The Chinese Art Museum exhibits "Xinghui Hurixia -Zhou Shifeng Landscape Painting Exhibition"

On June 18th, the "Xinghui Hurixia -Zhou Shifeng Landscape Painting Exhibition" co -sponsored by the China Art Museum and the Chinese Academy of Arts opened at the China Art Museum. This exhibition is one of the academic invitation series exhibitions of the China Art Museum. A total of 41 landscape paintings (sets) created by Zhou Shifeng in the past two years.

Wu Weishan, member of the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference, director of the Chinese Art Museum, and vice chairman of the Chinese Artists Association, commented on his work: "The southern landscape of the south, showing the skeleton of the northern landscape, the distantness of the light and the strange structure of the pen and ink" It also pointed out that the acquisition of this effect originated from "the traditional outline of wipes, turned into its personality expression, and incorporated into the new graphic." In the end And follow the spirit of the spirit of Chinese landscapes. "

Zhou Shifeng, born in Wuhan in 1962, is currently the vice president of the Chinese Academy of Arts of the Chinese Academy of Art. In recent years, landscape painting creation incorporates modern constituent elements based on the inheritance tradition, forming a integration of new. Zhou Shifeng said: "The highlight of the landscape painting is in a" pole '. " In this regard, I take it seriously. The word "pole" in China contains the great wisdom of the sage. "Tao Te Ching · Chapter 25": "Da Yue passed away, the death is far away, and far away." However, this "pole" is non -fixed and non -static, but from "big" to "death", to "far", to "anti", emphasizing tolerance, changes, and returning. Therefore, it is "Wuji" again. The pursuit of this "pole" can clarify the goal and have the direction of the heart; when this "pole" can be appreciated, you can appreciate the realm of omnipotent and multiplier with your heart. This is a logical process of "extremely informed, versatile", and the origin of the "light" of one of the most representative aesthetic character in Chinese painting.

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