[High -end product reading] Mu Ru Qingfeng · The post -00 poet Chen Yantang wrote three songs

Beyond the sky

Frost Leng Jiangchuan Gudou head, broken Hongri Twilight on the tall building. The haze had nothing to do with me. Fengyue didn't worry about it.

The mountain is not old, and the water is long. Love is lonely. After the return of the people, I knew that Xinliang was near autumn.

Note: Read the "Tao Te Ching" at night, "The world is not benevolent, and everything is a pupport."

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Jiangchuan Gudu condensed the cold frosty dew. When it was recently dusted, Hongyan flew over, and (the poet) slowly walked to the high -rise building alone. (Discussion by the poet) Such a magnificent landscape landscape did not generate because of my existence. Fenghua Xueyue had never worried whether I was worried.

Qingshan has never been old, and the blue water is still flowing. Strange people to blame themselves pretending to be passionate, and they will be alone on the Hanjiang River. After the "乃 归" returned to the boat, the ferryer had gone, and the poet felt even more cold. From then on, he knew that this was early in autumn.

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After reading this word, I couldn't help but lament that people's emotions were insignificant in front of the mountains and rivers, Fenghua Xueyue. Until the end, the crosses returned to the boat, and Xinliang arrived. In the poetry, the poet has been worried about it, but at the end, autumn still comes in accordance with the law of nature, and has not slowed down because of the poet's sorrow. The magnificent scenery contains a deep sadness: human emotions are just self -confidence in front of nature, which is very small. The poet sighs and praises the scenery of the mountains and rivers, uses the wind and snow to express his emotions, and glimpse the ruthless scene with affectionate eyes, but in exchange for the indifference of nature.

The scene of nature never has a direct connection with the human feelings, but the poet likes the emotion to the scenery. This is the poet's night reading "The Tao Te Ching" "The World is not benevolent, and everything is a pupport." The description and understanding of the development and expansion has certain philosophical significance. The first sentence of the previous article is "Drawing like a movie, which is rich in layers, beautiful and sentimental, gradually drifting away, endless aftertaste" (others).

Spring songs, passing the old site of Yaotai Temple in Tang Zhaoling

In the dream, Yaotai, once saw Ru, took the fairy couple. On the same day, Fengxiao upstairs, Yue Ming is like this. Broken remnant monument, the vast Yu traces bury the incense soil. Counting the ancient, the Hui Yi destroyed, and the words of Sao.

Imagination, including Zhang Lu. Star River turns, late bells and drums. The emperor was looking at the night, and it was fluttered. Miao Miao Hui Ten Men. Well, the tears of the tears. Du Qianqiu, the jade bone committees to Huangsha, infinite.

Note: Tang Human Rights and Moly have the "August 15th Yao Temple of the Yao Temple", or the test, and the temple is Princess Jinyang. The princess has little talent, under the guardian, and the Gong Fei Baishu. Twelve years of Zhaoling, no tomb was seen. The princess young character, "Shan Hai Jing" said: "The east of Shun was buried in the east of Shun, and the south of Xiangshui." "Wounding Spring Song" is the other name of "Man Jiang Hong", and the intention of the ability, so he entrusts this name.

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In the dream (I), I have seen you (princess) and the fairy flying in the birds in Yaotai. I remember that the princess came upstairs that day, and the sound of flute came upstairs, revealing a ray of bright moonlight. (But now I only see it in Zhaoling.) The traces of the broken stone remnants were extinguished, and the traces left by the Tang Dynasty (referring to the princess's tomb) have been buried under the incense (unable to find). Throughout the ages, the poets always lamented the truth of Hui Ji.

I had to hardly imagine that the princess once in front of the chapter (free translation). The sound of the stars and drums gradually came. On this breeze, I saw the princess standing alone in the river. My thoughts drifted far away, and I started to entangle thousands of sorrows, and you (princess) cried with tears. (Why is this?) Because after more than a thousand years, (princess), the jade bones committed to the yellow sand, and they spent the end of the end.

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This is a mourning word/dreaming word, but the object of mourning is not directly related to the poet. The poet is purely a regret for the apoptosis of beauty, and most of the words are imagined/dream descriptions. The real refers to the only sentence: "Broken and remnant monument is slightly word, and the vast Yu Trail burys the incense soil."

The word creates a unique and dreamy world, and briefly shapes an image of a princess that is only a high -life princess. The princess is Princess Jinyang, the daughter of Tang Taizong. She is young and intelligent and has both virtue. Under the Hui Guard, she can "Lin Emperor Flying Black Book, I can't distinguish it down." Tang Taizong was so sad that he could not eat normally, and he had "dozens of sorrows a day", so he ordered to build a Buddha temple next to his tomb. Some scholars are speculated that Yaotai Temple is a Buddhist temple built in historical materials based on the "August 15 Night of the Yao Temple of August 15" (this poem was included in the "Poems of the Tang Dynasty").

August 15th night Yaotai confrontation sentence

Quande

The daughter has been on the sky, and Ren Temple is on the side of Dinghu.

Liangfeng Yaoyao was half a half of the night, looking at the golden waves.

Quan Deyu was a poet in the Tang Dynasty, because he was raised after his integrity. This poem should be written by the emperor when he was sent by the emperor. In the poem, "Ren Temple Emperor is by the Dinghu Lake" (Dinghu: Tianzi ascended to heaven, refers to the Emperor's Tomb), the "empty" of the Emperor's Tomb), and the loyal courtiers were abandoned by the self -injury.

The poet expands the twenty -eighth -character quantities into a long tone of ninety -three words through reading the poem of morality, and reflects the inheritance and extension of the Tang Dynasty chapters with poetic lyrics. At the same time, it has also inherited Quan Deyu to use "burial flowers and mourning red" to hurt the emotions that he encountered. The second person is "Ru", and the character of the painting is in front of him, expressing his regret for the passage of beauty. However, it should be noted that the details of the characters are still not enough to describe the details of the characters. Niannujiao · Mid -Autumn Festival

Fenglou is handed over, in the courtyard of Indus, and the yellow season. The curtain curls Pingshan Wanlie, and the autumn color is divided into north and south. At the beginning of Yu Lu, Jin Bo was full, and the good scene became a virtual throw. Lang dry thousands of times, I do n’t know how to be tonight.

I thought about traveling on the same day. Farewell, the time is like a dream, and the clouds are chaotic. Paushe is born, lonely city night moon, this is unprecedented. Whoever asked each other, the broken intestine is a thousand feet.

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The distant Fenglou, in the courtyard at this moment, the sycamore trees are gradually getting yellow. Roll up the curtains and see the Wanlie Chongshan like the winding screen. The autumn color has divided the boundaries of the north and south. The dew is just scattered, and the moon gradually made up, (but because it was not with the distant people) wasted in vain. The poet took the railing a thousand times, and (mood) forgot to be the Mid -Autumn Festival tonight.

Thinking about the day, we had a trip together, (drinking a lot of wine), and drunk the lonely guests in front of the wine glass like a lonely. After parting, that beautiful time is like a dream. Looking back, it seems that only the clouds are galloping in the memory (the memories of the past are unclear). The beautiful Jinse (Hua Nian) was covered with dust, and the night was hanging above the lonely Jiangcheng. At this moment, there was no end to the sorrow. Who would greet me? Only the grass with broken intestines grew very high.

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This is a remuneration of the Mid -Autumn Festival. The scene was written in the previous part. The next article is lyrical. Finally, the "broken intestine grass is thousands of feet", which is affectionate to the scenery, expressing the unlimited growth of the poet. The image used is almost related to traditional sorrow and loneliness, such as sycamores, stems, lonely, chaotic clouds, lone city, night moon, and grass. At the same time, a sense of lens shows a constant stretching time and space change.

The last part of the lens of the space is stretching, that is, Fenglou (mid -view) → curtain curling screen (vision) → Langan (close -up); Looking back (memories) → This (back to the present). This makes the poems clearly.

At the same time, the "autumn color division of the north and south" sentence is not only simply writing scenes, but the autumn color is divided into intangible boundaries. Does this sense of isolation also imply that the poet's sorrows that the poet cannot return to the north is? The sentence "Jade is from zero, Jin Bo is full", which reflects the sense of frustration of one profit and one loss. It would be better if you plus the mood of the distant people at this moment.

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Mu Ru Qingfeng, loves poetry and photography, is now editors and freelance writers.

About the Author

Chen Yitang, named Chen Yan, was born in Beijing in 2002. He has won awards in poetry contests such as "Nie Yan Crossbow Cup", "Green Lotus Cup" and "Sakura Poetry". There are prose and poetry in time in publications such as "Baiwen Baijia", "Peony", "Ancient Culture", "Chinese Care", and "Middle School Times" and other publications. Piano, guzheng, and Guqin, who used to be the president of the Poetry Society of the 12th Middle School in Beijing. He is currently the vice president of Huashu Hanmei Society.

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