Chinese calligraphy is strange

About 1600 years ago, in the good season of orange, yellow and orange green, Wang Xizhi thought of his friends and friends in the distance, and carefully picked 300 oranges and sent it away. After the note carefully ordered: Fengyou three hundred pieces, the frost did not fall, it was not more. Because the oranges after frost drop are sweeter and delicious, they are not picky. Orange has been eaten, but just 12 words on this note have been carefully reserved to this day. This is Wang Xizhi's "Feng Orange Post".

The hand post is a letter of daily exchanges between literati. It is not only a calligraphy model, but also because it records the real and interesting fireworks life, which is a manifestation of human temperament. The calligrapher can make the most detailed concerns into black and white pen and ink, and the daily drips of Jiguang Shipu feathers. Today, it reads, although it is ordinary words.

Jin Wang Xizhi's "Feng Orange Post"

Chinese characters are created by our ancestors "to observe the law in the heavens, and to observe the earth", and perceive all things. Chinese character calligraphy is a wider world of pen and ink, a world of temperament, and a world of imagination. Calligraphy is the cornerstone of Chinese art, and the beauty of calligraphy can appreciate the beauty of Chinese art.

"Ginseng" vs in the Eastern Han Dynasty "Cao Quanbei" pavilion

Naturally, everyone does not lack appreciation. The stronger appreciation, the more they can be moved in the artistic atmosphere, and reunite with the author. To have the ability to appreciate some kind of art, related background knowledge is necessary, such as the history of the development, the successful characters, related terms, and so on. It can be seen that it is not easy to be a real art admirer. Calligraphy is the same, as well as other art.

The new series of "Most Beautiful Calligraphy" courses carefully created in the order of time, from the Qin to the Qing Dynasty, from the scholars and masterpieces of Chan Ruo Xingchen, select a inscription work, introduce the way of viewing of calligraphy, improve the appreciation Level. And help you understand its internal related connections from these seemingly isolated works, grasp the development of traditional calligraphy and the texture of the texture. At the same time, the theory of classic calligraphy aesthetics throughout the ages runs through the five books, which covers the five books of the grass. In the view of the history of calligraphy, a complete and rigorous understanding is established, and it provides possibilities for in -depth learning in the future.

List of recent curriculum of Shanghai Guanfu Museum

1. Lecture part: Improving knowledge and eyesight

Through this series of courses, you will not only master the basic calligraphy aesthetic knowledge, but also use the black and white in ink to advance and retreat, understand different expressions in art, and establish the basis for communication with the ancients. Instead of being inspired from the wonderful stories from the scholars. When appreciating calligraphy works, "Kung Fu is outside the word". After recognizing the words, if you are willing to be a person with a word, you must read a book to understand the content of the inside or the post. For example, the Xi'an Beilin has the Tang Dynasty "The Daqin Jingjiao Popular Chinese Monument". Among them, the Great Qin is the Roman Empire, and the Jingjiao is a branch of Christianity. The cultivation of literary history will help calligraphy learning.

"Daqin Jingjiao Pop Chinese Bei" monument is now hidden in Xi'an Stele Forest

To learn more about the book writer, there are few simple calligraphers in history. The calligrapher is basically just a person. They have more or less involved in social life and political life. If you are interested And look at their words, there will be a deeper understanding. For example, after understanding Ouyang Xun's life, the evaluation of the Euchang character "Sen Mori Ruo Ruku Spear", or the European style is the "King of Structure", which is even more clear. "Writers, boundaries; beauty, people also", the beauty flowing from the pen and ink, in the final analysis is the expression of scholars' spirit and temperament. We appreciate calligraphy, and we are also admiring the temperament of different people, as well as the unique feeling they created and giving Chinese characters.

Calligraphy is really a self -contained system that can learn infinitely. In the course, calligraphy will also be used as the key. Through cultural relics appreciation, painting, literature and other aspects, you will lead you to expand all kinds of out -of -character work and harvest your own feelings and experiences.

Qing Qianlong Fancai Kaishang Shuanglong ear wall bottle (partial)

Guanfu Museum Collection

2. Practice part: To write good words, we have a way

One word that often mentioned calligraphy is "chasing the hand", that is, to understand the classic monument, while increasing the eyesight, and enjoying the beauty of calligraphy art through hand -writing, can it be regarded as the world of calligraphy. In the practice link of each lecture, practical techniques will be taught. From the "painting", how to collect the pen, how to exercise to improve your eyesight, and try to "write like" as much as possible to approach the original post. Through the basic practice of the five books, we will deepen the understanding of aesthetics in practice. At the same time, it is also a kind of experience that is quiet and calm, focusing on condensing.

At the same time, writing can also become very fun, soft brushes, and thousands of changes. From ancient times to the present, how many literati can use only one pen and a little ink to play. With a less utilitarian heart and understanding an art with pure love. In the pen and ink game, you may get unexpected gains and joy. Looking forward to walking into the calligraphy garden that is infiltrated with one side, write happily ~

The first lecture of this series of courses, "From Oracle to Xiaoyan", will lead everyone to preliminarily understand the five book bodies of Xili Kaikai, and introduce the evolutionary process of early Chinese characters.In the practice session, you will learn how to write a round and thick "painting", and experience the charm of "gentleness" in the script.A writer once said that "exploring the source of its initial rolling water for a huge river is a comfortable thing."If the process of Chinese characters evolved like a river, let us start a small traceability journey together."If the stars are beautiful, there are strangeness." These ancient golden texts seemed to be scattered in the sky, which is beautiful, isn't it?

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