Mi Yan, Su Shi, and Ouyang Xiu come to Han, and will be unveiled in the Hubei Provincial Museum

The Yangtze River Daily Da Wuhan Client September 9th (Reporter Wan Jianhui Correspondent Huang Min) At the end of this month, the authentic calligraphy of the Song Dynasty calligraphy from many museums across the country will be unveiled in the Hubei Provincial Museum. , Su Shi, Ouyang Xiu and other famous artists.

On the morning of September 9th, the Hubei Provincial Department of Culture held a series of "Shangyi Thousands -Song Dynasty Calligraphy Theme Exhibition" series of activities. The exhibition was the first series of activities in the Chinese calligraphy as the main body of the Song Dynasty calligraphy, including " The Song Dynasty Calligraphy Special Exhibition "" Contemporary Copy and Creation Exhibition "and" Song Dynasty Book Seminar "were three sections.

The calligraphy of the Song Dynasty, Cheng Tang Jijin, and the five generations of skills, created a generation of new winds. When Song Taizong, he paid attention to the calligraphy of the calligraphy, purchased the ancient emperor's name, and the king was engraved with ten volumes. With a post, it broke the restrictions of the real book in the current book, and at the same time broke the predecessor's law, focused on the interest, emphasized subjective performance, and opened up a new path. The calligraphy of the Song Dynasty, the style of the still meaning is its distinctive characteristics, is not simply denying the Tang people, nor is it simply returning to the Jin people. The concept of "heart is the law" affects the calligraphy concept of the Song people, and the addition of poets and poets injects lyricism into calligraphy.

This series of activities was co -sponsored by the China Calligraphers Association, Hubei Provincial Federation of Literature and Cultural Federation, and Hubei Provincial Department of Culture. , Liaoning Museum and Xiangyang Library and other cultural bloggers.

In the "Special Exhibition of Calligraphy in the Song Dynasty", the ink and paddles of scholars' works were mainly based on the basic context of the Song Dynasty Shangyi calligraphy on the one hand, and on the other hand, the life experience of Shangyi representative book writers and important calligraphy nodes were introduced.

The book writer's ink works are undoubtedly the most dazzling in this sector. Among them, three pieces of "first -class" Mi -sons and son cultural relics from the Palace Museum are borrowed from the Palace Museum. "And Mi Youren's" Stop Holding Blessings "; from the Jilin Provincial Museum, Su Shi" Dongting Spring Emperor Nakayama Songyu Fu "; "Dongge Poetry Collection"; Shanghai Museum borrowed Wu Yan's "Broken Jin Tie", and most of them were exhibited in Hubei Province for the first time.

Hubei Provincial Literary Federation Photo Confession

With the "Special Exhibition of the Song Dynasty" at the same time, the "Contemporary Copy and Creation Exhibition" of the Hubei Provincial Museum will exhibit the works of the Song Dynasty calligraphy law posts and creation of the famous calligraphy artist. During the "Special Exhibition of Calligraphy in the Song Dynasty" and "Contemporary Copy and Creation Exhibition", the "Song Dynasty Book Seminar" will also be held to invite experts in the field to conduct in -depth academic discussions around "Shangyi" calligraphy.

The relevant person in charge of the Hubei Provincial Federation of Literary and Art Federation said that the series of "Shangyi Thousands -Calligraphy Theme Exhibition" series of activities with the vision of ancient and present, elite and the public, relying on the public space of the public, and in -depth interaction of the classics, creation, and academics of calligraphy, calligraphy, and academics. The significance is to provide new references for the transformation and innovative development of contemporary calligraphy.

At the press conference, Li Xin, secretary of the party group and vice chairman of the Chinese Calligraphers Association, said that Jingchu Hubei is an important source of the theory and creative practice of Shangyi Calligraphy in the Song Dynasty. The holding of series activities in Hubei will also have a positive impact on promoting Hubei culture and promoting Hubei calligraphy to a higher level.

【Edit: Zhao Ke】

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