"History of the Forbidden City: The Beauty of the Past China": a warm journey

2022 is the twentieth year of Zhu Yong's opening of the Forbidden City. He chose to set off from the Forbidden City again. The beauty deep in the source.

His new work "History of the Palace Museum" is a Chinese art history connected by the cultural relics collected by the Palace Museum. In Zhu Yong's opinion: "The cultural relics collected by the Palace Museum in the Palace Museum in the Palace Museum constitute a grand, vast, and visible history of Chinese art. Whether from horizontal or vertical, the cultural relics of the Forbidden City have constructed the grand system of Chinese civilization. Become a matter of endlessness of Chinese civilization and never breaking. "

据祝勇介绍：故宫博物院总共收藏着超过一百八十六万件（套）的文物，这些可移动文物，分为陶瓷、玉石、青铜、碑帖、法书、绘画、珍宝、漆器、珐琅、 Sculpture, inscriptions, furniture, ancient book good books, ethnic house utensils, emperor seal albums, watch instruments, martial arts ceremonies, religious cultural relics, etc., a total of sixty -nine small categories (excluding buildings). Among the precious cultural relics (first, second, and third) collected by state -owned cultural and cultural units across the country, the precious cultural relics collected by the Palace Museum account for about 41.98%, and the cultural relics of the Palace Museum are in the pyramid structure. Three levels again. Therefore, some people say that almost pieces of cultural relics of the Forbidden City are national treasures.

From time to time, in the new stone era collected by the Palace Museum, it has spanned the Xia, Shang, Zhou, Qin, Qin, Lianghan, Three Kingdoms, Liangjin, Northern and Southern Dynasties, Sui and Southern Dynasties, Sui, Five Dynasties, Liaoning, Xixia, Yuan, Yuan, Yuan, Yuan, Yuan The ancient Chinese dynasties such as Ming and Qing dynasties have passed through the history of the 20th century and arrived all the way today.

Therefore, Mr. Zheng Xinmiao, the fifth dean of the Palace Museum, once said: "The Forbidden City is a concentrated history of China in 8000 years of civilization."

"Towering trees must have its roots; the water of Huaishan must have its source." The History of the Palace of the Forbidden City can be regarded as another effort to promote the promotion of the Palace Museum's culture and tell the story of the Forbidden City. Whether it is writing the Forbidden City or writing our history of civilization from a larger perspective, Zhu Yong tried to carefully build a historical palace, tell Chinese stories in his own way, restore the contemporary people's feelings of tradition, re -show China The charm of the national history and the source of civilization.

With the previous work, Zhu Yong paid attention to "beauty". In the classic works "The Beauty of the Palace Museum", he once said: "Beauty is not luxurious, not with money. Beauty is a concept, a attitude towards life, a religion of mortals, and we are the red dust of fireworks. The meaning given by life. Understanding this can we truly understand the beauty of antiquities. "

Zhu Yong said: "Through these cultural relics, we can not only appreciate the exquisiteness of ancient artificial objects, but also appreciate the meticulousness of ancient people's lives. Only by returning to the scene at that time, through the process of people's use, can we really understand Including the beauty. "

Different from the previous works, "History of the Palace Museum: The Beauty of the Past China" is an academic book, but it is not an academic book that refuses thousands of miles. This is a Chinese art history of "writing to everyone". Kind, warm, and true, let more Chinese people go back to the art journey of our nation with the cultural relics in the Palace Museum.

(Guangming Daily All Media Reporter Han Han)

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