Li Zhuang 丨 "I" and "Express China"

"I" and "Express China"

Text/Li Zhuang

After finally finishing the class, the sky was all dark. Pastening, I couldn't care about takeaway. I opened a folder on my office computer on my stomach and wrote Wang Erdong -I promised to write a comment on the new collection of "Express China" to Wang Erdong. Since the time, the whole person has been so busy with tenderness and tenderness, and he can't take care of it at all. I hope that Er Dong will not feel that this is playing big names. After all, they have not known each other but have known each other for so many years. This time I was really busy. According to the narrative method of naturalism or French "new novels", the first thing to write comments is to build a new Word document, and then the document is named. What is the name of the document? According to many years of habits, he knocked on "Li Review and Wang Erdong". After a stun, I suddenly thought of something, and I deleted the last three words. Change to "Li Comment" Express China ".

As for why? And sell a pass first. This matter was put in the end of the article.

People who read here are frowning. What is the situation, such a long "Xunxing"? Is this the number of words? According to the current manuscript fee standard, how many dollars can you make up? Who wants to look at your number of words, we have to look at "Express China"!

All right. All right. Now I want to tell you that I am talking about "Express China". However, it is a strange way, or the strange, egg -like creative form--

Please go back to see the first natural paragraph of my Oriental. Please tell me, do you have any "me" in this paragraph?

In fact, you don't need to find it. I have checked the search function of the Word documentation by myself. The first paragraph of the first paragraph counts more than two hundred, and the word "I" has not appeared. Is it a bit strange? At first glance, there was me everywhere in the first paragraph. Of course, "I" finished class, it was "I" to write comments for Er Dong. "I" built a document, and "I" changed the name of the document. I am me. I am everywhere, and everyone knows that it is me. But there is no such "I" directly.

This is talking about Wang Erdong, which is talking about "Express China". Because in the collection of "Express China", the situation is very similar to the first paragraph of my article: it is difficult for readers to see the "I" of Wang Erdong, but in fact, Wang Erdong's "I" has always melted in it, and there is no. No place. "I" is in "I", "I" in "Express China".

Putting on the scene of the current poetry to compare it horizontally. This is really a different place Wang Erdong's "Express China".

In order to avoid dizzy readers, I need to further explain these two different "me". The "I" who does not appear (or rarely appear) in "Express China" refers to the "I" at the level of text elements: Should the poet put his main image directly into the poem? Do you want to use my tone, talk about my feelings, talk about my thoughts and mood directly? Honestly, today, the word "me" at the level of text is probably difficult for most poets to write. Not only in the field of poetry, it can be said that at the level of the entire modern civilization, the status of individual life experience and the status of the inner experience of the subject continues to rise. It is a certain inevitable. There is nothing wrong with this. I like to write poems and like to write "I", I like to write my own inner world and life details -as long as I don’t write "around myself" as too narcissistic, this kind of "I" The centralism itself does not constitute any problems. But at the same time, we did want to see some different works, see the poet's observation and expression of the lives of the world and others. Writing "him" and "them" is not only a kind of complement, a balance, and a synthesis in the "big market" of the poetry creation scene, but also a kind of ability that the poet should have. Wang Erdong's "Express China" is not "turning around himself." These poems are basically "turning around others." And what about these "others"? That is all the courier brothers who are galloping and going south. They "turn around China" and "around the world". Even considering the extremely eye -catching and almost indispensable role in our daily life in our daily life, we can even raise it again: it is "turning around life."

Such consciousness and practice are indeed not very common in young poets. At least, Wang Erdong's "Express China" involved in this area of ​​the subject matter was written before. Therefore, "Express China" is indeed a very characteristic and recognizable poem collection. However, I must also admit that I can write a unique work such as "Express China". Wang Erdong did rely on his "stool". He is a practitioner in the express delivery industry. Of course, as far as I know, his daily work is mostly related to the management, propaganda, and service work of the express delivery industry, and probably rarely really ride a motorcycle to go out to send the courier. But this is not important. The "express industry" was originally a huge and complex comprehensive industry. With its instinctual familiarity with the express delivery industry, with the profound emotional connection with the "comrades" around them, Wang Erdong is enough to form emotional identity and identity of the "express industry" and "express China". He naturally project himself into the writing of the industry and the industry practitioners. In any way, he is indeed one of them. This is why I said earlier that Wang Erdong's "I" has always melted in it, everywhere. Back to the text itself. Wang Erdong's dialectics such as "with me" and "selflessness" did inject many delicate and moving things into the text. For example, these two sentences in "Urban Superman": "The bar gun has been closed automatically, the superpowers disappear instantly/you are sitting quietly, and the whole city stops running." In the feelings of ordinary people, the express delivery is "running towards us". After receiving the goods, the packaging is dismantled. However, in "Urban Superman", Wang Erdong quietly replaced the position of the subject in the text. From the perspective of the sender (even the express delivery itself), he went to see the operation of the entire life: "You sit quietly, the whole seat, the whole seat "The city stopped running", and the suspension of work produced a sense of weight to turn off the power of the world. Everything suddenly paused. Only by bringing the emotions of "I" and even "me", bring to the most authentic courier, and into the most specific courier delivery link can we create such an unexpected and reasonable "feeling backward The wrong "and" aesthetic effect "; at the same time, it is precisely that it is not directly involved in the lyrics as" I ", and the processing of the verses seems to be natural and proper.

When it comes to "nature" and "restraint", it is not to say that it must be hidden with feelings. The feelings that can be exposed in the appropriate way are of course bonus points in poetry. There is no doubt that the feelings in "Express China" are abundant. Not only abundant, but also very rich in types. Such as the romance of "Sorting Female Workers", the tenderness in "The Love of the Cosmetic Warehouse", the innocence in "Ware and Wolves", the depression in "No Express", the sorrow in "Heroes", "Mother, I am in Wuhan The hero's sense of heroes in "Sending Express" ... all touched me when I was reading. Among them, "Mother, I Sending Express in Wuhan" attracts my attention, and it will also attract the attention of readers. Not only because this poem involves real events and public topics, we all know that many people may have experienced it directly. In the process of having a hard time and victory over the epidemic, what kind of security has the "express delivery" brought by us. And joy. It has a deep meaning and significance from the perspective of the courier practitioners. Then there is a "Hero". The story told by this poem is tragic, which is related to death. However, the perspective of poetry cutting into the death incident was specific and micro. Wang Erdong wrote the daughter left behind the deceased -and intentionally or unintentionally associated the image of "unprepared delivery". This is a very "humanistic" treatment method. There are many similar treatment in other poems. These strokes undoubtedly guarantee the "small elasticity" of "Express China" under the "big theme" to a certain extent.

In addition to "small elasticity", "Express China" is also full of "small knowledge". These knowledge may be just common sense for Wang Erdong, but for us, there is a big eye -opening and even "strange daily details" effect. For example, the poem quoted earlier, "Bazhen has been automatically closed", and the image of "Pakistan" appeared repeatedly in "Express China", and I also learned that after reading it, I usually know the "that courier scanning machine scanning machine. ", The original name is" Baba Gun ". Another example is the sorting and operation center of the express delivery industry. The related imagination was originally bound to be "automated" and "mechanized", but "Ware and Wolves" compared it to "the grassland full of express and commodity", "Hundreds of little wolves are freely shuttled inside." It is undoubtedly the image of "industry" and even "technology". The injection of this sense of life, image temperature, and humanistic spirit is very beneficial and important for the entire express industry.

As for the injection of this temperature, of course, it directly comes from the poet's emotions, spiritual and technical creation.Here I returned to the "Guanzi" sold at the beginning: Why did I change the "Li Right Commented and Wang Erdong" to "Li Comment" Express China "?"You can answer now.The reason for one aspect is that I know that Er Dong not only wrote the poem of the courier theme, but his creative theme area was actually very wide. Therefore, strictly speaking, I was just talking about "Wang Erdong's courier poems" instead of integrity "Wang Erdong Poetry ".On the other hand, all the discussions of this article are closer: "Express China" and "Express China" originally had Wang Erdong's profound and complete life -long life and emotional investment.Wang Erdong has been inside "Express China".After writing the latter, I actually wrote two winter.Edit: Liu Qihan

Source: Poetry Magazine

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