Li Shaojun: On the spirit of Chinese poetry

The source of the spirit of Chinese poetry is "poetry". "Poetry" advocates advocating a kind of value and a spirit. Qu Yuan, Tao Yuanming, Chen Ziang, Li Bai, Du Fu, Han Yu, Su Dongpo, Wen Tianxiang, etc. are all representative figures. Their "poetry and words" traditions have constructed the spiritual context of Chinese poetry.

"Poetry" is the highest standard and golden law of Chinese poetry. What is "Zhi"? Xu Shen's "Speaking of the Word" said: "Aspirations, meaning. From the heart, the voice of the heart, the mind can be understood as the meaning of will, intention, meaning, thought, etc. In short, it belongs to the spiritual category. There are also understanding of emotions, namely emotion and thoughts, as Tang Kong Yingda said, "In your own love, emotional aspirations, and emotions", but I think that love is personal, aspirations, aspirations, aspirations, aspirations, aspirations, aspirations, aspirations, aspirations, aspirations. Including the perspective of others and society. For example, love is a personal activation. Blood is more public. Therefore, I feel that "poetry and words" are expressing their feelings, ideals, and aspirations, that is, to advocate value and promote the spirit.

"Poetry and words", poetry comes from emotions, but should be surpassed by general emotions. Beyond, based on emotion. Poetry is the highest form of text. It cannot be equivalent to general emotional expression and emotional vent. Poetry should have a higher mission: poetry. The source of the spirit is emotion, but emotion does not add control, and it flows into the instinct of desire; after dredging and promotion, emotion may be converted into Tao or reason, and may eventually transform into spirit.

The earliest establishment of Chinese poetry spirit was Qu Yuan. He pursued the nobleness of the soul and the perfection of personality. He refused to be contaminated with the same flow in order to desire, and would rather give up his righteousness. The spirit conveyed by his poems shows a strong personality charm and appeal. Qu Yuan's "Li Sao" best reflects this noble and highly determined spirit of poetry and his determination to insist on his ideals. Seeking ". Qu Yuan shows a model of ideal personality and reflects the power of the spirit of poetry.

Tao Yuanming and Chen Ziang are the pioneers of the spirit of Chinese poetry. Tao Yuanming does not seek wealth, does not fold the waist for the five buckets of rice, and speaks the poverty. His "Return to Come": "Going back, the countryside will not return Wuhu? … The real fascination is not far away, and I feel that it is yesterday. " Behind Tao Yuanming's blandness is the wind and bone weather of his "defending the road", so he has always been elected as a role model for scholars' spirit. When Chen Ziang was popular, when he was popular, he realized that the spiritual value he valued in his heart must be sounded through poetry. , Jin Song Mo Chuan "calls for the restoration of the main wave of poetry that emphasizes pursuit of pursuit, that is, Han Wei Fengfeng and Xingjiao tradition. Chen Ziang complied with the requirements of the times, and his arms were shouted.

The two representatives stand side by side in Chinese poetry are Li Bai and Du Fu. They appeared during the Tang Dynasty, and at that time it was also the rising period of youth of Chinese culture. Li Bai's self -reliance and self -proud personality can always see the poems at any time: "Although it is less than seven feet, and the heart is great", "Born my material will be useful", "Laughing out of the sky, can I go out, can I be a man in the artemisia", "An Neng can destroy the eyebrows Back the waist and wealth, so that I can't be happy. " Li Baichong's freedom of Luo.com, such as Dapeng's wings soaring for nine days. He has widened the spiritual power from the past, and can be said to be a collection of free will, romanticism, idealism, and heroism, so Gong Zizhen commented on Li Bai: "Zhuang Qu Shi Er, not merged, and thought of the heart, self -confidence beginning . Confucian Xia Shi San, I can't close it, I think of it, and I start with confidence. "

Du Fu is the aesthetic spokesperson of Confucianism. Du Fu had a strong personal subject when he was young. Later, Du Fu deeply appreciated the suffering of the people, jumped out of the attention of his own, and spread the care to the majority of the world. His realm is constantly sublimating, his mind is increasingly open, and his vision has become more magnificent. He has become a poet with "saint" feelings, so he historically calls "poetry saint". Du Fu's most famous poem "Hutch is broken by autumn wind". The thatch in his own room was blown away by the autumn wind, and the wind was changed, the rain was dripping, the bedside was leaked, the night was wet, and the wind and rain could not fall asleep all night. However, the poet did not blame himself, but his own situation, thinking that tens of millions of people in the world are also in the fate of departure. The poet calls the ideal of sacrificing himself into the world. Foot! "This" benevolent love "thought is the inheritance and promotion of the Confucian spirit, and its poetry can be described as the best interpreter of the Confucian spirit.

The development of the spirit of Chinese poetry is Han Yu. At the historic moment of chaotic thoughts, Han Yu hated the flood of lust, the luxury of rhetoric and the heresy confusion, and began to launch the movement of "original" and "original school", showing a conscious cultivation and cultivation, and opening a new literary revolution. Han Yu Gao's banner of "Dao" wrote the famous literary theory such as "Original Road" and "Teacher's Story". "Original Tao" emphasizes the importance of "Tao", and "Master" pointed out the necessity of "preaching". Han Yu implemented his "Tao" in his poetry and became the practitioner of "poetry and words", and he was also the leader of the "preaching" literary revival movement.

It is Su Dongpo who practiced the spirit of Chinese poetry in the end. In the Wutai Poetry Case, Su Dongpo was degraded in Huangzhou, but he insisted on the "Tao" in his heart. He said in the letter to his friends: "Although I am old and poor, the truth is the heart and liver, and the loyalty to fill the bone marrow. On the occasion of life and death. If you see the servants who are poor, you will be in love with each other, then you will not learn the Tao, and you will be far away. " He claims that his life -free work "Huangzhou, Huizhou, and Dazhou". These three places are exactly the place where it is degraded. It can be understood that in the most difficult time, Su Dongpo still insists on the "Tao" as the highest standard and walks firmly in firmly and firmly. On the road of "sidewalk", he was firm in his heart and continued to improve himself with the standard of "Tao".

It is Wen Tianxiang who promoted the spirit of Chinese poetry to Hao Ran. His "Song of the Qi" was written in the prisoner. Although "the room is eight feet, it can be four in depth. The single is low, the white room is short, the dirty and dark", but Wen Tianxiang deeply feels the existence of the righteousness. The premises "Song of the Qi": "There is righteousness in the world, and the flowing shape. The bottom is Heyue and the upper is the star star. Tianzhu depends on the respect. The three outlines are the root of life, and morality is the root. " Wen Tianxiang suffered in danger and trapped in a prisoner, but because of the glory and mental motivation of sages between heaven and earth, Hao Ranqi was righteous and calm.

The saying "Hao Ran's Qi" comes from Mencius. He called the upward psychiatric power "the spirit of the vast." Mencius said: "Husbands, the handsomeness of qi; qi, body filling also ... I am good at nourishing my vast qi ... It is also qi, to the big to rigid, and it is harmless to nourish. . It is also qi, with righteousness and Tao. There is no, discouraged. " The "Qiran Qi" here is a kind of psychiatric power, but this kind of psychiatric force "is a person who is born of righteousness, and it is not impacted. "Hao Ran's Qi" needs to be cultivated for a long time, otherwise it will not grow and improve. It requires generations of Chinese poets to inject their efforts to enhance energy. This "vast spirit" is also the spirit of Chinese poetry that continues to bless Chinese civilization.

Li Shaojun, born in 1967, was born in Xiangxiang, Hunan. He graduated from the Department of Journalism of Wuhan University in 1989. He has a number of "Nature Collection", "Grassroots Collection", "Haitian Collection" and "Shoulder for Spring". poet". He is currently a member of the Full Committee of the Chinese Writers Association, the editor -in -chief of the Poetry Magazine, and a first -level writer.

- END -