Fibrous art: international cultural exchange that penetrates time and space
Author:Daily Business Daily Time:2022.09.09
On September 10, 2022, the Yunnan Provincial Museum, Gao Peng gathered, and the viewer was in a stream. The National Art Fund project "From Lausanne to Beijing" the twelfth international fiber art biennale (Yunnan · Lanmei Show year) is still hot and passionate, and passion is as scheduled. The visitors at the scene gave a high evaluation and sincere admiration: "This is a unique international fiber art feast I have ever seen, showing outstanding works in the world's fiber art field today." "Use penetrating time and space, It is not an exaggeration to persuade the human heart, which indeed reflects the diversity and richness of art expression. "" Let people see that traditional skills are infiltrated with the infiltration of contemporary daily life, they have exuded strong vitality and expressiveness. "" The fibrous art creation from the plane to the space, whether it is ink and ink expression, or non -heritage display, a variety of materials and various forms of manifestations arouse the resonance of a beautiful appeal of people and nature in harmony with nature. "
Participating experts
This exhibition is hosted by Yunnan University for Nationalities, the Academy of Fine Arts of Tsinghua University, and the Yunnan Provincial Museum, and hosted by the Lanmei Vocational College of Yunnan University for Nationalities. As a major exhibition of contemporary art, it inherits the famous "Swiss Lausanne International Wall Plasma Biennale" in 2000, and has signed the "Beijing Declaration" by the 15th countries of the country. Forms are held every two years in different cities in China. So far, it has gone through 22 years. A total of 11 exhibitions have been held, and more than 2,500 works are exhibited. The series of exhibitions have always been closely linked to fiber art education and industry development, providing academic exchanges for teachers and students of colleges and universities, and also cultivated original design talents for related industries, thereby profoundly promoting the development and change of the arts and crafts industry. This year's two -year exhibition shows the exhibition pattern of displaying exchanges, academic seminars, and cultural promotion. 190 works from 51 countries in the six continents participated in the exhibition, including 102 offline objects (groups) and 88 digital images (groups).
Professor Lin Lecheng introduced the overall situation of the exhibition
The successful holding of this exhibition, thanks to a contemporary outstanding artist Professor Lin Lecheng, as mentioned in the exhibition, thanks to Lin Lecheng, a professor of the School of Fine Arts of Tsinghua University. Actively organize and coordinate. "The planning features of this exhibition are distinctive, and the traditional craftsmanship of ethnic minorities has been promoted with high cultural self -confidence and cultural self -improvement, and the country's" Belt and Road "initiative has been responded to the country. , Strengthen international communication capabilities and cultural radiation capabilities. "Professor Lin Lecheng said:" The twelfth "from Lausanne to Beijing" international fiber art biennial exhibition has landed in Yunnan, so that Chinese traditional minority art and multinational art exhibitions are exhibited. The works of Laos, Myanmar, Thailand, and Cambodia in Laocheng participated in the exhibition, allowing the audience in Yunnan Province and domestic and foreign audiences to feel the feelings and cultural inclusiveness of the great powers in China, the richness of the Chinese national art and the innovation of the times. The development trend and development potential of world fiber art reflects the concept of sustainable development of fiber art inheritance and innovation. "
One -piece offline works, a frame of new media products on the line of new media products, a visual conveying creativity, which makes Lanmei show a different time. According to the commentary, fiber art is a new artistic concept that is constantly developing on the basis of traditional textile art. It is made of practical or ornamental, plane or three -dimensional art created with various fibers as materials. artwork. In addition to traditional textiles, weaving, embroidery, and printing and dyeing, modern fiber art has presents the attributes of contemporary art from materials to craftsmanship. The concept of fiber art has both traditional craftsmanship and modern construction, and is closely related to the production of human life, surpassing different ethnic culture, covering all stages of the development of human civilization, showing diverse cultural value. Fiber works in different regions reflect the diversified artistic performance of different materials, aesthetics, and craft methods, and become the carrier of the culture, emotion and lifestyle of the country and nation.
Art is a silent language, a communication that does not need to be expressed in language. Maria Orte, chairman of the World Textile Art Association, said: "Yunnan is an important stop of the Southern Silk Road in China. It is closely related to the economic culture of Central Plains, Central Asia and Southeast Asia. This year's 'from Lausanne to Beijing' International Fiber The art biennial exhibition was held in the Yunnan Provincial Museum in China, which fully reflects the international nature of the exhibition and reflects the characteristics of art connection. " The famous American fiber artist Joan Schultz said on his speech: "Lancang River-Mekong River merges us here. At this point, the work of the work has made fiber art a cultural bond of various countries. "The Honorary Professor of the University of Domo Art, Yuzi Yuko, said," I am a generation who was affected by the new fiber art movement of Lausanne Switzerland. The exhibition is full of reluctance to the exhibition. "From Lausanne to Beijing" International Fiber Art Biennale has enabled the "Lausanne Wall Born Biennale" to be reborn and continued, and it continues to bring joy. "
"From Lausanne to Beijing" International Fiber Art Biennale (Yunnan · Lanmei Exhibition Year) project leader Lin Lecheng introduced that through the exhibition display, let the participating artists from different time areas and different countries shared the "South of the South, Lanmei Metae of Lan, Lanmei Shengjing "The sun, the good news of the" fiber art connection friendship "together, and expressing the wish of" Jingwei Heaven and Earth Weaving Beautiful "together. Under the epidemic, the road of art display is hard. The artists from all over the world in "Lausanne to Beijing" want to overcome the difficulties of poor international postal routes and successfully mail their works. "From Lausanne to Beijing" advocate Keveng Kansley's hometown artist, in order to ensure the safety of his work, commissioned the Georgian ambassador to bring the exhibitors to China. Ms. Catherine, the only foreign participating artist who participated in the offline opening ceremony, lasted for more than 20 years to conduct Xiangyun Yaru research and clothing design in China. She chose Dali dyeing skills for the large -scale fiber devices brought by this year's biennale. Tailor -made, reflecting the "craftsmanship" of contemporary artists.
exhibition site
exhibition site
exhibition site
The professor teaches the Yunnan Provincial Museum of Museum
The twelfth "from Lausanne to Beijing" International Biennale is based on the traditional fiber process and materials of the local area, integrating the conceptual development of contemporary fiber art, and in the cross -cultural context, use contemporary vision and technological creativity to explain countries around the world, The historical experience of traditional fiber craftsmanship of various nations, inherit the valuable humanistic and artistic traditions of human beings, will further connect the traditional and modern and modern exchanges and development of art and economy with neighboring countries.
It is reported that this international fiber art biennale will continue from September 2022 to October 31. The exhibition is combined with offline physical and digital images. (Li Jiaxing Feng Zitan Wang Hanlin)
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