Weishui Source Come -Come -Finding Single National Oil Painting Art Search

Since entering the new century and since the new era, many Chinese oil painters have pushed realistic oil paintings to a new height. The young oil painter and the member of the Chinese American Association Shan Guodong are the best in this team. The hometown is the spiritual home that the artist is always watching. Shan Guodong grows in a small mountain village with a sources of Weishui and picturesque. The charming natural scenery is to cultivate his true and beautiful nature, and draw the design of the mountain paintings deep in the hearts of the soul. It was his original wish.

In the late 1980s, Shan Guodong was fortunate to be the first student in Weiyuan County after the college entrance examination. He studied hard at the Hexi College under the Qilian Mountains, devoted himself to realizing, and laid a solid foundation for oil painting. After graduating, he returned to his hometown middle school as an art teacher. Out of his obsession with painting, he finally resigned from work to seek development opportunities in Beijing. After 30 years of hard work, he finally grew into an artist who has a successful career and living in peace and career. From the rushing footsteps we stepped from a single country, we clearly heard the heroic and healthy of the sources from Weishui.

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Painting his familiar life is the only way for the artist to go to success, and Single National Tong is no exception. His series of works such as "The Loess House", "Village", "Busy Farming", "Homeland", "The Sun of the Sun" are the real life of thousands of years. As far as the language of oil painting is concerned, I think the work of "Loess Family" is a breakthrough in a single Guo Dong. Compared with his previous works, "Loess Family" appears to be more mature and old in the aspects of composition visual grasp, the reflection of the texture of the environment, the description of the dynamic atmosphere, and the use of light colors. Some concepts and stiff things that are difficult to get rid of it for a long time can be said that the skills melted in a deep understanding of life. The reason why we moved us because it emphasized the aesthetic itself so clearly and strengthened the one that can only be achieved by oil painting. Planting aesthetic realm and special charm. Judging from the overall pattern of the aesthetics of contemporary oil painting, its appearance may answer some questions we are exploring: the relationship between theme painting and real life; the modernity of realist creation; How can a generation of young painters growing in a state of survival to break through. Today, the subjective vision is valued, and the object has changed new, and the content of art and the form of art are also intertwined with each other. It is no longer so clear that "Loess Family" reflects this concentrated. This work has the environment, background, and character. Here, the existence of life is only a kind of support. The environmental characters are separated from objective things, becoming a carrier for painters to express their thoughts. Specifically, it is not just a description of a mental state in a specific environment on the edge of the Weihe River, but also reflects the essential requirements of oil painting and the artistic shock we expect through this state portrayal.

Loess

Judging from the picture composition, this is a simple painting: a farmer who lives on the Loess Plateau, under the high slope of the loess in the setting sun, came to the scene of picking water on the Weishui River. The yellow tone was deep and far away. It expresses rich emotions and magnificent realms in a concise language. It is realistic, and it is poetic, romantic, symbolic, and imaginative. As Shan Guodong said: "In terms of theme, we must respect their hometown and be awesome in art." In the painting of "Loess Family", we can feel the painter's nostalgia and pair of the homeland's native land and right. Oil painting creation of pious and correct attitude.

Light forest

Shan Guodong is a painter who pays attention to quality. This can be confirmed through his excellence in his work. Looking at the oil paintings of his hometown life in recent years, he is a painter who is diligent in thinking, good at absorbing, open -minded, and calm mind. Each of his paintings has both the mother of real life and the maternal body of model art. Some memories and feelings are what has been lingering in my mind for a long time after a long period of accumulation in my heart, and found a resonance point and excitement through a certain point through some point. The lingering affection for his hometown makes his work, especially in the eyes of the West, and warmth.

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With the increasing level of art level, Single Guodong deeply penetrated the pen to the upper reaches of the Loess Plateau -Qinghai -Tibet Plateau, and the character world of the nomadic people became another important theme in his pen. He has created a series of works such as the production and life of the Tibetan people's production and life. These works concentrated in different forms to express the real life of the Tibetan people and the natural style of Tibetan areas, and also show the blood relationship between Tibetan compatriots and children of all nations.

The Tibetan Plateau and Tibetan themes are a unique artistic tradition formed in the development of Chinese art. The traditional significance of studying this traditional meaning. The works of the Qinghai -Tibet Plateau and Tibetan themes in Chinese art reflect the leading creativity of contemporary art. It can be said that the context of connecting the art of the times from the root of Chinese culture. It is based on this understanding that Single Guodong has created a large number of Tibetan works. Large works such as "Old Man", "Riding Boys", and "Sun Daughter" use brushes to record the changes in Tibet's new society, new life, and new history. The work has a strong regional color, showing the original life of the Tibetan people.

One of the festivals

In the history of traditional Chinese art, many painters have shown the image of a minority character. However, these images are mostly used to praise the "emperor's skills" and show the elements of "the court of the court". For a long time, the subject matter of minority ethnic minorities has entered the mainstream art creation. After the founding of the People's Republic of China, ethnic themes have become one of the important creative materials for artists to sing a new era and praise New China. As a young painter, Shan Guodong has repeatedly penetrated the Snow Plateau many times, collected and sketch first -hand materials, and created a number of new life and new changes in the new era and new changes in the new era of the new era and the new spiritual appearance. work. These works reflect the creative concept of "from life and higher than life", which is undoubtedly the gaze and poetic performance of the aestheticization of reality. However, this gaze and expression originated from the real truth of the artist. The content of the work is surpassing the reality to a certain extent. The work "Holiday" series, with bright colors, unrestrained strokes, and showing the spring plateau during the festival, the joy, joy, and sunny breath come to the face, let the atmosphere of the breath, let the atmosphere of the sun, let the breath of the breath come to the face. People are immersed in the warmth of the upcoming plateau spring. This is the visual presentation of a single Guo Dong's poetic life, and the realistic language conveys a romantic atmosphere. The work of the Kangba man's "Temple Fair", with a close -up method of observation, uses a simple and realistic method to express the specific life of the Tibetan man. The painting does not seem to be injected with the subjective emotions of the painter, and there is no storyline to render the theme of the theme. In a way of describing the restoration, it presents a life situation of the original ecology, which makes people seem to smell the aroma of the crickets and butter tea, and it makes people feel the simplicity, powerful, and resolute Kangba man. temperament. Through the works, we can clearly feel that it is a long, mysterious, strange and romantic land, all of which are yearning and obsession. It is engraved with natural traces and sunlight, and the image of the Kangba man with time marks on time has induced the desire of the painter's expression. The custom of the Kangba people can sing and dance, the enthusiastic personality, and the diverse and rich national costumes, make the painter full of enthusiasm for interpretation.

The scenery under Qilian Mountain

Looking at the painting process of Shan Guodong, it is not difficult to find that artistic creation is not only a technical drill. Shan Guodong has infinite nostalgia and love for the hometown of Weishui source, and at the same time, he has a slightly sophisticated and wide academic attitude. The arrival of the new era has provided a huge stage for real oil painters. The source of Weishui has changed dramatically to the artists presenting endless and endless charming pictures. We wish the oil painter Shan Guodong, who came from the source of Weishui to create more masterpieces, forge a new journey, build a new era, and use a brush to depict the dazzling and beautiful chapter of his hometown. (Author/Wang Dongyuan/Gansu Daily)

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