There is a lot of attention to the Chinese painting "leaving white". The masters are good at leaving a master. Do you do it?

There is a lot of attention to the Chinese painting "leaving white". The masters are good at leaving a master. Do you do it?

Chinese painting is the most important thing for retention, but there is a lot of attention to blank. It is not casual. The best use of the Song Dynasty is the Song Dynasty. For example, Ma Yuan is to learn from it.

Let's take a blank. In the traditional painting theory, the status is very high. For example, the famous modern painter Pan Tianshou is in place from the virtuality and the real. His opportunity is to rely on the relationship of the dependence, and repeatedly talk about the importance of blank.

For example, he said in the chapter of the "arrangement" of the Chinese painting: "Real, there are paintings, it must be real, but not bored, but seeing the empty spirit, that is, the person's" real person's virtual ". For the special units talked about by the ancients, this virtuality is not without. There must be things in the virtuality, so that it is not empty.

If you often hear the truthful people in some population, painting is to ask us to seek truth and truth, and to make this through the application, and the application will have a lot of gains.

To say the highest state of Chinese painting, different people may say a lot of standards. As a meditator, it is naturally blank. In their eyes, the highest state of Chinese painting is to leave white. There are more victory. For example, when we look at the works of the Eight Dashan people, we are a painter who is better for white treatment. It can be said that the masters are masters who are good at leaving white.

In the creation of Chinese paintings, leaving white can make the entire work more coordinated and exquisite, and intentionally leave the corresponding gap, leaving room for imagination. The feeling of reality and reality, there is a cherished ink like gold, Ji Bai Danghei and so on. Ni Yunlin in the Yuan Dynasty represents Li Cheng, the Song Dynasty. Essence

It is just a leaving white, which is a university question. The level of a work state is very important. In the composition layout, the form of "leaving white" is the most natural and unique one. Just like when we see "Hanjiang Solo Fishing Map", we will think of the beauty of white white. In the painting, there is only one boat. One fisherman is fishing. Both water. #Ingenu plan#

Of course, leaving white is also related to virtual reality. It is also a aesthetic category mentioned in Chinese classical aesthetics. In Chinese paintings, virtual reality can generally refer to two aspects of yin and yang, density, slightly detailed, hidden, white and black.

The white retention in the painting is the embodiment of the real relationship, and the ideology depends on China's philosophical thoughts and Taoist aesthetic thoughts, such as knowing its white, keeping it black and simple, and the world can fight for beauty. " It is empty and the most simple picture appearance.

Also, when we see the work of "Qiantang Crossing Bull Picture" painted by Li Keran in modern times, we can also think of the beauty of leaving white. He did not paint water, but the deepness of the water of the pond and the feeling of the water on all sides of the water are clear. In front of you.

And we all know that Chinese paintings are the accumulation of Chinese history and culture, and the essence of Chinese culture. Among them, leaving white occupies the mountains and mountains, which plays a very important role.

For example, in the layout of the Chinese painting, we will involve the principles of confrontation such as virtual reality, master and guests, opening and closing, denseness, and dew. In fact, this is the first to have something to do with Lao Tzu's theory of "knowing white, keeping black".

Therefore, in the composition, "white" can be the sky, water, floating clouds, and anything that the artist can imagine, but we cannot draw casually, because the white leaves are not well -left, and the whole painting will be destroyed.

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