Wang Huawu: Let more young people enter the theater to care about the development of Qin Qiang

Stills of "Dongtianxian Song"

On the evening of June 19th, the large -scale Qin cavity costume "Dongtianxian Song" brought by the Wushan County Theater Troupe brought by Gansu Province was unveiled at the Xi'an Radio and Television Grand Theater. The play is adapted from the legendary story of the martial arts cave lines of Wushan Shuidou Cave, which has shaped an image of truth, kindness, and beauty, showing a great love of the world, and interpreting a story.

The director of the show, the Youth League of the Shaanxi Opera Research Institute, and the national first -level director Wang Huawu, wrote in the circle of friends in the morning on the 20th: "Dongtianxian Song", appeared in the ninth China Qinqiang Art Festival last night, this art The only county -level troupe in the festival praises all the performers! The applause of the audience is the highest honor, and the spiritual style and survival status of grass -roots literary groups are worth pondering in the tide of literary and art reform!

During the ninth China Qinqiang Art Festival, Wang Huawu was still busy in a new drama in other places. A reporter from the Culture and Art News conducted a telephone interview with him.

Stills of "Dongtianxian Song"

Learning the zero foundation, but after a few months of hard work, he caught up with the progress

Wang Huawu is a student of the 80th level of the Shaanxi Provincial Academy of Opera Research (hereinafter referred to as the "Research Institute"). He recalled his experience when he was a child. He said that by chance, his father met Mr. Li Jizu, who was at the Qinqiang Tuan at the time, learned that the research institute was recruiting students. In order to give him a way out, he chose to apply for the exam. "During the enrollment, I was the second batch of 20 people, the penultimate was the first to enter our research institute. I was very lucky, because the two students who had been tested before did not let go. Finally, I put me at me. It was recorded on this list; if the two children came, I may not know what miles do now. "

Because Wang Huawu is a zero foundation, after coming in, the teacher put a few children with poor skills in the corner of the practice field, and it was a few months. However, through a few months of hard work, Wang Huawu finally caught up with the progress of the "big army". When the "Dragon Palace" was arranged, as a group of group B, he began his "monkey drama" career. The second play is "Goku Borrowing Fan", which is a folding drama that has a great influence in the five northwestern provinces. "In the past few years, I have been a director. As long as any regiment in the five northwest provinces mention" Goku borrowing a fan ", everyone said,‘ you are Teacher Wang, oops, you are Sun Wukong of that year! ’”

Stills of "Dongtianxian Song"

Systemic training is improved, and being a director for him is "a comprehensive improvement"

The director's change of director is pure. As the age increases slowly, Wang Huawu still wants to play other plays, but facing the embarrassment of "unmanned drama", the supporting actor's age gradually becomes larger. At the suggestion of a teacher, Wang Huawu, who was in his early 30s, chose to change his career and start from the field. In those years, he grew all the way from deputy director to technical director, from technical director to director. This is 7 years. Gradually, he felt that long -term front -line practice can no longer meet the needs of the director's work. The director needs deeper cultural knowledge. He strengthened reading and learning, and was also eager to systematically learn the theoretical knowledge of the director.

The opportunity finally came. In 2007, Wang Huawu went to the director of the Shanghai Academy of Drama to study. In 2014, he was selected as the support plan of 100 young literary artists in Shaanxi Province. In October of the same year, he went to Shanghai to participate in the study class of stage art producers organized by the Chinese Federation of Literature and Literature.

The experience of studying is very helpful for him to be a director, and he described it as "a comprehensive improvement." In the past, most of them rely on inspiration to create, more professional after learning, and use theoretical knowledge to support practical results. "I think it is impossible to complete a lot of work without learning."

As a director, Wang Huawu is widely involved in. It has more than 30 original operas, dramas, and stage folk operas. He has directed more than 40 national and provincial -level large -scale theme party. How to deal with different types of drama works at ease, Wang Huawu believes that interpreting the theme of the text makes the character image more clear. Choosing to express with different methods, these are actually common and compatible with each other.

Stills of "Dongtianxian Song" (official picture of the ninth China Qinqiang Art Festival)

The beautiful and free expression of "Dongtianxian Song" conforms to the appreciation habits of today's audience

The work of the Ninth China Qinqiang Art Festival, "Dongtianxian Song", is Wang Huawu's work three years ago. "At that time, it was very sensational in Wushan County and Tianshui. As long as the theater was full. Generally, the young audience thought that Qin Qiang was very old, but after seeing our drama, including dance, clothing, makeup,, makeup, makeup, and makeup, makeup, makeup, and makeup, makeup, makeup, and makeup, makeup, makeup, and makeup, makeup, makeup, and makeup, makeup, makeup, and makeup, and makeup, makeup, makeup, and makeup. Music is particularly easy to accept by young people. The stage effect pursued by this drama is ethereal, and it is a beautiful and freehand expression. This aesthetics conform to the appreciation habits of today's audiences. Especially in costume dramas, how to make a mythical figure bloom His spiritual charm is important. "

Speaking of this Qinqiang Art Festival, Wang Huawu said that there were previous works participating in the first few sessions, and the fifth opening ceremony was also directed by him. "The Qin Qiang Festival is a grand festival of our Qin Qinqiang, which is a festival of the people of five provinces in the northwest. Through the newly introduced by the various colleges and delegations of the five provinces in the Northwest, including the artistic creation of realistic themes, this ancient Qinqiang drama Huan has glowed with new vitality. "

The highlight of this art festival is the combination of traditional and modern. There are both traditional and classic "Three Drops of Blood", "Flame Foer" and "Catcats for Princes", as well as original modern dramas, such as "The Love of the Pride Yang", as well as costume dramas. Like "Dongtianxian Song" and so on. Wang Huawu told reporters, "I am a creator on the front line. I will use new ideas and new interpretations to interpret today's literary creation. In us, the traditional ancient Qin cavity will be carried forward with our job. Many young people walk into the theater to care about the development of Qin Qiang. I think the charm of Qinqiang will never decrease. "

Wang Huawu (Picture Source: Provided by the respondent)

Director Wang Huawu's works

"The World of Lu Yao" and "Dream Chasing" won the Wenhua Award of the Ninth Art Festival of Shaanxi Province, and won the Wenhua Director Award; The award and the "Five One Engineering Awards" of the Central Propaganda Department. The first large -scale Qin cavity modern drama "Spicy in Jiao Township", which directed the theme of precision poverty alleviation, entered the National Grand Theater Show.

Culture and Art Network-Cultural and Art News all-media reporter Zhao Zixi

Editor: Cher Responsible Editor: Gao Sijia Final Appeal: Wu Hanxing

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