiabu is the main origin of Chinese folk New Year painting. It originated in the Ming Dynasty and was prosperous in the Qing Dynasty. It was festive, strong, and practical. It reflects ideals, customs and daily life. According to the actual needs of farmers to embellish the living environment, there are mainly door paintings, door paintings, blessing lamps, beauty bars, station children, climbing children, moonlight, etc., with a strong folk flavor, local atmosphere and festive atmosphere.

"Every year from October 25th to the tenth day of the lunar calendar, it is the time when Yangjiabu Village starts to be busy printing New Year's paintings. Every day, there are always foreigners or locals who have different accents through the threshold of Yangjiabu people. Start buying New Year's paintings. This situation has continued for hundreds of years. "Yang Yingwei still remembers that in the middle of the 1980s, customers who came to queue up to pick up the goods for the longest week were waiting for a week. Employed 6. "

But the development of the wooden version of the New Year painting is not smooth sailing. It is only a moment when the gate of the gate is rare to the sloppy horse. How to pass this craftsmanship is a mountain in front of Yangjiabu Village craftsmen.

"Our family started making New Year painting during the Chongzhen period of the Ming Dynasty. It has been a history of hundreds of years. It turned out to be only production in agricultural leisure, and it became an industry when it was prosperous. I have to persist, and I can't let the traditional technique break the line. "Yang Yingwei said.

The artists of Yangjiabu were not discouraged. They kept pace with the times, and created a lot of works reflected in the background of the times. "At that time, my father caught up with the special period, changed the stove god map to the lunar calendar, and the eight immortals were changed to workers, peasants, military and scientific merchants. Now I have to study the update and better printmaking content." On the occasion of the 100 years of the party in 2021, Yangjiabu The village version of the inheritors cooperated with the professional design group to form a creative team of more than 30 people. In 8 years, it has successfully completed the printmaking work of the 100 -year -old series of party. It has caused a lot of sensation in the local area and the whole country. Essence

This year, Yang Yingwei cooperated with the team again and was under the creation of printmaking albums in China for 5,000 years. At present, it has completed the creation from Pangu Kaitian to the Republic of China. Make the prints more historic and the charm of culture, while maintaining the rustic atmosphere.

"We now express China's traditional culture and inherit the culture through the carving knife in our hands. We have also changed from crops to cultural people. It feels proud."

Multiple measures, to help the classic chanting spread

Yangjiabu New Year Painting Production is divided into several processes such as painting, carving, printing, and mounting. Each process is extremely precise and accurate. The method is to first hook the draft out of the black draft, put it on the flat pearwood or Tangmu board, and carve the main line version. After the main draft is printed, different colors, the color version, the color printing, and the last version are mounted.

Can the native Yangjiabu wooden version of the New Year painting step on the elegant art hall step by step, can it be transformed from "alive" and transformed into "fire"? Vitality ... Faced with these questions, Han Ting's answer is powerful!

In recent years, Relying on Yangjiabu's wooden version of the New Year painting resource advantages, Han Ting District has used the advantages of college disciplines and talents to cooperate with the Shandong Institute of Management to build the Qilu New Year Painting Research Institute to create a wooden version of the New Year Painting Research Center, Talent Gathering and Training Center, and Industry and Research Coordination. Innovation center and cultural and creative achievement transformation center. The Weifang Digital Cultural and Creative Economic Research Institute was established to create a platform for digital cultural and creative international exchanges and cooperation. Build 3 non -heritage comprehensive transmission centers and 18 preparations. Cultivate 2 national non -heritage representative inheritors, 6 provincial levels, 32 municipal levels, and 146 district -level, 11 people in Qilu Culture, and nine masters of Weifang folk art masters. The system with complete inheritance and innovation.

Launched the works of Yangjiabu Boutique Edition of the New Year Poetry and Poems. Integrate Yangjiabu's wooden version of the new year painting elements into the hotel design and build the wood version of the New Year painting culture theme hotel. Designed the "Walking New Year Painting" theme clothing and appeared at the second China International Cultural Tourism Expo. Combining folk cultural elements such as New Year's paintings and kites and lanterns, and innovatively developed more than a thousand special lanterns. During the Spring Festival, Yangjiabu Folk Culture Lantern Festival was held, and a total of 3 million tourists were received.

The excellent traditional culture of China is the wisdom crystal and essence of Chinese civilization. It contains the values ​​that Chinese society depends on survival and development and the daily use of the Chinese nation. Essence

Good events have been obtained from the difficulty, and glorious always sharpened. Behind every tireless craftsman, there is a heart -chasing heart that is unconvinced and does not give up.

Yangjiabu Village has been from scratch. Perhaps the ancestors hundreds of years ago would not expect that the craftsmanship that may not be able to land at the time at the time would become a new cultural IP of Weifang's famous culture at home and abroad, and to become a note of Qilu of traditional Chinese culture.

Source: China Net

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