In the "exploration source", "observation stream", found that the diversity of youthful possibilities of national music is discovered

Music is a civilized carrier earlier than text.

In the historical long river of the Huaxia nation, from the "civilization of civilization" in the Shinkishi period, the "civilization" sounded to the ritual and music culture that penetrated the five thousand years of context, and then the glorious poetry and poetry and poetry and poetry and poems ... The waves of every music are flashing with unique ideas, wisdom and attitude, and jointly project the deepest poetic and romance of Chinese civilization.

With the rise of the younger generation of cultural self -confidence, national music is reappearing the glory of youth.

According to the "National Wind Music Content Ecological Report" released by a music research institution in 2022, only 2020-2021, the number of national wind music that has been broadcast of 100 million yuan has reached 51, an increase of 34%from the first year.

Today, whether it meets the cultural needs of the public and the innovative development of the country, we need to return to the origin of civilization. On the basis of cognitive past, we need to observe the present and explore the future.

On September 12, the documentary "National Face of the National Le" created by the CCTV Record Channel of the Central Radio and Television CCTV ushered in the finals.

The work through the excavation, combing and exploring the phenomenon -level ancient rhyme and ancient songs, from the perspective of history, culture, science popularization, humanities, emotion, etc. to describe the "thousand -faced face" of national music, both back to the great creation of the Chinese civilization in the music field. , Also through the wonderful interpretation of contemporary musicians and folk musicians, lead the audience to see the diversity of national music "living" at the moment.

The theme of the five episodes "Intelligence", "He Ming", "Neon", "Li Sao", "Spring River", gathered "flowing water", "Guangling San", "Nigeria Yu Yi", "Li Sao", "Spring River Flower Moon Night" and other phenomena level Chinese ancient songs, successively The spiritual connotation of Guqin's "Eternal Interest, why is it difficult to find", the historical information and music mystery of the "Eight Sounds", and Chu Sheng Chuyun carried by "Li Sao" have had a huge impact.

Through the in -depth story of music performance, archeology of musical instruments, and music theory analysis, the audience also followed the documentary to perform a valuable science of national music knowledge.

At the same time as "exploration source", "The Face of the National Le" focuses on feeling the continuous flow of national music from the perspective of "watching flow", especially its rich appearance in today's era.

The creative team moved to Sichuan, Jiangsu, Shaanxi, Hubei, Beijing, Shanghai, Zhejiang, Hunan and other places, and extended the tentacles to overseas regions such as Japan and the United States.

Through living people and their music life, the work tells how national music integrates the current life, embrace the expression of youth, and move towards the world stage.

From archeologists, music professors, college orchestras, world -class performers, to pianoists, scholars, advocates, folk music clubs, rural teachers, and shadow play performers, some people are working hard to restore the style of ancient music. They have new possibilities with digital music, modern light and shadow, and popular culture. Some people and international friends cooperate with "Silk Road Music" to make the East and the West, Tradition, and Modern collision new legends ...

No matter what form, it is a vivid answer to creative transformation and innovative development.

In "The Face of Guole", the famous musician Huang Xiangpeng was cited: "Tradition is a river. At the entrance of the Huangpu River, there must be the water of the Jinsha River."

Yes, we can see its height after understanding the length of this "river"; we can understand its depth.

Focusing on the popular cultural proposition of "ancient music and modern sound", "The Face of Guole" gave it the answer: it can be seen where the "source" comes from, and the "flow" can know where to go--

Once, Guoshan's minds of Naibaichuan gathered the excellent achievements of different national music culture, and the tide of music culture development on the Chinese land; now, national music will still use a compatible and inclusive weather to convey the "great beauty" of Chinese civilization. With "good", the chords that sound our entire nation's spiritual feelings.

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