The 13th China Art Festival National Outstanding Fine Arts Exhibition was held, and 4 works of Hubei Provincial Academy of Fine Arts were selected to participate in the exhibition

Changjiang Network (Trainee reporter Bao Meng Correspondent Julie) On September 7, the official website of the Ministry of Culture and Tourism of the People's Republic of China announced that 4 works in Hubei Provincial Art Institute have been strictly preliminary and finalized to participate in the "China Art Museum" The 13th China Art Festival National Outstanding Fine Art Exhibition ". Xie Xiaohong's Chinese painting "White", Zhu Jianxiang's print "Cornerstone", Xiang Xi's sculpture "Promoting Aesthetic Education", and Gao Peiyu's Chinese painting "Kagoka -Mobile Home".

It is understood that the "13th China Art Festival National Outstanding Fine Arts Exhibition" was jointly organized by the Ministry of Culture and Tourism, the Beijing Municipal People's Government, the Tianjin Municipal People's Government, and the Hebei Provincial People's Government. The form of art shows the major achievements and valuable experiences of the party and the country in the new era, showing the people's struggle and colorful life, inspiring the Chinese children to advance in the new era, and the new journey of sail. The exhibition time is from September 2nd to October 14th.

1. Xie Xiaohong's "White Kai Jian Jian"

Paper Gongbi Chinese Painting 170cm × 200cm 2020. Picture of Hubei Art Institute

Xie Xiaohong: The creative thinking of "White"

Art and era, art and life, art and aesthetic education have always been a subject that artists need to face and think and practice. Art and artists have never been absent in important time nodes and major historical events.

In 2020, the new crown is raging. In this context, "White" is a piece of work on a work of artistic records as its own responsibility. With symbolic concepts, using realistic artistic language, using the composition of a tie, to create a group of young medical workers, and white clothing into the strong and fearless image before the war. This work is full of respect for the most beautiful "retrograde" as the most ordinary and great "retrograde" as the ordinary and great ".

In the creative method, work is equally important. It has both the figurative shape and abstraction. The freehand brushes are integrated in the work, and the freehand spirit of the gongbi painting is contained in the performance of the pen and ink language. The "Shangyi" and the "Shang Xing" of Gongbi Painting have been consciously fused in the creative practice of Chinese painting "White", and developed with each other. I think this is also one of the effective ways to develop the character painting.

Strengthening the creation of realistic themes is the mainstream orientation of literary and artistic work in the new era, and it is also the new requirements and new expectations of literary and artistic creation at present and in the future.

Following the basic principles of realist art creation in the Chinese painting "White", take the major events of social events as the starting point, depict the ordinary and great typical figures around them, and reflect the spirit of the times. The creation expresses my deep attention to reality as an artist and praise for humanity in major events.

2. Zhu Jianxiang "Cornerstone"

Print 180cm × 65cm 2021. Picture of Hubei Art Institute

Zhu Jianxiang: "Cornerstone" creation speech

In the summer of the ancient town of Pu, the hot and humid. As the once prosperous water transport terminal, it is a pivotal position in western Hunan. It is a transportation and commercial center in western Hunan. Mr. Shen Congwen came to Pushi from Phoenix many times, and then took a boat from Qijiang to the outside world.

In recent years, I have also walked through one of the ancient post roads many times. It was a complete preserved in the Ming Dynasty stone road, which was twisted, ups and downs. The vicissitudes of history are like the mottled stamps left on the high wall of the ancient courtyard of the ancient alley in Pushi, which is intriguing. As a result, in the breath of the ancient town, there is a thickness and simplicity.

People in Pushi maintain a relatively original lifestyle, especially the five -day rushing collection. Whenever the lunar calendar, the folks around the ancient town came out of the mountains and gathered together. Some of them brought their own agricultural products and changed After getting some money, I ran to the teahouse, spent three or four yuan, drank a cup of old tea, accompanied by some peanut melon seeds.

When I saw those old farmers wearing casual and shirtless, and with no modified smiles, I couldn't help but look at it, but I was moved by an inexplicable movement. I will bring this movement to my work, and I think that the lively simplicity cannot be touched in some places.

The printing work "Cornerstone" created this time comes from my hometown. It was a migrant worker who was moving the cornerstone of the road. On the day of the collection, the crowds of crowds on the old street were surging, but if no one beside him, he was doing his work quietly. On the skin, it shone brilliantly. From his face, he saw not suffering, but calmly and perseverance. In my creation, I use realistic woodcut techniques to use the size of the frame as the material of the material to enhance the truth of vision, and at the same time abandon all the scenes around to highlight the image of the characters. Through common ordinary labor, the work means the improvement and progress of Chinese society in the new era. Relying on the individual of life and craftsmanship in all walks of life, it continuously improves itself, inherits the spirit and quality of professionalism, and builds a solid foundation for society.

3. Xiang Yi "Promotion Aesthetic Education"

The sculpture height is 132cm in 2022. Picture of Hubei Art Institute

Xiang Yi: "Promoting Aesthetic Education" creation speech

"Promoting Aesthetic Education" records the representative of Chinese artists who study the aesthetic education to save the country in the long history of Chinese art in the 20th century. The background of the sculpture creation was in the situation of violent social changes. The creative theme characters are ambitious and far -reaching, and go to Paris, the capital of the world at that time. It is also a magnificent chapter in modern Chinese art entrepreneurship. The theme of the work is trying to set the sights on the "pioneer roads" created by these pioneers through historical curtains, highlighting the pioneering initiative of the subject and the ideal of the aesthetic education to save the country. From 1911 to 1949, the aspiring young people in China began to board the Bordeaux cruise one after another. It took more than a month of sailing and came to the sanctuary of their arts, France, and opened the journey of learning Western art. Most of these leaders of these art exploration have become an important figure in the development of Chinese art in the 20th century. They have changed the appearance of Chinese art and brought the fire of modern art to Chinese art.

Today, a century later, it is a "solid, eternal" historical commemoration to the important events of this history of modern Chinese culture with sculptures. The creative idea of ​​sculpture works is to present many fresh faces on the art roads that are westward and seeking new knowledge through in -depth research to sort out many historical materials, old photos, and character biography.

In the 40 years of the early 20th century, these arts from the East went to study or study in France, but the nutrition and artistic propositions that everyone absorbed and returned was different. Fighting. Cai Yuanpei advocated the idea of ​​"aesthetic education to save the country"; Xu Beihong's draw on western classical art; Lin Fengmian advocated the use of Chinese and Western integration and the use of color ink. These irrelevant pioneers' ideas are expressed in the form of sculpture creation of characters. This time the sculpture creation is further created on the sculpture light and shadow. Taking the research foundation of the new visual effects of the sculpture, the research of light and shadow shaping, the theme of historical figures, and finding the fitting characteristics and the visual processing of light and shadow in the background of its era. Highlight the character and the times.

Fourth, Gao Peiyu's "Cargo Kaji -Mobile Home"

Chinese painting 182cm × 187cm 2019. Picture of Hubei Art Institute

Gao Peiyu: "Cargo Katan -Mobile Home" creative speech

The work of "Kagka -Mobile Home" originated from the 30 million nomadic group of the truck driver, which intuitively reflects their status quo on the road. The labor people are the most glorious and greatest. The rapid development of society is inseparable from the efforts of the labor people. 13.68 million trucks contribute to us together. Truck drivers played an important role in this society. They let China let China The blood of the economy flows rapidly, but they are not understood by most people. Many of them are couples with each other. They ran around the road all year round. Close the door and open the door. In this truck, the breath is full of life, there are center consoles that facilitate storage, there are pots and pans used for life, beds and bedding, and there are "cards" before departure. The old -fashioned cakes have paintings painted by children in the cab ... more and more home follows the road.

The theme of this creation is rooted in real life. From the perspective of realism, it romanticly expresses the work and living conditions of ordinary people, and intuitively reflects the hard work, simplicity, and longing for the life of the people in the new era. The work adopts the gongbi color in the form of traditional Chinese painting. The use of pure natural mineral pigments is used to set colors. The unique composition form and perspective enhance the level and space of the picture, give the picture impact, and enhance the artistic expression of Chinese painting. Create a happy living state of "Kago Kaisu", and reproduce the warm scene of the "moving home" on the truck. It is thick, pure and more sense. Reality, life is the main artistic style.

Attachment: The list of exhibition exhibition works on the 13th China Art Festival

[Edit: Xiong Zhanping]

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